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Michele Benuzzi - Krebs: Complete Harpsichord Music (2021)

Michele Benuzzi - Krebs: Complete Harpsichord Music (2021)

BAND/ARTIST: Michele Benuzzi

  • Title: Krebs: Complete Harpsichord Music
  • Year Of Release: 2021
  • Label: Brilliant Classics
  • Genre: Classical Harpsichord
  • Quality: flac lossless (tracks) +Booklet
  • Total Time: 06:41:01
  • Total Size: 2.34 gb
  • WebSite:
Tracklist

001. Partita II in B-Flat Major, Krebs-Wv 823 I. Preludio
002. Partita II in B-Flat Major, Krebs-Wv 823 II. Fuga
003. Partita II in B-Flat Major, Krebs-Wv 823 III. Allemande
004. Partita II in B-Flat Major, Krebs-Wv 823 IV. Corranta
005. Partita II in B-Flat Major, Krebs-Wv 823 V. Sarabande
006. Partita II in B-Flat Major, Krebs-Wv 823 Vi. Bourlesca
007. Partita II in B-Flat Major, Krebs-Wv 823 VII. Menuet I
008. Partita II in B-Flat Major, Krebs-Wv 823 VIII. Menuet II
009. Partita II in B-Flat Major, Krebs-Wv 823 IX. Menuet III
010. Partita II in B-Flat Major, Krebs-Wv 823 X. Gigue
011. Partita IV in A Minor, Krebs-Wv 825 I. Fantasia
012. Partita IV in A Minor, Krebs-Wv 825 II. Fuga
013. Partita IV in A Minor, Krebs-Wv 825 III. Allemande
014. Partita IV in A Minor, Krebs-Wv 825 IV. Courante
015. Partita IV in A Minor, Krebs-Wv 825 V. Sarabande
016. Partita IV in A Minor, Krebs-Wv 825 Vi. Bourrée
017. Partita IV in A Minor, Krebs-Wv 825 VII. Pastorelle
018. Partita IV in A Minor, Krebs-Wv 825 VIII. Menuett
019. Partita IV in A Minor, Krebs-Wv 825 IX. Gigue
020. Partita Vi in E-Flat Major, Krebs-Wv 827 I. Präludium
021. Partita Vi in E-Flat Major, Krebs-Wv 827 II. Fuga
022. Partita Vi in E-Flat Major, Krebs-Wv 827 III. Allemande
023. Partita Vi in E-Flat Major, Krebs-Wv 827 IV. Courante
024. Partita Vi in E-Flat Major, Krebs-Wv 827 V. Sarabande
025. Partita Vi in E-Flat Major, Krebs-Wv 827 Vi. Gavotte
026. Partita Vi in E-Flat Major, Krebs-Wv 827 VII. Polonoise
027. Partita Vi in E-Flat Major, Krebs-Wv 827 VIII. Scherzo
028. Partita Vi in E-Flat Major, Krebs-Wv 827 IX. Menuet
029. Partita Vi in E-Flat Major, Krebs-Wv 827 X. Gigue
030. Praeambulum I in C Major
031. Praeambulum II in D Minor
032. Praeambulum III in E Minor
033. Praeambulum IV in F Major
034. Praeambulum V in G Major
035. Praeambulum Vi in A Minor
036. Suite in C Major I. Prelude
037. Suite in C Major II. Fugue a 3
038. Suite in C Major III. Allemande
039. Suite in C Major IV. Courante
040. Suite in C Major V. Sarabande
041. Suite in C Major Vi. Gavotte
042. Suite in C Major VII. Menuet I
043. Suite in C Major VIII. Menuet II
044. Suite in C Major IX. Scherzo
045. Suite in C Major X. Polonoise
046. Suite in C Major XI. Cantable
047. Suite in C Major XII. Gigue
048. Sonatina Prima in A Minor I. Allegro
049. Sonatina Prima in A Minor II. Siciliana
050. Sonatina Prima in A Minor III. Allegro Assai
051. Sonatina Seconda in D Major I. Allegro
052. Sonatina Seconda in D Major II. Andante
053. Sonatina Seconda in D Major III. Vivace
054. Sonatina Terza in C Minor I. Allegro Un Poco Andante
055. Sonatina Terza in C Minor II. Largo
056. Sonatina Terza in C Minor III. Allegramente
057. Sonatina Quarta in B Major I. Vivace
058. Sonatina Quarta in B Major II. Adagio
059. Sonatina Quarta in B Major III. Vivace
060. Sonatina Quinta in E Major I. Un Poco Allegro
061. Sonatina Quinta in E Major II. Andante
062. Sonatina Quinta in E Major III. Allegretto
063. Sonatina Sesta in F Major I. Allegro Non Troppo
064. Sonatina Sesta in F Major II. Larghetto
065. Sonatina Sesta in F Major III. Tempo di Minuetto
066. Suite I in D Major I. Prelude
067. Suite I in D Major II. Allemande
068. Suite I in D Major III. Courante
069. Suite I in D Major IV. Sarabande
070. Suite I in D Major V. Menuet
071. Suite I in D Major Vi. Burlesca
072. Suite I in D Major VII. Rigaudon
073. Suite I in D Major VIII. Gigue
074. Suite II in B Minor I. Allemande
075. Suite II in B Minor II. Courante
076. Suite II in B Minor III. Sarabande
077. Suite II in B Minor IV. Passepied
078. Suite II in B Minor V. Air
079. Suite II in B Minor Vi. Menuet
080. Suite II in B Minor VII. Gigue
081. Suite III in E-Flat Major I. Fantasia
082. Suite III in E-Flat Major II. Allemande
083. Suite III in E-Flat Major III. Courante
084. Suite III in E-Flat Major IV. Sarabande
085. Suite III in E-Flat Major V. Harlequinade
086. Suite III in E-Flat Major Vi. Polonoise
087. Suite III in E-Flat Major VII. Gavotte
088. Suite III in E-Flat Major VIII. Menuet Alternat
089. Suite III in E-Flat Major IX. Menuet II
090. Suite III in E-Flat Major X. Gigue
091. Suite IV in C Major I. Allemande
092. Suite IV in C Major II. Courante
093. Suite IV in C Major III. Sarabande
094. Suite IV in C Major IV. Bourrée I
095. Suite IV in C Major V. Bourrée II
096. Suite IV in C Major Vi. Polonaise
097. Suite IV in C Major VII. Capriccio
098. Suite V in F Major I. Prelude
099. Suite V in F Major II. Allemande
100. Suite V in F Major III. Courante
101. Suite V in F Major IV. Sarabande
102. Suite V in F Major V. Menuet I
103. Suite V in F Major Vi. Menuet II
104. Suite V in F Major VII. Gigue
105. Suite Vi in C Minor I. Allemande
106. Suite Vi in C Minor II. Courante
107. Suite Vi in C Minor III. Sarabande
108. Suite Vi in C Minor IV. Rondeaux
109. Suite Vi in C Minor V. Menuet Alternat
110. Suite Vi in C Minor Vi. Trio
111. Suite Vi in C Minor VII. Gigue
112. Suite in A Minor I. Prelude
113. Suite in A Minor II. Fuga
114. Suite in A Minor III. Allemanda
115. Suite in A Minor IV. Courrante
116. Suite in A Minor V. Sarabande
117. Suite in A Minor Vi. Bourrée I
118. Suite in A Minor VII. Bourrée II
119. Suite in A Minor VIII. Menuet I
120. Suite in A Minor IX. Menuet II
121. Suite in A Minor X. Gavotte
122. Suite in A Minor XI. Polonoise
123. Suite in A Minor XII. Aria Un Poco Vivace
124. Suite in A Minor XIII. Gigue
125. Suite in A Minor XIV. Tempo di Menuet - Trio
126. Ouverture in G Minor I. Ouverture
127. Ouverture in G Minor II. Lentement
128. Ouverture in G Minor III. Vivement
129. Ouverture in G Minor IV. Paisan
130. Ouverture in G Minor V. Menuett I
131. Ouverture in G Minor Vi. Menuett II en Trio
132. Ouverture in G Minor VII. Gavotte
133. Ouverture in G Minor VIII. Air Avec Doubles
134. Ouverture in G Minor IX. Passepied I
135. Ouverture in G Minor X. Passepied II
136. Ouverture in G Minor XI. Rigaudon
137. Concerto in G Major, Krebs-Wv 821 I. Allegro
138. Concerto in G Major, Krebs-Wv 821 II. Andante
139. Concerto in G Major, Krebs-Wv 821 III. Vivace
140. Sonata in A Minor I. Fantasia - Allegro
141. Sonata in A Minor II. Allegretto
142. Sonata in A Minor III. Allegro Assai

