Mike Munson - Live at Ed's (2020)
BAND/ARTIST: Mike Munson
- Title: Live at Ed's
- Year Of Release: 2014/2020
- Label: Blue Front Records
- Genre: Blues Folk, Slide Guitar Blues
- Quality: flac lossless (tracks)
- Total Time: 01:10:24
- Total Size: 428 mb
- WebSite: Album Preview
Tracklist
01. Rattle Can Black
02. Too Far Gone
03. Blackbird
04. Sad & Lonely
05. Watch and Chain (Traditional)
06. Over Now
07. Wanda's Farm
08. Good Gal Said
09. Rosie (Traditional)
10. Boogie
11. Empire Builder
12. Hard Time Killing Floor Blues
13. What's The Matter
14. Spike
Winona blues musician Mike Munson’s new live album successfully incorporates many of the desirable qualities of live recordings and very few of the downsides. Solid audio quality, impassioned performances, new arrangements, extended versions, delightful improvisation, a cohesive choice of songs that includes previously unreleased tracks, and a masterfully tasteful dose of ambiance from the audience, not to mention the wonderful washboard rhythms of guest percussionist Mikkel Beckmen, all reinforce the overwhelming feeling that Live at Ed’s was simply done right. The result is a satisfying reproduction of the live Mike Munson concert experience.
And what an experience it is! Recorded at a much-hyped Saturday night release party for Munson’s self-titled studio debut on November 9th of last year (the liner notes incorrectly say November 8th), this live album is filled with energy, both from the stage and the crowd. A raucous rendition of Good Gal Gone, whose lyrics run through all the different folks that proclaim Munson’s narrator will end up dead if he “don’t quit his guitar playin’” (save his “good gal” of course), is a particularly apt example. At around 3 minutes into the song, at which point Munson is wailing about discouragement dished out by his very own sister, Beckmen opens things up considerably by ditching his washboard in favor of a tambourine and prompts the crowd to appropriately let out collective hoots and yelps of approval.
Good Gal Said is followed by a traditional, Rosie, to close out the album. Both are swampy, caterwauling stompers that are well suited for curtain calls. The rest of Live at Ed’s is more balanced. Munson’s driving electric adaptation of the Delta blues (which interweaves bass and melody lines à la John Lee Hooker), along with his more humble and unaffected vocals, are bolstered by Beckmen’s remarkably reliable rhythms. Their chemistry on tracks like Too Far Gone, Blackbird and Wanda’s Farm help bring the songs a notch above the self-titled in the intensity column, while at the same time also anchoring the music and making dynamic and emotional shifts seem effortless.
Which brings me to my personal favorite, Over Now. At six and a half minutes long (nearly double the length of the version on the self-titled), Munson’s live rendition of Over Now features plenty of variation, including lengthy improvisational intros and interludes. The song is still pleasantly sad and somber; but trading in the studio version’s acoustic timbre for the same electric guitar tone used on the rest of Live at Ed’s gives Munson’s droning slide guitar parts a freshness and weightiness that is disarming, complex, and beautiful. Add in Munson’s melodic vocal lines and Beckmen’s galloping, meditative pounding on the hand drum and the sum product is really easy to get lost in.
In summary, Live at Ed’s is a genuine treat. Munson’s ubiquity, skill, and good character has helped make his music a part of the quintessential Winona experience. And thanks to good fortune, and some really talented audio engineers, this is the definitive document of that experience. Gaze upon the bluffs and enjoy it, people!
01. Rattle Can Black
02. Too Far Gone
03. Blackbird
04. Sad & Lonely
05. Watch and Chain (Traditional)
06. Over Now
07. Wanda's Farm
08. Good Gal Said
09. Rosie (Traditional)
10. Boogie
11. Empire Builder
12. Hard Time Killing Floor Blues
13. What's The Matter
14. Spike
Winona blues musician Mike Munson’s new live album successfully incorporates many of the desirable qualities of live recordings and very few of the downsides. Solid audio quality, impassioned performances, new arrangements, extended versions, delightful improvisation, a cohesive choice of songs that includes previously unreleased tracks, and a masterfully tasteful dose of ambiance from the audience, not to mention the wonderful washboard rhythms of guest percussionist Mikkel Beckmen, all reinforce the overwhelming feeling that Live at Ed’s was simply done right. The result is a satisfying reproduction of the live Mike Munson concert experience.
And what an experience it is! Recorded at a much-hyped Saturday night release party for Munson’s self-titled studio debut on November 9th of last year (the liner notes incorrectly say November 8th), this live album is filled with energy, both from the stage and the crowd. A raucous rendition of Good Gal Gone, whose lyrics run through all the different folks that proclaim Munson’s narrator will end up dead if he “don’t quit his guitar playin’” (save his “good gal” of course), is a particularly apt example. At around 3 minutes into the song, at which point Munson is wailing about discouragement dished out by his very own sister, Beckmen opens things up considerably by ditching his washboard in favor of a tambourine and prompts the crowd to appropriately let out collective hoots and yelps of approval.
Good Gal Said is followed by a traditional, Rosie, to close out the album. Both are swampy, caterwauling stompers that are well suited for curtain calls. The rest of Live at Ed’s is more balanced. Munson’s driving electric adaptation of the Delta blues (which interweaves bass and melody lines à la John Lee Hooker), along with his more humble and unaffected vocals, are bolstered by Beckmen’s remarkably reliable rhythms. Their chemistry on tracks like Too Far Gone, Blackbird and Wanda’s Farm help bring the songs a notch above the self-titled in the intensity column, while at the same time also anchoring the music and making dynamic and emotional shifts seem effortless.
Which brings me to my personal favorite, Over Now. At six and a half minutes long (nearly double the length of the version on the self-titled), Munson’s live rendition of Over Now features plenty of variation, including lengthy improvisational intros and interludes. The song is still pleasantly sad and somber; but trading in the studio version’s acoustic timbre for the same electric guitar tone used on the rest of Live at Ed’s gives Munson’s droning slide guitar parts a freshness and weightiness that is disarming, complex, and beautiful. Add in Munson’s melodic vocal lines and Beckmen’s galloping, meditative pounding on the hand drum and the sum product is really easy to get lost in.
In summary, Live at Ed’s is a genuine treat. Munson’s ubiquity, skill, and good character has helped make his music a part of the quintessential Winona experience. And thanks to good fortune, and some really talented audio engineers, this is the definitive document of that experience. Gaze upon the bluffs and enjoy it, people!
Blues | Folk | Rock | FLAC / APE
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