Chet Atkins - Street Dreams (1986)
BAND/ARTIST: Chet Atkins
- Title: Street Dreams
- Year Of Release: 1986
- Label: Columbia Nashville
- Genre: Country
- Quality: flac lossless (tracks)
- Total Time: 00:38:21
- Total Size: 212 mb
- WebSite: Album Preview
Tracklist
01. Spats 'N' Hats (Album Version)
02. (Like A) Crystal In The Light (Album Version)
03. The Official Beach Music (Album Version)
04. Street Dreams (Album Version)
05. (If You'll) Stay A Little Longer (Album Version)
06. Classical Gas (Album Version)
07. The Last Farewell (Album Version)
08. Alisha (Album Version)
09. The Homecoming Anthem (Album Version)
10. Honolulu Blue (Album)
This 1986 album has a production sheen to it that makes it totally of its time, and it doesn't necessarily wear too well because of it. Too many synthesizers and contemporary touches simply detract from the main reason you bought it in the first place -- to hear Chet Atkins play his patented fluid guitar. Although Atkins usually sounds wonderful on gut-string guitar, here his sound is pinched and curiously restrained, being particularly roped in by the tunes written by Daryl Ybka, which account for six of the ten songs here. Only the quiet solo closer, Atkins' own "Honolulu Blue," does his soul come up for air and his individual style emerge from this commercialized dross.
01. Spats 'N' Hats (Album Version)
02. (Like A) Crystal In The Light (Album Version)
03. The Official Beach Music (Album Version)
04. Street Dreams (Album Version)
05. (If You'll) Stay A Little Longer (Album Version)
06. Classical Gas (Album Version)
07. The Last Farewell (Album Version)
08. Alisha (Album Version)
09. The Homecoming Anthem (Album Version)
10. Honolulu Blue (Album)
This 1986 album has a production sheen to it that makes it totally of its time, and it doesn't necessarily wear too well because of it. Too many synthesizers and contemporary touches simply detract from the main reason you bought it in the first place -- to hear Chet Atkins play his patented fluid guitar. Although Atkins usually sounds wonderful on gut-string guitar, here his sound is pinched and curiously restrained, being particularly roped in by the tunes written by Daryl Ybka, which account for six of the ten songs here. Only the quiet solo closer, Atkins' own "Honolulu Blue," does his soul come up for air and his individual style emerge from this commercialized dross.
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