Michele Benuzzi - Krebs: Complete Harpsichord Music (2021)


The most comprehensive single-volume collection of keyboard music by one of Bach’s most talented pupils, recorded by an Italian early-music specialist with a distinguished catalogue of 17th-century repertoire.
The son of a Weimar-based organist, Johann Krebs (1713-1780) entered the Thomasschule in Leipzig under the tutelage of Capellmeister Bach at the age of 12 in 1726. There he remained for the best part of a decade, and a glowing testimonial from Bach commended his talents on the clavier, violin and lute, as well as in composition. Krebs never attained the Leipzig post which his instrumental talents deserved, but he served as an organist in several churches south of Leipzig through the course of a long and distinguished professional life which reached fruition as organist at the court of Prince Friedrich of Gotha-Altenburg from 1755 onwards.

The inveterate traveller and commentator Charles Burney reported that ‘M. Krebs of Altenburg, scholar of Sebastian Bach, has been much admired for his full and masterly manner of playing the organ.’ The style of Krebs’s own music reflects the transitional period in which he lived. The hand of the master lightly guides the cosmopolitan elegance of the three partitas on CD1 of this collection. Krebs compiled a Clavier-Übung (Keyboard Practice) of his own in 1744, from which Michele Benuzzi performs a C major suite and, six lively Italianate sonatas.
A volume of six suites from 1746 shows the influence of the galant style which was coming into fashion at the time, embodied by the output of Bach’s most accomplished son, Carl Philipp Emanuel. Several more suites here are sophisticated examples of Krebs’s mastery in the ‘French and Italian taste’ as well as demonstrating the fluency of his keyboard writing and the craftsmanship of his counterpoint.

This important collection joins several other albums of little-known keyboard music from the period, recorded for Brilliant Classics by Michele Benuzzi. A student of Ottavio Dantone, he has performed the complete sonatas of Scarlatti and given recitals at major festivals in Europe and Asia.



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  •  wrote in 18:31
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GRacias!!!