Filippo Farinelli, Claudia Giottoli, Simone Frondini, Luca Franceschelli, Simone Simonelli - Hindemith: Complete Sonatas for Wind Instruments and Piano (2021)
BAND/ARTIST: Filippo Farinelli, Claudia Giottoli, Simone Frondini, Luca Franceschelli, Simone Simonelli, Gabriele Falcioni, Vincenzo Pierotti, Gabriele Marchetti, David Brutti, Gianluca Grosso
- Title: Hindemith: Complete Sonatas for Wind Instruments and Piano
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:14:25
- Total Size: 510 mb
- WebSite: Album Preview
Tracklist
01. Sonata for Flute and Piano: I. Heiter Bewegt
02. Sonata for Flute and Piano: II. Sehr Langsam
03. Sonata for Flute and Piano: III. Sehr Lebhaft - Marsch
04. Sonata for Oboe and Piano: I. Munter
05. Sonata for Oboe and Piano: II. Sehr Langsam-Lebhaft-Sehr Langsam-Wieder Lebhaft
06. Sonata for Bassoon and Piano: I. Leicht Bewegt
07. Sonata for Bassoon and Piano: II. Langsam-Marsch-Beschulss, Pastorale. Ruhig
08. Sonata for Clarinet and Piano: I. Mäßig Bewegt - Sehr Ruhig
09. Sonata for Clarinet and Piano: II. Lebhaft
10. Sonata for Clarinet and Piano: III. Sehr Langsam-Ein Wenig Fließender-Wie Am Anfang
11. Sonata for Clarinet and Piano: IV. Kleines Rondo, Gemächlich
12. Sonata for Horn and Piano: I. Mäßig Bewegt-Frisch-Lebhaft
13. Sonata for Horn and Piano: II. Ruhig Bewegt
14. Sonata for Horn and Piano: III. Lebhaft-Langsam-Wie Vorher-Koda. Etwas Breiter
15. Sonata for Trumpet and Piano: I. Mit Kraft-Breit-Wie Vorher
16. Sonata for Trumpet and Piano: II. Mäßig Bewegt-Lebhaft-Wie Zuerst-Wie Vorher
17. Sonata for Trumpet and Piano: III. Trauermusik. Sehr Langsam-Ruhig Bewegt - Wie Am Anfang-Sehr Ruhig
18. Sonata for English Horn and Piano: I. Slow
19. Sonata for English Horn and Piano: II. Allegro Pesante
20. Sonata for English Horn and Piano: III. Moderate
21. Sonata for English Horn and Piano: IV. Scherzo, Fast
22. Sonata for English Horn and Piano: V. Moderate
23. Sonata for English Horn and Piano: Vi. Allegro Pesante
24. Sonata for Trombone and Piano: I. Allegro Moderato Maestoso
25. Sonata for Trombone and Piano: II. Allegretto Grazioso
26. Sonata for Trombone and Piano: III. Allegro Pesante
27. Sonata for Trombone and Piano: IV. Allegro Moderato Maestoso
28. Sonata for Alto Saxophone and Piano: I. Ruhig Bewegt
29. Sonata for Alto Saxophone and Piano: II. Lebhaft
30. Sonata for Alto Saxophone and Piano: III. Sehr Langsam
31. Sonata for Alto Saxophone and Piano: Das Posthorn, Zwiegespräch
32. Sonata for Alto Saxophone and Piano: IV. Lebhaft
33. Sonata for Tuba and Piano: I. Allegro Pesante-Poco Lento
34. Sonata for Tuba and Piano: II. Allegro Assai
35. Sonata for Tuba and Piano: III. Variationen. Moderato, Commodo-Scherzando, L'istesso Tempo-Lento-Allegro-Lento-Wie Am Anfang Des Satzes
36. Echo for Flute and Piano
The first complete recorded collection of Hindemith’s Wind Sonatas: a gallery in sound of sketches and portraits from the turbulent decades of the mid-20th-century.
Paul Hindemith’s (1895-1963) systematic approach to composition, his Haydn-like industry and invention, produced no fewer than 10 sonatas for wind instruments between 1936 and 1955. Even in the years prior to these sonatas, Hindemith had proved to be a highly versatile musician: apart from being a virtuoso violist, an excellent violinist and pianist, he could also hold his own on bassoon, cello and a range of percussion instruments. It is hardly surprising that so versatile and resourceful a musician should have composed the singularly rich and unusual collection of works to which the two CDs of this recording are devoted.
Considered as a body of work, the Wind Sonatas demonstrate Hindemith’s original tonal idiom and his gift for new and personal melodies; his structural invention within inherited sonata forms; his renewal of the instrumental tradition of the 18th and 19th centuries; his skill and sympathy in handling the specific features of each instrument. Hindemith continually has a surprise up his sleeve – such as the finale of the Trumpet Sonata, which opens in grand heroic style but winds up in mournful meditation on a Lutheran chorale, ‘Alle Menschen müssen sterben’. Even more original is the argument of the Saxophone Sonata’s finale, prefaced in the score by an imaginary dialogue in which the pianist begs the saxophonist to search for ‘Silence, Sense and Form’ – brought to life by the soloist’s liquid reflections over the top of the pianist’s noisy whirlwind.
This release is the latest in a series featuring the pianist Filippo Farinelli accompanying fellow-Italian musicians in major collections of song and chamber music by 20th-century composers: among them the complete songs of Berg (95549), Dallapiccola (95202), Jolivet (9220) and Ravel (94743) and the first collection on disc of Charles Koechlin’s output for saxophone (9266), featuring the soloist on this recording, David Brutti. Reviewing the Dallapiccola, Tim Ashley in Gramophone remarked: ‘This is a hugely important issue… The set’s star is its pianist, Filippo Farinelli, whose playing is impeccably lapidary and pointillistic throughout.’
