Jan Bartoš - Kabeláč: Eight Preludes, Motifs from Exotic Lands - Smetana: Dreams (2023)
BAND/ARTIST: Jan Bartoš
- Title: Kabeláč: Eight Preludes, Motifs from Exotic Lands - Smetana: Dreams
- Year Of Release: 2023
- Label: Supraphon a.s.
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:11:05
- Total Size: 220 mb
- WebSite: Album Preview
Tracklist
01. Eight Preludes for Piano, Op. 30: No. 1, Preludio ostinato. Con moto eguale
02. Eight Preludes for Piano, Op. 30: No. 2, Preludio meditativo. Moderato meditativo
03. Eight Preludes for Piano, Op. 30: No. 3, Preludio sognante. Moderato sfumato
04. Eight Preludes for Piano, Op. 30: No. 4, Preludio corale. Allegro
05. Eight Preludes for Piano, Op. 30: No. 5, Preludio notturno. Adagio. Dellicatamente
06. Eight Preludes for Piano, Op. 30: No. 6, Preludio volante. Prestissimo
07. Eight Preludes for Piano, Op. 30: No. 7, Preludio arioso. Molto lento
08. Eight Preludes for Piano, Op. 30: No. 8, Preludio impetuoso. Maestoso
09. Dreams: Faded Happiness
10. Dreams: Consolation
11. Dreams: In Bohemia. A Rural Scene
12. Dreams: In the Salon
13. Dreams: By the Castle
14. Dreams: Bohemian Peasants‘ Festivities
15. Motifs from Exotic Lands for Piano, Op. 38: Indian Motif. Battle Song
16. Motifs from Exotic Lands for Piano, Op. 38: Motif from Asia Minor
17. Motifs from Exotic Lands for Piano, Op. 38: Pacific Motif. Burial Song
18. Motifs from Exotic Lands for Piano, Op. 38: Javanese Motif. Ceremony
19. Motifs from Exotic Lands for Piano, Op. 38: East Asian Motif. Flute Improvisation
20. Motifs from Exotic Lands for Piano, Op. 38: Eskimo Motif. Lullaby
21. Motifs from Exotic Lands for Piano, Op. 38: Arabian Motif. Dance
22. Motifs from Exotic Lands for Piano, Op. 38: Brazilian Motif. Incantation
23. Motifs from Exotic Lands for Piano, Op. 38: Motif from India. Lute Improvisation
24. Motifs from Exotic Lands for Piano, Op. 38: Central Africa Motif. Black Drummers
What do Bedřich Smetana and Miloslav Kabeláč have in common that they feature on Jan Bartoš’s new album? Both of them were distinguished composers, conductors and pianists. Both of them created modern and timeless music for piano, which, however, remains overshadowed by their symphonic works. Smetana was writing his cycle Rêves (1875) at the time when he was completing Šárka and From Bohemian Fields and Groves, perhaps the most remarkable of the six ton e poems comprising Má vlast. Kabeláč was composing the two piano cycles, Op. 30 and Op. 38, while also focusing on Mystery of Time, his symphonic magnum opus, which in recent years has been discovered by some of the world’s most renowned orchestras, in Ber lin, Cleveland, London and elsewhere. Kabeláč’s life serves as a prime example of the fates that befell the Czech humanists, artists and intellectuals from the 1930s to the 1970s amid the turbulent historical events. While his music garnered success worldw ide, he was silenced by the Communist regime in his homeland. Kabeláč’s style evolved from complex to simple, thus in many respects ushering in the accession of post - modernism and minimalism. As attested to by his cycle Motifs from Exotic Lands, he was bol dly inspired by non - European traditional music. Following on from critically acclaimed Leoš Janáček (Gramophone Editor’s Choice) and Vítězslav Novák albums, Jan Bartoš is now presenting Kabeláč and Smetana in live recordings made at the Dvořák Hall of Prague’s Rudolfinum
01. Eight Preludes for Piano, Op. 30: No. 1, Preludio ostinato. Con moto eguale
02. Eight Preludes for Piano, Op. 30: No. 2, Preludio meditativo. Moderato meditativo
03. Eight Preludes for Piano, Op. 30: No. 3, Preludio sognante. Moderato sfumato
04. Eight Preludes for Piano, Op. 30: No. 4, Preludio corale. Allegro
05. Eight Preludes for Piano, Op. 30: No. 5, Preludio notturno. Adagio. Dellicatamente
06. Eight Preludes for Piano, Op. 30: No. 6, Preludio volante. Prestissimo
07. Eight Preludes for Piano, Op. 30: No. 7, Preludio arioso. Molto lento
08. Eight Preludes for Piano, Op. 30: No. 8, Preludio impetuoso. Maestoso
09. Dreams: Faded Happiness
10. Dreams: Consolation
11. Dreams: In Bohemia. A Rural Scene
12. Dreams: In the Salon
13. Dreams: By the Castle
14. Dreams: Bohemian Peasants‘ Festivities
15. Motifs from Exotic Lands for Piano, Op. 38: Indian Motif. Battle Song
16. Motifs from Exotic Lands for Piano, Op. 38: Motif from Asia Minor
17. Motifs from Exotic Lands for Piano, Op. 38: Pacific Motif. Burial Song
18. Motifs from Exotic Lands for Piano, Op. 38: Javanese Motif. Ceremony
19. Motifs from Exotic Lands for Piano, Op. 38: East Asian Motif. Flute Improvisation
20. Motifs from Exotic Lands for Piano, Op. 38: Eskimo Motif. Lullaby
21. Motifs from Exotic Lands for Piano, Op. 38: Arabian Motif. Dance
22. Motifs from Exotic Lands for Piano, Op. 38: Brazilian Motif. Incantation
23. Motifs from Exotic Lands for Piano, Op. 38: Motif from India. Lute Improvisation
24. Motifs from Exotic Lands for Piano, Op. 38: Central Africa Motif. Black Drummers
What do Bedřich Smetana and Miloslav Kabeláč have in common that they feature on Jan Bartoš’s new album? Both of them were distinguished composers, conductors and pianists. Both of them created modern and timeless music for piano, which, however, remains overshadowed by their symphonic works. Smetana was writing his cycle Rêves (1875) at the time when he was completing Šárka and From Bohemian Fields and Groves, perhaps the most remarkable of the six ton e poems comprising Má vlast. Kabeláč was composing the two piano cycles, Op. 30 and Op. 38, while also focusing on Mystery of Time, his symphonic magnum opus, which in recent years has been discovered by some of the world’s most renowned orchestras, in Ber lin, Cleveland, London and elsewhere. Kabeláč’s life serves as a prime example of the fates that befell the Czech humanists, artists and intellectuals from the 1930s to the 1970s amid the turbulent historical events. While his music garnered success worldw ide, he was silenced by the Communist regime in his homeland. Kabeláč’s style evolved from complex to simple, thus in many respects ushering in the accession of post - modernism and minimalism. As attested to by his cycle Motifs from Exotic Lands, he was bol dly inspired by non - European traditional music. Following on from critically acclaimed Leoš Janáček (Gramophone Editor’s Choice) and Vítězslav Novák albums, Jan Bartoš is now presenting Kabeláč and Smetana in live recordings made at the Dvořák Hall of Prague’s Rudolfinum
Year 2023 | Classical | FLAC / APE
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