Orchestra Città Aperta, Filippo Farinelli, David Brutti, Mario Caroli, Orchestra Città Aperta Wind Ensemble, Atem Saxophone Quartet, Duo Disecheis - Koechlin: Complete Music for Saxophone (2012)
BAND/ARTIST: Orchestra Città Aperta, Filippo Farinelli, David Brutti, Mario Caroli, Orchestra Città Aperta Wind Ensemble, Atem Saxophone Quartet, Duo Disecheis
- Title: Koechlin: Complete Music for Saxophone
- Year Of Release: 2015
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 03:01:50
- Total Size: 667 mb
- WebSite: Album Preview
Tracklist
01. Sonatine, Op. 194 No. 1: I. Andante quasi adagio
02. Sonatine, Op. 194 No. 1: II. Andante con moto
03. Sonatine, Op. 194 No. 1: III. Andante assez allant
04. Sonatine, Op. 194 No. 1: IV. Andante con moto
05. Sonatine, Op. 194 No. 1: V. Allegro moderato
06. Sonatine, Op. 194 No. 1: I. Andante très calme
07. Sonatine, Op. 194 No. 1: II. Andante con moto (2)
08. Sonatine, Op. 194 No. 1: III. Presque adagio
09. Sonatine, Op. 194 No. 1: IV. Final
10. Monodie No. 9 from 12 Monodies, Op. 213, for Alto Saxophone
11. Le repos de Tityre from 11 Monodies pour Instrument à vent, Op. 216, for Soprano Saxophone
12. 24 Duos, Op. 186 for Two Saxophones: No. 1 in G Minor
13. 24 Duos, Op. 186 for Two Saxophones: No. 2 in E-Flat Major
14. 24 Duos, Op. 186 for Two Saxophones: No. 3 in F Minor. Andante sostenuto
15. 24 Duos, Op. 186 for Two Saxophones: No. 4 in A-Flat Major. Allant
16. 24 Duos, Op. 186 for Two Saxophones: No. 5 in F-Sharp Minor. Andantino
17. 24 Duos, Op. 186 for Two Saxophones: No. 6 in A Major. Allegro moderato
18. 24 Duos, Op. 186 for Two Saxophones: No. 7 in A Minor
19. 24 Duos, Op. 186 for Two Saxophones: No. 8 in E Major. Allegretto
20. 24 Duos, Op. 186 for Two Saxophones: No. 9 in E-Flat Minor. Andantino presque adagio
21. 24 Duos, Op. 186 for Two Saxophones: No. 10 in D Major. Allegro moderato
22. 24 Duos, Op. 186 for Two Saxophones: No. 11 in F Major. Tranquillo, sans trainer
23. 24 Duos, Op. 186 for Two Saxophones: No. 12 in D Minor. Andante con moto
24. 24 Duos, Op. 186 for Two Saxophones: No. 13 in G Major. Allegretto con moto
25. 24 Duos, Op. 186 for Two Saxophones: No. 14 in G-Flat Major. Allegretto, clair-bien allant
26. 24 Duos, Op. 186 for Two Saxophones: No. 15 in B Major. Andante con moto, à la blanche
27. 24 Duos, Op. 186 for Two Saxophones: No. 16 in B Major. Allegretto con moto
28. 24 Duos, Op. 186 for Two Saxophones: No. 17 in B Minor. Andante espressivo
29. 24 Duos, Op. 186 for Two Saxophones: No. 18 in A Minor. Presque adagio-Canon à l'octave
30. 24 Duos, Op. 186 (1946) for two Saxophones: No. 19 in C Minor. Moderato tranquillo-Canon à l'octave
31. 24 Duos, Op. 186 for Two Saxophones: No. 20 in E Minor. Moderato-Canon à la quinte, Non modulant
32. 24 Duos, Op. 186 for Two Saxophones: No. 21 in B Minor. Andante pas trop Lent-Canon à la quinte, modulant
33. 24 Duos, Op. 186 for Two Saxophones: No. 22 in D Major. Dolce très clair-Canon à la quarte inferieure, modulant
34. 24 Duos, Op. 186 for Two Saxophones: No. 23 in D Minor. Andante molto tranquillo-Canon par mouvement contraire
35. 24 Duos, Op. 186 for Two Saxophones: No. 24 in C Major. Allegretto moderato, ben Legato espressivo-Canon à la neuvieme, très modulant
36. 15 Etudes, Op. 188 for Alto Saxophone and Piano: I. Pour les traits rapides
37. 15 Etudes, Op. 188 for Alto Saxophone and Piano: II. Pour le Sons liés et le Charme de la Sonorité
38. 15 Etudes, Op. 188 for Alto Saxophone and Piano: III. Pour les Arpèges
39. 15 Etudes, Op. 188 for Alto Saxophone and Piano: IV. Pour la Douceur des Attaques
40. 15 Etudes, Op. 188 for Alto Saxophone and Piano: V. Pour le Charme du Son dans un Mouvement vif
41. 15 Etudes, Op. 188 for Alto Saxophone and Piano: VI. Pour le Style soutenu et doux, en Son lies
42. 15 Etudes, Op. 188 for Alto Saxophone and Piano: VII. Pour les Sons liés et le Charme de la Sonorité
43. 15 Etudes, Op. 188 For Alto Saxophone And Piano: VIII. Pour Les Notes En Staccato, Et Le Mélange De Legato Et Staccato
44. 15 Etudes, Op. 188 for Alto Saxophone and Piano: IX. Pour la Longueur de la Respiration et l'Egalité du Son
45. 15 Etudes, Op. 188 for Alto Saxophone and Piano: X. Pour la qualité du son dans un style soutenu
46. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XI. Pour la solidité du rythme
47. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XII. Pour l'égalité du son et pour les nuances
48. 15 Etudes, Op. 188 For Alto Saxophone And Piano: XIII. Pour L'Égalité Du Son
49. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XIV. Pour une sonorité soutenue et expressive, pour la douceur du Grave et de l'aigu
50. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XV. Pour les accents qui doivent donner le rythme de la phrase
51. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: III. Andante presque adagio
52. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: V. Adagio
53. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: VII. Andante
54. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: X. Andante
55. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XII. Adagio
56. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XIV. Andante con moto
57. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XV. Très doux, Presque adagio
58. Epitaphe de Jean Harlow, Op. 164
59. Septuor pour instruments à vent, Op. 165 for Wind Septet: I. Monodie
60. Septuor pour instruments à vent, Op. 165 for Wind Septet: II. Pastorale
61. Septuor pour instruments à vent, Op. 165 for Wind Septet: III. Intermezzo
62. Septuor pour instruments à vent, Op. 165 for Wind Septet: IV. Fugue
63. Septuor pour instruments à vent, Op. 165 for Wind Septet: V. Sérénité
64. Septuor pour instruments à vent, Op. 165 for Wind Septet: VI. Fugue
65. Septuor pour instruments à vent, Op. 165 for Wind Septet: I. 'La vie s'ouvre devant toi' (for Wind Septet)
66. Septuor pour instruments à vent, Op. 165 for Wind Septet: II. 'Va librement!', for Eleven Wind Instruments
67. 15 Préludes pour Piano, Op. 209: No. 5, Andante trés calme expressif intérieurement
68. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: I. Andante quasi adagio
69. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: II. Andante con moto
70. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: III. Andante assez allant
71. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: IV. Andante con moto
72. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: V. Allegro moderato
73. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: I. Andante très calme
74. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: II. Andante con moto
75. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: III. Presque adagio
76. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: IV. Final
Charles Koechlin, music theorist as well as composer, was a significant figure in the vibrant early 20th century whirl of Parisian culture. After studying under as Jules Massenet and Gabriel Fauré, the latter being an enormous influence on his music, Koechlin co-founded the Société musicale indépendante in 1909 and many years later became president of the Féderation Musicale Populaire. Starstruck by Hollywood, Koechlin often found inspiration in its legendary figures and dedicated many pieces to actresses such as Greta Garbo, Jean Harlow and Lilian Harvey.
Koechlin’s compositional style contains elements of impressionism, and his developing interest in the saxophone can be closely linked to his enthusiasm for 1930s cinema. Twenty years later, the publication of his Traité de l’orchestration, in which he praised the saxophone for its sonority and agility, coincided with that of a set of 15 studies for the instrument. These studies, of varying length and character, feature in this collection, alongside works such as the Deux Sonatinas, Septuor pour instruments à Vent, and the celebrated Epitaphe pour Jean Harlow.
Formed in 2001 by David Brutti and Filippo Farinelli, the Duo Disecheis explores 20th-century and contemporary chamber music. Having performed at many prestigious festivals and venues throughout Europe, the duo has achieved enormous success in international competitions and has collaborated with composers such as Paolo Baioni, Stefano Trevisi and Dimitri Nicolau. Joining the duo on this recording is the Atem Saxophone Quartet, which has received critical acclaim for its performances at numerous chamber music and jazz festivals.
