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Bon Iver - For Emma, Forever Ago (2008) Vinyl

Bon Iver - For Emma, Forever Ago (2008) Vinyl

BAND/ARTIST: Bon Iver

  • Title: For Emma, Forever Ago
  • Year Of Release: 2008
  • Label: 4AD / Jagjaguwar – JAG115 / CD, LP
  • Genre: Folk Rock, Acoustic, Indie Rock, Singer-Songwriter
  • Quality: FLAC (tracks+.cue,log artwork) / FLAC (tracks) 24bit-96kHz
  • Total Time: 36:56
  • Total Size: 201 / 679 Mb
  • WebSite:
Tracklist:

01. Flume (3:34)
02. Lump Sum (3:18)
03. Skinny Love (3:52)
04. The Wolves (Act I and II) (5:22)
05. Blindsided (5:29)
06. Creature Fear (3:06)
07. Team (1:56)
08. For Emma (3:37)
09. re: stacks (6:41)

The biographical details behind the creation of an album shouldn't matter when it comes to a listener's enjoyment, but For Emma, Forever Ago, Justin Vernon's debut as Bon Iver, exudes such a strong sense of loneliness and remoteness that you might infer some tragedy behind it. So, to skirt the rumor mill, here are the particulars, as much or as little as they might apply: In 2005, Vernon's former band DeYarmond Edison moved from Eau Claire, Wisconsin, to North Carolina. As the band developed and matured in its new home, the members' artistic interests diverged and eventually the group disbanded. While his bandmates formed Megafaun, Vernon-- who had worked with the Rosebuds and Ticonderoga-- returned to Wisconsin, where he sequestered himself in a remote cabin for four snowy months. During that time, he wrote and recorded most of the songs that would eventually become For Emma, Forever Ago.

As the second half of its title implies, the album is a ruminative collection of songs full of natural imagery and acoustic strums-- the sound of a man left alone with his memories and a guitar. Bon Iver will likely bear comparisons to Iron & Wine for its quiet folk and hushed intimacy, but in fact, Vernon, adopting a falsetto that is worlds away from his work with DeYarmond Edison, sounds more like TV on the Radio's Tunde Adebimpe, not just in his vocal timbre, but in the way his voice grows grainier as it gets louder.

Vernon gives a soulful performance full of intuitive swells and fades, his phrasing and pronunciation making his voice as much a purely sonic instrument as his guitar. In the discursive coda of "Creature Fear" he whittles the song down to a single repeated syllable-- "fa." Rarely does folk-- indie or otherwise-- give so much over to ambience: Quivering guitar strings, mic'ed closely, lend opener "Flume" its eerily interiorized sound, which matches his unsettling similes. "Lump Sum" begins with a choir of Vernons echoing cavernously, which, along with that rhythmically rushing guitar, initiates the listener into the song's strange space.




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  • User offline
  • whiskers
  •  wrote in 22:36
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Many thanks
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  • Blaubart 1922
  •  wrote in 14:26
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ᴹᴬᴺᵧ ᵀᴴᴬᴺᴷᵡ
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  • mufty77
  •  wrote in 19:18
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Many thanks for Flac.