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The Choir of Magdalen College Oxford & Mark Williams - Peace I Leave With You - Music for the Evening Hour (2024) [Hi-Res]

The Choir of Magdalen College Oxford & Mark Williams - Peace I Leave With You - Music for the Evening Hour (2024) [Hi-Res]
  • Title: Peace I Leave With You - Music for the Evening Hour
  • Year Of Release: 2024
  • Label: Coro
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
  • Total Time: 01:12:17
  • Total Size: 292 MB / 2.32 GB
  • WebSite:
Tracklist:

1. Peace I Leave With You (1:48)
2. Hear My Prayer (2:42)
3. O Harken (2:20)
4. Behold, Thou Hast Made My Days (4:58)
5. Evening Prayer (3:43)
6. Lord, Let Thy Servant Now Depart in Peace (3:35)
7. In pace (4:15)
8. Libera I & II (5:58)
9. Te lucis ante terminum (4:07)
10. Eternal Father (6:57)
11. A Hymne to Christ (2:46)
12. An Evening Hymn of Sir Thomas Browne (3:27)
13. Hail, Gladdening Light (3:01)
14. O nata lux (1:40)
15. O Lord, The Maker of All Thing (3:44)
16. The Lord's Prayer (3:41)
17. Nunc dimittis (3:29)
18. Lord, Let Me Know Mine End (10:15)

In their first recording for CORO The Choir of Magdalen College, Oxford, with director Mark Williams, explore the repertoire that has provided the bedrock of the college’s musical life for the last 500 years, all of which was written for the end of the day. Much music associated with evening time is naturally calm and soothing, and would satisfy those seeking transcendental beauty in the form of unchallenging ‘sound baths’, but this collection also seeks to challenge, contrasting contemporary settings with music from the 16th century. We hope, through this range of works, to capture something of that liminal space between day and night that is characterised by Evensong, and to lead the listener into that ‘peace that passes all understanding’. The album showcases works by composers from John Sheppard to Joanna Marsh, and features much-loved pieces such as Hubert Parry’s Lord, let me know mine end and John Tavener’s The Lord’s Prayer as well as new additions to the Evensong repertory such as Grayston Ives’ In pace and Piers Connor Kennedy’s O nata lux.


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