Opera Lafayette, Ryan Brown - Grétry: Le magnifique (2012)
BAND/ARTIST: Opera Lafayette, Ryan Brown
- Title: Grétry: Le magnifique
- Year Of Release: 2022
- Label: Naxos
- Genre: Classical Piano
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:19:58
- Total Size: 355 mb
- WebSite: Album Preview
Tracklist
01. Le magnifique: Ouverture
02. Le magnifique, Act I Scene 1: Marche: Andante
03. Le magnifique, Act I Scene 1: Tempo giusto
04. Le magnifique, Act I Scene 1: Marche
05. Le magnifique, Act I Scene 1: Duo. C'est lui (Alix, Clementine)
06. Le magnifique, Act I Scene 2: Ariette. Pourquoi donc ce Magnifique (Clementine)
07. Le magnifique, Act I Scene 4: Duo. Ma chere enfant (Aldobrandin, Clementine)
08. Le magnifique, Act I Scene 6: Ariette. Ah, c'est un superbe cheval (Fabio)
09. Le magnifique, Act I Scene 7: Trio. Vous m'etonnez, vous badinez (Aldobrandin, Le Magnifique, Fabio)
10. Le magnifique, Act II Scene 3: Ariette. Ah! Si jamais je cours les mers (Laurence)
11. Le magnifique, Act II Scene 6: Duo. Je ne sais pourquoi je pleure (Clementine, Alix)
12. Le magnifique, Act II Scene 10: Ariette. Quelle contrainte! (Clementine)
13. Le magnifique, Act II Scene 11: Trio. Clementine, mettez-vous la (Aldobrandin, Le Magnifique, Fabio)
14. Le magnifique, Act II: Entracte (la fanfare des Courses)
15. Le magnifique, Act III Scene 1: Ariette. Ah! Que je me sens coupable! (Clementine)
16. Le magnifique, Act III Scene 4: Duo. Te voila donc (Alix, Laurence)
17. Le magnifique, Act III Scene 6: Ariette. O ciel! Quel air de courroux! (Alix)
18. Le magnifique, Act III Scene 8: Ariette. Jour heureux! (Clementine)
19. Le magnifique, Act III Scene 13: Finale. Ne me bats pas (Fabio, Laurence, Horace, Aldobrandin, Le Magnifique, Clementine, Alix)
André-Ernest-Modeste Grétry was the greatest French composer of opéra-comique in the eighteenth century. His librettist for Le Magnifique, Jean-Michel Sedaine, took a tale by La Fontaine and fashioned it into a compelling libretto. Grétry responded with an outstanding score, including one of the first programmatic overtures in musical history. His expressive love music, and extended preludes and postludes, add to the theatrical variety of this important and varied opera.
01. Le magnifique: Ouverture
02. Le magnifique, Act I Scene 1: Marche: Andante
03. Le magnifique, Act I Scene 1: Tempo giusto
04. Le magnifique, Act I Scene 1: Marche
05. Le magnifique, Act I Scene 1: Duo. C'est lui (Alix, Clementine)
06. Le magnifique, Act I Scene 2: Ariette. Pourquoi donc ce Magnifique (Clementine)
07. Le magnifique, Act I Scene 4: Duo. Ma chere enfant (Aldobrandin, Clementine)
08. Le magnifique, Act I Scene 6: Ariette. Ah, c'est un superbe cheval (Fabio)
09. Le magnifique, Act I Scene 7: Trio. Vous m'etonnez, vous badinez (Aldobrandin, Le Magnifique, Fabio)
10. Le magnifique, Act II Scene 3: Ariette. Ah! Si jamais je cours les mers (Laurence)
11. Le magnifique, Act II Scene 6: Duo. Je ne sais pourquoi je pleure (Clementine, Alix)
12. Le magnifique, Act II Scene 10: Ariette. Quelle contrainte! (Clementine)
13. Le magnifique, Act II Scene 11: Trio. Clementine, mettez-vous la (Aldobrandin, Le Magnifique, Fabio)
14. Le magnifique, Act II: Entracte (la fanfare des Courses)
15. Le magnifique, Act III Scene 1: Ariette. Ah! Que je me sens coupable! (Clementine)
16. Le magnifique, Act III Scene 4: Duo. Te voila donc (Alix, Laurence)
17. Le magnifique, Act III Scene 6: Ariette. O ciel! Quel air de courroux! (Alix)
18. Le magnifique, Act III Scene 8: Ariette. Jour heureux! (Clementine)
19. Le magnifique, Act III Scene 13: Finale. Ne me bats pas (Fabio, Laurence, Horace, Aldobrandin, Le Magnifique, Clementine, Alix)
André-Ernest-Modeste Grétry was the greatest French composer of opéra-comique in the eighteenth century. His librettist for Le Magnifique, Jean-Michel Sedaine, took a tale by La Fontaine and fashioned it into a compelling libretto. Grétry responded with an outstanding score, including one of the first programmatic overtures in musical history. His expressive love music, and extended preludes and postludes, add to the theatrical variety of this important and varied opera.
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