01. Sonatine, Op. 194 No. 1: I. Andante quasi adagio
02. Sonatine, Op. 194 No. 1: II. Andante con moto
03. Sonatine, Op. 194 No. 1: III. Andante assez allant
04. Sonatine, Op. 194 No. 1: IV. Andante con moto
05. Sonatine, Op. 194 No. 1: V. Allegro moderato
06. Sonatine, Op. 194 No. 1: I. Andante très calme
07. Sonatine, Op. 194 No. 1: II. Andante con moto (2)
08. Sonatine, Op. 194 No. 1: III. Presque adagio
09. Sonatine, Op. 194 No. 1: IV. Final
10. Monodie No. 9 from 12 Monodies, Op. 213, for Alto Saxophone
11. Le repos de Tityre from 11 Monodies pour Instrument à vent, Op. 216, for Soprano Saxophone
12. 24 Duos, Op. 186 for Two Saxophones: No. 1 in G Minor
13. 24 Duos, Op. 186 for Two Saxophones: No. 2 in E-Flat Major
14. 24 Duos, Op. 186 for Two Saxophones: No. 3 in F Minor. Andante sostenuto
15. 24 Duos, Op. 186 for Two Saxophones: No. 4 in A-Flat Major. Allant
16. 24 Duos, Op. 186 for Two Saxophones: No. 5 in F-Sharp Minor. Andantino
17. 24 Duos, Op. 186 for Two Saxophones: No. 6 in A Major. Allegro moderato
18. 24 Duos, Op. 186 for Two Saxophones: No. 7 in A Minor
19. 24 Duos, Op. 186 for Two Saxophones: No. 8 in E Major. Allegretto
20. 24 Duos, Op. 186 for Two Saxophones: No. 9 in E-Flat Minor. Andantino presque adagio
21. 24 Duos, Op. 186 for Two Saxophones: No. 10 in D Major. Allegro moderato
22. 24 Duos, Op. 186 for Two Saxophones: No. 11 in F Major. Tranquillo, sans trainer
23. 24 Duos, Op. 186 for Two Saxophones: No. 12 in D Minor. Andante con moto
24. 24 Duos, Op. 186 for Two Saxophones: No. 13 in G Major. Allegretto con moto
25. 24 Duos, Op. 186 for Two Saxophones: No. 14 in G-Flat Major. Allegretto, clair-bien allant
26. 24 Duos, Op. 186 for Two Saxophones: No. 15 in B Major. Andante con moto, à la blanche
27. 24 Duos, Op. 186 for Two Saxophones: No. 16 in B Major. Allegretto con moto
28. 24 Duos, Op. 186 for Two Saxophones: No. 17 in B Minor. Andante espressivo
29. 24 Duos, Op. 186 for Two Saxophones: No. 18 in A Minor. Presque adagio-Canon à l'octave
30. 24 Duos, Op. 186 (1946) for two Saxophones: No. 19 in C Minor. Moderato tranquillo-Canon à l'octave
31. 24 Duos, Op. 186 for Two Saxophones: No. 20 in E Minor. Moderato-Canon à la quinte, Non modulant
32. 24 Duos, Op. 186 for Two Saxophones: No. 21 in B Minor. Andante pas trop Lent-Canon à la quinte, modulant
33. 24 Duos, Op. 186 for Two Saxophones: No. 22 in D Major. Dolce très clair-Canon à la quarte inferieure, modulant
34. 24 Duos, Op. 186 for Two Saxophones: No. 23 in D Minor. Andante molto tranquillo-Canon par mouvement contraire
35. 24 Duos, Op. 186 for Two Saxophones: No. 24 in C Major. Allegretto moderato, ben Legato espressivo-Canon à la neuvieme, très modulant
36. 15 Etudes, Op. 188 for Alto Saxophone and Piano: I. Pour les traits rapides
37. 15 Etudes, Op. 188 for Alto Saxophone and Piano: II. Pour le Sons liés et le Charme de la Sonorité
38. 15 Etudes, Op. 188 for Alto Saxophone and Piano: III. Pour les Arpèges
39. 15 Etudes, Op. 188 for Alto Saxophone and Piano: IV. Pour la Douceur des Attaques
40. 15 Etudes, Op. 188 for Alto Saxophone and Piano: V. Pour le Charme du Son dans un Mouvement vif
41. 15 Etudes, Op. 188 for Alto Saxophone and Piano: VI. Pour le Style soutenu et doux, en Son lies
42. 15 Etudes, Op. 188 for Alto Saxophone and Piano: VII. Pour les Sons liés et le Charme de la Sonorité
43. 15 Etudes, Op. 188 For Alto Saxophone And Piano: VIII. Pour Les Notes En Staccato, Et Le Mélange De Legato Et Staccato
44. 15 Etudes, Op. 188 for Alto Saxophone and Piano: IX. Pour la Longueur de la Respiration et l'Egalité du Son
45. 15 Etudes, Op. 188 for Alto Saxophone and Piano: X. Pour la qualité du son dans un style soutenu
46. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XI. Pour la solidité du rythme
47. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XII. Pour l'égalité du son et pour les nuances
48. 15 Etudes, Op. 188 For Alto Saxophone And Piano: XIII. Pour L'Égalité Du Son
49. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XIV. Pour une sonorité soutenue et expressive, pour la douceur du Grave et de l'aigu
50. 15 Etudes, Op. 188 for Alto Saxophone and Piano: XV. Pour les accents qui doivent donner le rythme de la phrase
51. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: III. Andante presque adagio
52. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: V. Adagio
53. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: VII. Andante
54. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: X. Andante
55. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XII. Adagio
56. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XIV. Andante con moto
57. 7 Pièces from 15 pièces pour cor et Piano, Op. 180 for Tenor Saxophone and Piano: XV. Très doux, Presque adagio
58. Epitaphe de Jean Harlow, Op. 164
59. Septuor pour instruments à vent, Op. 165 for Wind Septet: I. Monodie
60. Septuor pour instruments à vent, Op. 165 for Wind Septet: II. Pastorale
61. Septuor pour instruments à vent, Op. 165 for Wind Septet: III. Intermezzo
62. Septuor pour instruments à vent, Op. 165 for Wind Septet: IV. Fugue
63. Septuor pour instruments à vent, Op. 165 for Wind Septet: V. Sérénité
64. Septuor pour instruments à vent, Op. 165 for Wind Septet: VI. Fugue
65. Septuor pour instruments à vent, Op. 165 for Wind Septet: I. 'La vie s'ouvre devant toi' (for Wind Septet)
66. Septuor pour instruments à vent, Op. 165 for Wind Septet: II. 'Va librement!', for Eleven Wind Instruments
67. 15 Préludes pour Piano, Op. 209: No. 5, Andante trés calme expressif intérieurement
68. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: I. Andante quasi adagio
69. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: II. Andante con moto
70. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: III. Andante assez allant
71. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: IV. Andante con moto
72. Sonatine, Op. 194 No. 1 for Soprano Saxophone and Chamber Orchestra: V. Allegro moderato
73. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: I. Andante très calme
74. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: II. Andante con moto
75. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: III. Presque adagio
76. Sonatine, Op. 194b No. 2 for Soprano Saxophone and Chamber Orchestra: IV. Final
Charles Koechlin, music theorist as well as composer, was a significant figure in the vibrant early 20th century whirl of Parisian culture. After studying under as Jules Massenet and Gabriel Fauré, the latter being an enormous influence on his music, Koechlin co-founded the Société musicale indépendante in 1909 and many years later became president of the Féderation Musicale Populaire. Starstruck by Hollywood, Koechlin often found inspiration in its legendary figures and dedicated many pieces to actresses such as Greta Garbo, Jean Harlow and Lilian Harvey.
Koechlin’s compositional style contains elements of impressionism, and his developing interest in the saxophone can be closely linked to his enthusiasm for 1930s cinema. Twenty years later, the publication of his Traité de l’orchestration, in which he praised the saxophone for its sonority and agility, coincided with that of a set of 15 studies for the instrument. These studies, of varying length and character, feature in this collection, alongside works such as the Deux Sonatinas, Septuor pour instruments à Vent, and the celebrated Epitaphe pour Jean Harlow.
Formed in 2001 by David Brutti and Filippo Farinelli, the Duo Disecheis explores 20th-century and contemporary chamber music. Having performed at many prestigious festivals and venues throughout Europe, the duo has achieved enormous success in international competitions and has collaborated with composers such as Paolo Baioni, Stefano Trevisi and Dimitri Nicolau. Joining the duo on this recording is the Atem Saxophone Quartet, which has received critical acclaim for its performances at numerous chamber music and jazz festivals.
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