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Malaga Philharmonic Orchestra, Liepaja Symphony Orchestra, Paul Mann - Rob Keeley: Orchestral Music (2020) [Hi-Res]

Malaga Philharmonic Orchestra, Liepaja Symphony Orchestra, Paul Mann - Rob Keeley: Orchestral Music (2020) [Hi-Res]
  • Title: Rob Keeley: Orchestral Music
  • Year Of Release: 2020
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:18:10
  • Total Size: 364 mb / 1.36 gb
  • WebSite:
Malaga Philharmonic Orchestra, Liepaja Symphony Orchestra, Paul Mann - Rob Keeley: Orchestral Music (2020) [Hi-Res]


Tracklist

01. Symphony No. 2: I. Allegro molto
02. Symphony No. 2: II. Scherzo. Allegro con brio
03. Symphony No. 2: III. Adagio molto
04. Symphony No. 2: IV. Allegro molto
05. Flute Concerto: I. Andantino
06. Flute Concerto: II. Adagio-Allegro molto
07. Triple Concerto: I. Allegro molto
08. Triple Concerto: II. Scherzo. Presto
09. Triple Concerto: III. Andante con moto, misurato
10. Variations for Orchestra: Theme. Andante moderato
11. Variations for Orchestra: Var. 1, Allegro
12. Variations for Orchestra: Var. 2, Stesso tempo
13. Variations for Orchestra: Var. 3, Lo stesso tempo
14. Variations for Orchestra: Var. 4, Meno mosso
15. Variations for Orchestra: Var. 5, Allegro
16. Variations for Orchestra: Var. 6, Quarter Note Equals 144
17. Variations for Orchestra: Var. 7, Slower
18. Variations for Orchestra: Var. 8, Allegro vivace
19. Variations for Orchestra: Var. 9, Allegro
20. Variations for Orchestra: Var. 10, Andantino
21. Variations for Orchestra: Var. 11, Vivace
22. Variations for Orchestra: Var. 12, Adagio
23. Variations for Orchestra: Var. 13, Presto
24. Variations for Orchestra: Passacaglia-Finale


The music of Rob Keeley – born in south Wales in 1960 but immersed in London musical life since boyhood – embraces a wide range of influences. Stravinsky’s angular melodies and Tippett’s buoyant rhythms can be heard in the spiky but bucolic Second Symphony. Keeley readily confesses to an allegiance to ​Gallic Neo-Classicism in his Flute Concerto and, more surprisingly, reveals a taste for Telemann as the inspiration behind his Triple Concerto, with the ‘Enigma’ Variations of ‘my beloved Elgar’ acting as a model for Keeley’s own recent set of orchestral variations. Among the factors unifying these eclectic stimuli into an individual musical language are a concern for textural clarity and lightness of touch, a fondness for dance and a hint of good humour.


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