Gary Bertini, Radio-Sinfonieorchester Stuttgart des SWR - Gary Bertini - The SWR Recordings (2024)
BAND/ARTIST: Radio-Sinfonie-Orchester Stuttgart Des SWR, Ileana Cotrubas, Glenda Maurice, Südfunk-Chor, Gary Bertini
- Title: Gary Bertini - The SWR Recordings
- Year Of Release: 2024
- Label: SWR Classic
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 05:18:38
- Total Size: 1.23 gb
- WebSite: Album Preview
Tracklist
01. Sinfonie Nr.40 g-Moll KV 550: I. Molto allegro
02. Sinfonie Nr.40 g-Moll KV 550: II. Andante
03. Sinfonie Nr.40 g-Moll KV 550: III. Menuetto. Allegretto
04. Sinfonie Nr.40 g-Moll KV 550: IV. Allegro assai
05. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" I. Largo maestoso – Vivace
06. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" II. Andante
07. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" III. Menuetto
08. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" IV. Presto
09. Symphony No. 95 in C minor, Hob. I:95: I. Allegro moderato
10. Symphony No. 95 in C minor, Hob. I:95: II. Andante cantabile
11. Symphony No. 95 in C minor, Hob. I:95 III. Menuetto
12. Symphony No. 95 in C minor, Hob. I:95: IV. Finale. Vivace
13. Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace
14. Symphony No. 7 in A major, Op. 92: II. Allegretto
15. Symphony No. 7 in A major, Op. 92: III. Presto – Assai meno presto
16. Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
17. Symphony No. 8 in B minor "Unfinished" D 759: I. Allegro moderato
18. Symphony No. 8 in B minor "Unfinished" D 759: II. Andante con moto
19. Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto – Allegro
20. Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto
21. Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso
22. Symphony No. 1 in C minor, Op. 68: IV. Adagio – Piu andante – Allegro
23. Symphony No. 3 in F major, Op. 90: I. Allegro con brio
24. Symphony No. 3 in F major, Op. 90: II. Andante
25. Symphony No. 3 in F major, Op. 90: III. Poco allegretto
26. Symphony No. 3 in F major, Op. 90: IV. Allegro
27. Symphonie fantastique, op. 14: I. Rêveries, Passions
28. Symphonie fantastique, op. 14: II. Un ball
29. Symphonie fantastique, op. 14: III. Scène aux champs
30. Symphonie fantastique, op. 14: IV. Marche au supplice
31. Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat
32. Overture to "Benvenuto Cellini", Op. 23
33. La Damoiselle élue*. Poème lyrique, L 62
34. Overture to "The Flying Dutchmann"
35. Tristan und Isolde: Vorspiel
36. Tristan und Isolde: Isoldes Liebestod
This collection commemorates the long-standing cooperation between conductor Gary Bertini, who was born in today’s Moldova, and the SWR Radio Symphony Orchestra Stuttgart, which began in 1978 with Hector Berlioz’s Symphonie fantastique. Their final recording featured also on this box set was the 1996 performance of Mozart’s Symphony No. 40 in G minor in Tokyo. Bertini conducted several Israeli orchestras for many years before subsequently moving to Germany and Japan (the Tokyo Metropolitan Symphony Orchestra). During his lifetime he did not always earn the respect he deserved because he did not play the part of the glamourous conductor that was the accepted stereotype. But as time went by his aim to be faithful to the composer’s intentions became widely appreciated.
01. Sinfonie Nr.40 g-Moll KV 550: I. Molto allegro
02. Sinfonie Nr.40 g-Moll KV 550: II. Andante
03. Sinfonie Nr.40 g-Moll KV 550: III. Menuetto. Allegretto
04. Sinfonie Nr.40 g-Moll KV 550: IV. Allegro assai
05. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" I. Largo maestoso – Vivace
06. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" II. Andante
07. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" III. Menuetto
08. Symphony No. 53 in D major, Hob. I:53 "L'Impériale" IV. Presto
09. Symphony No. 95 in C minor, Hob. I:95: I. Allegro moderato
10. Symphony No. 95 in C minor, Hob. I:95: II. Andante cantabile
11. Symphony No. 95 in C minor, Hob. I:95 III. Menuetto
12. Symphony No. 95 in C minor, Hob. I:95: IV. Finale. Vivace
13. Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace
14. Symphony No. 7 in A major, Op. 92: II. Allegretto
15. Symphony No. 7 in A major, Op. 92: III. Presto – Assai meno presto
16. Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
17. Symphony No. 8 in B minor "Unfinished" D 759: I. Allegro moderato
18. Symphony No. 8 in B minor "Unfinished" D 759: II. Andante con moto
19. Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto – Allegro
20. Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto
21. Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso
22. Symphony No. 1 in C minor, Op. 68: IV. Adagio – Piu andante – Allegro
23. Symphony No. 3 in F major, Op. 90: I. Allegro con brio
24. Symphony No. 3 in F major, Op. 90: II. Andante
25. Symphony No. 3 in F major, Op. 90: III. Poco allegretto
26. Symphony No. 3 in F major, Op. 90: IV. Allegro
27. Symphonie fantastique, op. 14: I. Rêveries, Passions
28. Symphonie fantastique, op. 14: II. Un ball
29. Symphonie fantastique, op. 14: III. Scène aux champs
30. Symphonie fantastique, op. 14: IV. Marche au supplice
31. Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat
32. Overture to "Benvenuto Cellini", Op. 23
33. La Damoiselle élue*. Poème lyrique, L 62
34. Overture to "The Flying Dutchmann"
35. Tristan und Isolde: Vorspiel
36. Tristan und Isolde: Isoldes Liebestod
This collection commemorates the long-standing cooperation between conductor Gary Bertini, who was born in today’s Moldova, and the SWR Radio Symphony Orchestra Stuttgart, which began in 1978 with Hector Berlioz’s Symphonie fantastique. Their final recording featured also on this box set was the 1996 performance of Mozart’s Symphony No. 40 in G minor in Tokyo. Bertini conducted several Israeli orchestras for many years before subsequently moving to Germany and Japan (the Tokyo Metropolitan Symphony Orchestra). During his lifetime he did not always earn the respect he deserved because he did not play the part of the glamourous conductor that was the accepted stereotype. But as time went by his aim to be faithful to the composer’s intentions became widely appreciated.
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