01. Sonata for Flute and Piano: I. Heiter Bewegt
02. Sonata for Flute and Piano: II. Sehr Langsam
03. Sonata for Flute and Piano: III. Sehr Lebhaft - Marsch
04. Sonata for Oboe and Piano: I. Munter
05. Sonata for Oboe and Piano: II. Sehr Langsam-Lebhaft-Sehr Langsam-Wieder Lebhaft
06. Sonata for Bassoon and Piano: I. Leicht Bewegt
07. Sonata for Bassoon and Piano: II. Langsam-Marsch-Beschulss, Pastorale. Ruhig
08. Sonata for Clarinet and Piano: I. Mäßig Bewegt - Sehr Ruhig
09. Sonata for Clarinet and Piano: II. Lebhaft
10. Sonata for Clarinet and Piano: III. Sehr Langsam-Ein Wenig Fließender-Wie Am Anfang
11. Sonata for Clarinet and Piano: IV. Kleines Rondo, Gemächlich
12. Sonata for Horn and Piano: I. Mäßig Bewegt-Frisch-Lebhaft
13. Sonata for Horn and Piano: II. Ruhig Bewegt
14. Sonata for Horn and Piano: III. Lebhaft-Langsam-Wie Vorher-Koda. Etwas Breiter
15. Sonata for Trumpet and Piano: I. Mit Kraft-Breit-Wie Vorher
16. Sonata for Trumpet and Piano: II. Mäßig Bewegt-Lebhaft-Wie Zuerst-Wie Vorher
17. Sonata for Trumpet and Piano: III. Trauermusik. Sehr Langsam-Ruhig Bewegt - Wie Am Anfang-Sehr Ruhig
18. Sonata for English Horn and Piano: I. Slow
19. Sonata for English Horn and Piano: II. Allegro Pesante
20. Sonata for English Horn and Piano: III. Moderate
21. Sonata for English Horn and Piano: IV. Scherzo, Fast
22. Sonata for English Horn and Piano: V. Moderate
23. Sonata for English Horn and Piano: Vi. Allegro Pesante
24. Sonata for Trombone and Piano: I. Allegro Moderato Maestoso
25. Sonata for Trombone and Piano: II. Allegretto Grazioso
26. Sonata for Trombone and Piano: III. Allegro Pesante
27. Sonata for Trombone and Piano: IV. Allegro Moderato Maestoso
28. Sonata for Alto Saxophone and Piano: I. Ruhig Bewegt
29. Sonata for Alto Saxophone and Piano: II. Lebhaft
30. Sonata for Alto Saxophone and Piano: III. Sehr Langsam
31. Sonata for Alto Saxophone and Piano: Das Posthorn, Zwiegespräch
32. Sonata for Alto Saxophone and Piano: IV. Lebhaft
33. Sonata for Tuba and Piano: I. Allegro Pesante-Poco Lento
34. Sonata for Tuba and Piano: II. Allegro Assai
35. Sonata for Tuba and Piano: III. Variationen. Moderato, Commodo-Scherzando, L'istesso Tempo-Lento-Allegro-Lento-Wie Am Anfang Des Satzes
36. Echo for Flute and Piano
The first complete recorded collection of Hindemith’s Wind Sonatas: a gallery in sound of sketches and portraits from the turbulent decades of the mid-20th-century.
Paul Hindemith’s (1895-1963) systematic approach to composition, his Haydn-like industry and invention, produced no fewer than 10 sonatas for wind instruments between 1936 and 1955. Even in the years prior to these sonatas, Hindemith had proved to be a highly versatile musician: apart from being a virtuoso violist, an excellent violinist and pianist, he could also hold his own on bassoon, cello and a range of percussion instruments. It is hardly surprising that so versatile and resourceful a musician should have composed the singularly rich and unusual collection of works to which the two CDs of this recording are devoted.
Considered as a body of work, the Wind Sonatas demonstrate Hindemith’s original tonal idiom and his gift for new and personal melodies; his structural invention within inherited sonata forms; his renewal of the instrumental tradition of the 18th and 19th centuries; his skill and sympathy in handling the specific features of each instrument. Hindemith continually has a surprise up his sleeve – such as the finale of the Trumpet Sonata, which opens in grand heroic style but winds up in mournful meditation on a Lutheran chorale, ‘Alle Menschen müssen sterben’. Even more original is the argument of the Saxophone Sonata’s finale, prefaced in the score by an imaginary dialogue in which the pianist begs the saxophonist to search for ‘Silence, Sense and Form’ – brought to life by the soloist’s liquid reflections over the top of the pianist’s noisy whirlwind.
This release is the latest in a series featuring the pianist Filippo Farinelli accompanying fellow-Italian musicians in major collections of song and chamber music by 20th-century composers: among them the complete songs of Berg (95549), Dallapiccola (95202), Jolivet (9220) and Ravel (94743) and the first collection on disc of Charles Koechlin’s output for saxophone (9266), featuring the soloist on this recording, David Brutti. Reviewing the Dallapiccola, Tim Ashley in Gramophone remarked: ‘This is a hugely important issue… The set’s star is its pianist, Filippo Farinelli, whose playing is impeccably lapidary and pointillistic throughout.’
Year 2021 | Classical | FLAC / APE
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