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Małgorzata Podzielny - Filharmonia Pana Kleksa • Mr Kleks' Philharmonic (2024) Hi-Res

Małgorzata Podzielny - Filharmonia Pana Kleksa • Mr Kleks' Philharmonic (2024) Hi-Res
  • Title: Filharmonia Pana Kleksa • Mr Kleks' Philharmonic
  • Year Of Release: 2024
  • Label: CD Accord
  • Genre: Classical
  • Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
  • Total Time: 49:33 min
  • Total Size: 227 / 932 MB
  • WebSite:
Tracklist:

01. Intrada
02. Witajcie w naszej bajce • Welcome to Our Fairy Tale
03. Na wyspach Bergamutach • In the lsles of Bergamuts
04. Zoo
05. Kaczka dziwaczka • Weirdo-duck
06. Psie smutki • Dog's Blues
07. W labiryncie • In the Maze
08. Ballada Alladyna • Aladdin's Ballad
09. Śpij, księżniczko • Sleep, Princess
10. Księżyc raz odwiedził staw • The Moon Once Visited a Pond
11. Marsz wilków • March of the Wolves
12. Zaklęcie doktora Paj-Chi-Wo • The Spell of Doctor Pai-Chi-Wo
13. Pożegnanie z bajką • Farewell to the Fairy Tale
14. Meluzyna, czyli historia podwodnej miłości • Meluzyna, or the Story of Underwater Love
15. Moja fantazja • My Fantasy

First shown in January 1984, Mr Kleks' Academy, directed by Krzysztof Gradowski, and its sequels have gained the status of cult films for many people who grew up in the gloomy 1980s and immediately after the political transformation. (...) The idea of enriching the film with songs significantly influenced the decision to create this motion picture. lts authors wove Jan Brzechwa's famous poems into his novel, creating something like a fairy-tale universe (same of the texts were written by Gradowski). The musical pieces are an integral and key part of the entire trilogy. Their first performers were members of the Boys' Choir of the 'Lutnia' Singing Society in Wieliczka, Piotr Fronczewski, who played the title character, and numerous stars of the Polish stage. Andrzej Korzynski, a composer who already boasted considerable achievements as an author of songs, film music and entertaining electronic music (Arp Life band), was responsible for composing and, as importantly, arranging the songs. (...) Like books and fairy tales, escape to the world of dreams was made possible by innovative sound experiences. Today they are not as impressive, but the pioneering electronics in Korzynski's songs is the first association of Michal Ziólkowski, the author of the choral and orchestra! arrangements recorded on this album, with the film. For the composer, who belongs to the generation of Mr Kleks' 'pupils', the songs recorded on this album and arranged in the form of a suite are a kind of orchestral fantasy, into which well-known melodies sung by a children's choir and an 'adult' mixed choir are only woven. This is true – Ziólkowski uses a large orchestra, treating it as a vast, multicoloured treasury of various sounds. So much trouble to remind children's songs? The orchestral setting may seem superfluous and while listening it is easy to glide over the melodies of the songs you have heard. But how many details, colourful minutiae, carefully hidden little things that only a curious child can find! lt is as if we were looking at the melodies through all the colourful stained glass windows that decorated the palace in Nieborów being the scenery of the Academy for the film. The fairy-tale material of this album is the result of collaboration between Michal Ziólkowski, the Wroclaw choir mistress Malgorzata Podzielny and the choirs she leads. On the album we can hear the Girls' and Boys' Choirs of the National Forum of Music and the Rondo Vocal Ensemble (bringing together the graduates of the Grazyna Bacewicz Primary Music School in Wroclaw, or mare precisely, graduates of another choir – Con Brio). The decorative orchestral tapestry is the work of the NFM Leopoldinum Orchestra. Although Ziólkowski first prepared two of the recorded songs in 2014, the most important part of the material was premiered during the 'Musical Fairy Tales' concert at the Leo Festival in 2021. The remaining songs were performed on the album for the first time. Szymon Atys (transl. Anna Marks)


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