Andre Cluytens - Beethoven: Piano Concerto No. 3, Schubert: Symphony No. 7 (1960-62) [2015 SACD Definition Serie]
![Andre Cluytens - Beethoven: Piano Concerto No. 3, Schubert: Symphony No. 7 (1960-62) [2015 SACD Definition Serie]](https://www.dibpic.com/uploads/posts/2020-01/1580039833_folder.jpg)
BAND/ARTIST: Andre Cluytens
- Title: Beethoven: Piano Concerto No. 3, Schubert: Symphony No. 7
- Year Of Release: 1960-62 [2015]
- Label: Tower Records [TDSA-7]
- Genre: Classical
- Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz)
- Total Time: 01:20:48
- Total Size: 2,28 GB / 1,3 GB (+3%rec.)
- WebSite: Album Preview
Vivid sound revives with the latest remastering from the original master!
A collection of valuable performances by Cluytens & Berlin Philharmonic. Also includes rare concertos with Tacchino.
A long recording board with two LP recordings recorded by Cluytens and Berlin Philharmonic. "Unfinished" and "Prelude" were released in this combination only at the first appearance, but since then "Unfinished" is mainly coupled with "Fate", and in the LP era this combination was never used in Japan. It was never released. Both "Unfinished" and "Prelude" start at a slow tempo, and as the main part unfolds after stepping slowly, it seems like a glimpse of one state that only the skilled person could do, just a masterpiece It's done. For both the label and the label, who have worked on several projects, including all Beethoven's symphonies, it is undoubtedly a historic achievement. Sonically, the resurrection revived the profound Berlin Philharmonic sound of the time in the form of a pyramid. Separation of each instrument has also been improved, and the sound that was previously a lump is loosened, allowing you to enjoy the tone of each instrument more.
Beethoven: Piano Concerto No. 3 is another recording of this album, recorded in January 1962, the last recording of the Cluytens & Berlin Philharmonic. This recording was not re-released in the LP era, but was reprinted in the CD era, but it was a rare disc that was sold on imported discs but did not distribute much. The piano by Tacchino in his twenties at that time painted a lively Beethoven statue with a lively touch, rather than a traditional piano by a landlord, as if establishing a new Beethoven statue by a young Tacchino It features brushwork. Even more fascinating are the backing Cluytens and the Berlin Philharmonic, and the elaborate sound is one of the achievements of this combination. It is a shame that there was no recording after this recording. Before this song, it was recorded at the Grunewald Church, but since this recording only, it has become a popular Church of Jesus Christ. The sound quality is different, so it's an interesting recording. The Japanese version will be re-released since October 1971.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
Franz Schubert:
1-2. Symphony No. 7 (8) in B minor, D. 759 'Unfinished'
Franz Liszt:
3. Les préludes (Symphonic Poem No. 3), S. 97
Ludwig van Beethoven:
4-6. Piano Concerto No. 3 in C minor, Op. 37
Personnel:
Gabriel Tacchini (piano)
Berliner Philharmoniker
Andre Cluytens (conductor)
![Andre Cluytens - Beethoven: Piano Concerto No. 3, Schubert: Symphony No. 7 (1960-62) [2015 SACD Definition Serie]](https://www.dibpic.com/uploads/posts/2020-01/1580039819_back.jpg)
A collection of valuable performances by Cluytens & Berlin Philharmonic. Also includes rare concertos with Tacchino.
A long recording board with two LP recordings recorded by Cluytens and Berlin Philharmonic. "Unfinished" and "Prelude" were released in this combination only at the first appearance, but since then "Unfinished" is mainly coupled with "Fate", and in the LP era this combination was never used in Japan. It was never released. Both "Unfinished" and "Prelude" start at a slow tempo, and as the main part unfolds after stepping slowly, it seems like a glimpse of one state that only the skilled person could do, just a masterpiece It's done. For both the label and the label, who have worked on several projects, including all Beethoven's symphonies, it is undoubtedly a historic achievement. Sonically, the resurrection revived the profound Berlin Philharmonic sound of the time in the form of a pyramid. Separation of each instrument has also been improved, and the sound that was previously a lump is loosened, allowing you to enjoy the tone of each instrument more.
Beethoven: Piano Concerto No. 3 is another recording of this album, recorded in January 1962, the last recording of the Cluytens & Berlin Philharmonic. This recording was not re-released in the LP era, but was reprinted in the CD era, but it was a rare disc that was sold on imported discs but did not distribute much. The piano by Tacchino in his twenties at that time painted a lively Beethoven statue with a lively touch, rather than a traditional piano by a landlord, as if establishing a new Beethoven statue by a young Tacchino It features brushwork. Even more fascinating are the backing Cluytens and the Berlin Philharmonic, and the elaborate sound is one of the achievements of this combination. It is a shame that there was no recording after this recording. Before this song, it was recorded at the Grunewald Church, but since this recording only, it has become a popular Church of Jesus Christ. The sound quality is different, so it's an interesting recording. The Japanese version will be re-released since October 1971.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
Franz Schubert:
1-2. Symphony No. 7 (8) in B minor, D. 759 'Unfinished'
Franz Liszt:
3. Les préludes (Symphonic Poem No. 3), S. 97
Ludwig van Beethoven:
4-6. Piano Concerto No. 3 in C minor, Op. 37
Personnel:
Gabriel Tacchini (piano)
Berliner Philharmoniker
Andre Cluytens (conductor)
Classical | Oldies | FLAC / APE | HD & Vinyl
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