Tafelmusik Baroque Orchestra, Ivars Taurins - Best of French Baroque (2015)
BAND/ARTIST: Tafelmusik Baroque Orchestra, Ivars Taurins
- Title: Best of French Baroque
- Year Of Release: 2015
- Label: Tafelmusik
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:13:23
- Total Size: 422 Mb
- WebSite: Album Preview
Tracklist:
Marin Marais (1656-1728)
Suite from Alcyone
01. Marche en rondeau (1:37)
02. Tambourins I-II (1:53)
03. Tempeste (1:44)
04. Chaconne (6:39)
Jean Philippe Rameau (1683-1764)
Suite from Dardanus
05. Ouverture (4:33)
06. Air gracieux (1:25)
07. Tambourins I-II (2:00)
08. Ritournelle vive (1:14)
09. Loure pour les Phrygiens (1:15)
10. Air gai en rondeau pour les memes (1:57)
11. Menuets I-II (3:15)
12. Tambourins I-II (2:31)
13. Chaconne (4:05)
Jean-Baptiste Lully (1632-1687)
Suite from Phaëton
14. Ouverture (2:31)
15. Air pour le Egyptiens, "L'ete" (Summer) (1:27)
16. Air pour Triton et ses suivants, "L'automne" (Fall) (1:32)
17. Air pour les peuples qui portent des presents a Isis, "L'hiver" (Winter) (1:32)
18. Entree des furies (Entrance of the Furies) (1:10)
19. Ritournelle, "Le printemps" (Spring) (1:06)
20. Air pour les suivants de Saturne (Air for the Followers of Saturn) (1:20)
21. Chaconne (3:49)
Jean-Joseph Cassanea de Mondonville (1711-1772),
Grand Motet "Dominus regnavit"
22. Dominus regnavit (Chorus) (4:41)
23. Trio: Et enim firmavit (3:09)
24. Duet: Parata sedes (3:07)
25. Trio: Elevaverunt flumina (4:22)
26. Solo: Testimonia tua (4:52)
27. Gloria Patri - Sicut erat in principio (Chorus) (4:37)
Performers:
Ann Monoyios (soprano),
Michele DeBoer (soprano),
Colin Ainsworth (tenor),
Robert Kinar (tenor),
Andrew Mahon (baritone)
Tafelmusik Baroque Orchestra,
Tafelmusik Chamber Choir,
Jeanne Lamon,
Ivars Taurins
Marin Marais (1656-1728)
Suite from Alcyone
01. Marche en rondeau (1:37)
02. Tambourins I-II (1:53)
03. Tempeste (1:44)
04. Chaconne (6:39)
Jean Philippe Rameau (1683-1764)
Suite from Dardanus
05. Ouverture (4:33)
06. Air gracieux (1:25)
07. Tambourins I-II (2:00)
08. Ritournelle vive (1:14)
09. Loure pour les Phrygiens (1:15)
10. Air gai en rondeau pour les memes (1:57)
11. Menuets I-II (3:15)
12. Tambourins I-II (2:31)
13. Chaconne (4:05)
Jean-Baptiste Lully (1632-1687)
Suite from Phaëton
14. Ouverture (2:31)
15. Air pour le Egyptiens, "L'ete" (Summer) (1:27)
16. Air pour Triton et ses suivants, "L'automne" (Fall) (1:32)
17. Air pour les peuples qui portent des presents a Isis, "L'hiver" (Winter) (1:32)
18. Entree des furies (Entrance of the Furies) (1:10)
19. Ritournelle, "Le printemps" (Spring) (1:06)
20. Air pour les suivants de Saturne (Air for the Followers of Saturn) (1:20)
21. Chaconne (3:49)
Jean-Joseph Cassanea de Mondonville (1711-1772),
Grand Motet "Dominus regnavit"
22. Dominus regnavit (Chorus) (4:41)
23. Trio: Et enim firmavit (3:09)
24. Duet: Parata sedes (3:07)
25. Trio: Elevaverunt flumina (4:22)
26. Solo: Testimonia tua (4:52)
27. Gloria Patri - Sicut erat in principio (Chorus) (4:37)
Performers:
Ann Monoyios (soprano),
Michele DeBoer (soprano),
Colin Ainsworth (tenor),
Robert Kinar (tenor),
Andrew Mahon (baritone)
Tafelmusik Baroque Orchestra,
Tafelmusik Chamber Choir,
Jeanne Lamon,
Ivars Taurins
This compilation offers a selection of the best recordings of French baroque repertoire drawn from Tafelmusik Baroque Orchestras own catalogue. The album includes the 2005 JUNO Award-winning, Grammy Award-nominated recording of an orchestral suite from Rameaus epic five-act tragédie en musique Dardanus, originally released on CBC Records. The Tafelmusik Chamber Choir and guest soloists are featured in a 2006 CBC recording of the Grand Motet Dominus regnavit by Mondonville. Two works are drawn from Tafelmusiks genre-defying, globe-trotting, multi-media concert programmes: a suite from Lullys Phaëton from the 2009 recording of The Galileo Project, and a suite from Marais Alcyone from the 2012 recording of House of Dreams. Ms. Lamon and Tafelmusik have earned high marks the music's greatness might not be so obvious but for Tafelmusik's fine period style It will have listeners wondering why this music is not as well-known as works by Bach, Handel and Vivaldi.
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