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Coleman Hawkins - Ultimate Coleman Hawkins (1998)

Coleman Hawkins - Ultimate Coleman Hawkins (1998)

BAND/ARTIST: Coleman Hawkins

  • Title: Ultimate Coleman Hawkins
  • Year Of Release: 1998
  • Label: Verve
  • Genre: Jazz
  • Quality: FLAC (tracks)
  • Total Time: 01:01:30
  • Total Size: 269 MB
  • WebSite:
Tracklist:

01 - Picasso - Coleman Hawkins 03:16
02 - Bean At The Met - Coleman Hawkins 03:01
03 - Like Someone In Love - Coleman Hawkins 03:57
04 - I'm In The Mood For Love - Coleman Hawkins 03:13
05 - Cattin At Keynote - Coleman Hawkins 02:41
06 - Under A Blanket Of Blue - Coleman Hawkins 03:08
07 - Just One Of Those Things - Coleman Hawkins 04:31
08 - Father Co-Operates - Coleman Hawkins Quintet 04:48
09 - Rosita (Album Version) - Coleman Hawkins 05:03
10 - Just One More Chance - Cozy Cole 04:52
11 - Beyond The Blue Horizon - Coleman Hawkins 02:56
12 - Night And Day - Coleman Hawkins 03:20
13 - Don't Blame Me - Coleman Hawkins 04:49
14 - I Only Have Eyes For You - Coleman Hawkins 03:12
15 - Hallelujah - Coleman Hawkins 04:00
16 - Thru' For The Night - Coleman Hawkins Quintet 04:43

A true connoisseur, Sonny Rollins concentrates almost entirely upon the year 1944 as he selects Coleman Hawkins tracks for this volume in Verve's Ultimate series. In choosing such a narrow time frame, undoubtedly Rollins was paying effusive tribute to the Hawk recordings that he grew up with. Also 1944 was a year of transition for Hawkins, buttressing Rollins' point that Hawkins was an unsung pioneer of modern music, though the progressive Hawk is not on display here. All but three of the selections come from the Keynote collection The Complete Coleman Hawkins, with hot little swing combos containing the likes of Buck Clayton, Roy Eldridge, Teddy Wilson, Earl Hines, Slam Stewart, Sid Catlett and Cozy Cole. The only exceptions to this single-minded concept are the revolutionary 1948 Picasso, the first unaccompanied tenor solo in jazz history, and a pair of warm-blooded Norman Granz-produced tracks from 1957, Like Someone In Love and La Rosita. So this, then, is not very useful as a basic Hawkins collection, though it will do fine as a sampler from the Keynote box, with the surface noise and distortion from the 78s left in.




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