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Marie-Nicole Lemieux - Rossini: Opera Arias & Duets (Live) (2017) [Hi-Res]

Marie-Nicole Lemieux - Rossini: Opera Arias & Duets (Live) (2017) [Hi-Res]
  • Title: Rossini: Opera Arias & Duets (Live)
  • Year Of Release: 2017
  • Label: Erato/Warner Classics
  • Genre: Classical
  • Quality: 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:19:32
  • Total Size: 1.40 GB
  • WebSite:
Tracklist:

Gioachino Rossini (1792-1868)

1 L'Italiana in Algeri, Act 1: "Cruda sorte!" (Isabella) 04:38
2 Tancredi, Act 1: "Oh patria!... Tu che accendi questo core... Di tanti palpiti" (Tancredi) 08:55
3 Tancredi, Act 2: "Fiero incontro!... Lasciami - non t'ascolto" (Tancredi, Amenaïde) 10:54
4 La Pietra del Paragone, Act 1: "Quel dirmi, oh Dio!" (Clarice, Echo) 06:20
5 Semiramide, Act 2: "In sì barbara sciagura" (Arsace) 09:48
6 L'Italiana in Algeri, Act 2: "Amici, in ogni evento... Pensa alla patria" (Isabella) 08:34
7 Matilde di Shabran, Act 2: "Sazia tu fossi alfine... Ah! Perché, perché la morte" (Edoardo, Raimondo) 11:02
8 La gazza ladra, Act 2: "Deh, pensa che domani... E ben, per mia memoria" (Pippo, Ninetta) 09:49
9 Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) 05:53
10 Duetto buffo di due gatti (Cat Duet) 03:39

Personnel:
Marie-Nicole Lemieux, contralto
Patrizia Ciofi, soprano
Orchestre national de Montpellier Occitanie
Enrique Mazzola, conductor

“Rossini has been a revelation for me,” says Canadian contralto Marie-Nicole Lemieux. The first fruit of her exclusive Erato contract is this live recording from Montpellier of arias and duets from Tancredi, Semiramide, L’italiana in Algeri and other serious and comic operas by the composer. She is joined by soprano Patrizia Ciofi and conductor Enrique Mazzola, also her partners for a 2014 staging of Tancredi in Paris, which prompted La Croix to praise her as “a generous artist with a voice that is both ample and easily produced across its entire tessitura … from the depths to top notes that flash like a cavalier’s sabre.”

Marie-Nicole Lemieux triumphantly defies the frequent assertion that the contralto is a dying breed. Moreover, with this live recital of Rossini arias and duets, the Canadian singer proves that a deep, rich, voluminous female voice can move with the same dazzling agility as a light, bright soprano.

Since she first came to the world’s attention in 2000, when she won the Queen Elisabeth International Music Competition for Opera in Brussels, Lemieux, who has been praised by Gramophone for her “velvet-like voice and generosity in phrasing and thought”, has established herself in a wide variety of operatic roles.


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