Lucrezia Liberati - C. Wieck-Schumann, A. Von Henselt: Crossing Roads (2024)
BAND/ARTIST: Lucrezia Liberati
- Title: C. Wieck-Schumann, A. Von Henselt: Crossing Roads
- Year Of Release: 2024
- Label: Da Vinci Classics
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:04:37
- Total Size: 193 mb
- WebSite: Album Preview
Tracklist
01. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: I. Introduzione – Recitativo
02. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: II. Cavatina – Andantino
03. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: III. Variazione No.1 – Più allegro
04. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: IV. Variazione No.2 – Molto grandioso, ma non troppo Allegro
05. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: V. Variazione No.3 – Brillante
06. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VI. Adagio, quasi Fantasia a capriccio
07. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VII. Variazione No.4 – Brillante e passionato
08. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VIII. Variazione No.4 – Volante. Presto
09. 12 Études de salon in C Minor, Op. 5: I. Eroica – Prélude (Moderato) & Etude (Presto agitato ed appassionato)
10. 12 Études de salon in G Major, Op. 5: II. Allegro Brillante
11. 12 Études de salon in A Minor, Op. 5: III. Dance of Witches – Allegro con brio e feroce
12. 12 Études de salon in E Major, Op. 5: IV. Ave Maria – Andante
13. 12 Études de salon in F-Sharp Minor, Op. 5: V. Lost Home – Con moto, appassionato e doloroso
14. 12 Études de salon in A-Flat Major, Op. 5: VI. Thanksgiving after the tempest – Lento
15. 12 Études de salon in C Major, Op. 5: VII. Dance of the Elfs – Molto vivace
16. 12 Études de salon in G Minor, Op. 5: VIII. Romance with Chorus-Refrain – Andante arioso
17. 12 Études de salon in A Major, Op. 5: IX. Allegro con leggerezza
18. 12 Études de salon in F Minor, Op. 5: X. Vanished Happiness – Allegro non troppo, con passione dolorosa
19. 12 Études de salon in B Major, Op. 5: XI. Love Song – Allegretto sostenuto ed amoroso
20. 12 Études de salon in G-Sharp Minor, Op. 5: XII. Ghosts’ nightly Procession – Allegro tempestoso
21. Nocturne sur un thême de Glinka da 3 Mélodies russes, Op. 60, Op. 60
Are not the paths that we follow, the thoughts that occur to us and the footprints of people we meet in our life just crossroads? Itineraries that sometimes might be surprising and unexpected, which throw us into far away places that we never expected to visit and which, thanks to Music – the highest Master of unpredictability – we can caress in an instant.
So, we can let ancient masterpieces, whose correspondence never touched each other before, resound in a tiny and bare church with a rich halo.
Crossing roads comes from an individual and musical journey inspired by multidisciplinary and intimate factors and came to the world during a hot summer, together with the salty sound of the sea and all the uncertanties that muddled my mood.
Thus a young nineteenth-century composer, called Clara Wieck-Schumann, inspired by the Italian Bel canto of V. Bellini and the personality of the fellow countryman, A. Von Henselt, can encounter the music of T. Döhler, a German composer who lived in Tuscany and who decided to pay homage to Henselt himself.
01. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: I. Introduzione – Recitativo
02. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: II. Cavatina – Andantino
03. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: III. Variazione No.1 – Più allegro
04. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: IV. Variazione No.2 – Molto grandioso, ma non troppo Allegro
05. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: V. Variazione No.3 – Brillante
06. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VI. Adagio, quasi Fantasia a capriccio
07. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VII. Variazione No.4 – Brillante e passionato
08. Variations de concert pour le pianoforte, sur la cavatine du Pirate de Bellini, Op. 8: VIII. Variazione No.4 – Volante. Presto
09. 12 Études de salon in C Minor, Op. 5: I. Eroica – Prélude (Moderato) & Etude (Presto agitato ed appassionato)
10. 12 Études de salon in G Major, Op. 5: II. Allegro Brillante
11. 12 Études de salon in A Minor, Op. 5: III. Dance of Witches – Allegro con brio e feroce
12. 12 Études de salon in E Major, Op. 5: IV. Ave Maria – Andante
13. 12 Études de salon in F-Sharp Minor, Op. 5: V. Lost Home – Con moto, appassionato e doloroso
14. 12 Études de salon in A-Flat Major, Op. 5: VI. Thanksgiving after the tempest – Lento
15. 12 Études de salon in C Major, Op. 5: VII. Dance of the Elfs – Molto vivace
16. 12 Études de salon in G Minor, Op. 5: VIII. Romance with Chorus-Refrain – Andante arioso
17. 12 Études de salon in A Major, Op. 5: IX. Allegro con leggerezza
18. 12 Études de salon in F Minor, Op. 5: X. Vanished Happiness – Allegro non troppo, con passione dolorosa
19. 12 Études de salon in B Major, Op. 5: XI. Love Song – Allegretto sostenuto ed amoroso
20. 12 Études de salon in G-Sharp Minor, Op. 5: XII. Ghosts’ nightly Procession – Allegro tempestoso
21. Nocturne sur un thême de Glinka da 3 Mélodies russes, Op. 60, Op. 60
Are not the paths that we follow, the thoughts that occur to us and the footprints of people we meet in our life just crossroads? Itineraries that sometimes might be surprising and unexpected, which throw us into far away places that we never expected to visit and which, thanks to Music – the highest Master of unpredictability – we can caress in an instant.
So, we can let ancient masterpieces, whose correspondence never touched each other before, resound in a tiny and bare church with a rich halo.
Crossing roads comes from an individual and musical journey inspired by multidisciplinary and intimate factors and came to the world during a hot summer, together with the salty sound of the sea and all the uncertanties that muddled my mood.
Thus a young nineteenth-century composer, called Clara Wieck-Schumann, inspired by the Italian Bel canto of V. Bellini and the personality of the fellow countryman, A. Von Henselt, can encounter the music of T. Döhler, a German composer who lived in Tuscany and who decided to pay homage to Henselt himself.
Year 2024 | Classical | FLAC / APE | HD & Vinyl
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