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Bertrand Chamayou - Letter(s) to Erik Satie (2023) [Hi-Res]

Bertrand Chamayou - Letter(s) to Erik Satie (2023) [Hi-Res]

BAND/ARTIST: Bertrand Chamayou

  • Title: Letter(s) to Erik Satie
  • Year Of Release: 2023
  • Label: Warner Classics
  • Genre: Classical Piano
  • Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:10:08
  • Total Size: 200 mb / 1.12 gb
  • WebSite:
Tracklist

01. All Sides of the Small Stone, for Erik Satie
02. 6 Gnossiennes: No. 1, Lent
03. Prelude for Meditation
04. 3 Gymnopédies: No. 1, Lent et douloureux
05. 6 Gnossiennes: No. 2, Avec étonnement
06. 6 Gnossiennes: No. 3, Lent
07. A Room
08. In a Landscape
09. 3 Petites pièces montées: No. 1, De l'enfance de Pantagruel. Rêverie
10. 3 Véritables préludes flasques (pour un chien): No. 1, Sévère réprimande
11. 3 Véritables préludes flasques (pour un chien): No. 2, Seul à la maison
12. 3 Véritables préludes flasques (pour un chien): No. 3, On joue
13. 3 Gymnopédies: No. 2, Lent et triste
14. Sports et divertissements: No. 9, Le bain de mer
15. 6 Gnossiennes: No. 4, Lent
16. Sports et divertissements: No. 2, La balançoire
17. Swinging
18. Gymnopédies: No. 3, Lent et grave
19. 6 Gnossiennes: No. 5, Modéré
20. 5 Nocturnes: No. 2, Simplement
21. Sports et divertissements: No. 17, Le tango perpétuel
22. Perpetual Tango
23. 6 Gnossiennes: No. 6, Avec conviction et avec une tristesse rigoureuse
24. 3 Sarabandes: No. 3 in B-Flat Minor
25. 6 Pièces de la période 1906-1913: No. 6, Songe-creux
26. Le fils des étoiles: Prélude du premier acte. La vocation
27. Gnossienne No. 7
28. Three Pages in the Shape of a Pear (In Celebration of Erik Satie)
29. Dream

“Erik Satie and John Cage are UFOs in the world of music, because they envisioned music through a completely different prism,” says pianist Bertrand Chamayou. “They are pioneers in the sense that, for many people, they changed the very idea of what music must be.” With his album Letter(s) to Erik Satie Chamayou pays tribute to two idiosyncratic, innovative and influential composers, one born in Normandy in 1866, the other in Los Angeles in 1912. There is a strong connection between them: Cage considered Satie a source of inspiration. Satie takes pride of place on the album with such pieces as the three Gymnopédies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following its rediscovery amongst the papers of his disciple James Tenney – whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: “I thought we should do something a little different – and I thought of Erik Satie. This was an opportunity to get really intimate with the piano … Satie is really a special case, a strange musician unlike anyone else.”



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  • User offline
  • platico
  •  wrote in 20:58
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gracias...
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  • gemofroe
  •  wrote in 05:35
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thanks for sharing