Magdalene Harer, Anne Bierwirth, Tobias Hunger, Markus Flaig, Voktett Hannover, la festa musicale, Lajos Rovatkay - Gregor Joseph Werner: Vol. III: Masses and Motets (2023) [Hi-Res]
![Magdalene Harer, Anne Bierwirth, Tobias Hunger, Markus Flaig, Voktett Hannover, la festa musicale, Lajos Rovatkay - Gregor Joseph Werner: Vol. III: Masses and Motets (2023) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-11/1698962896_magdalene-harer-gregor-joseph-werner-vol_-iii-2023.jpg)
BAND/ARTIST: Magdalene Harer, Anne Bierwirth, Tobias Hunger, Markus Flaig, Voktett Hannover, la festa musicale, Lajos Rovatkay
- Title: Gregor Joseph Werner: Vol. III: Masses and Motets
- Year Of Release: 2023
- Label: audite Musikproduktion
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:15:31
- Total Size: 404 mb / 1.41 gb
- WebSite: Album Preview
Tracklist
01. Missa "Sunt bona mixta malis" III/19 - Kyrie: I. Kyrie
02. Missa "Sunt bona mixta malis" III/19 - Gloria: II. Gloria in excelsis
03. Missa "Sunt bona mixta malis" III/19 - Gloria: III. Laudamus te
04. Missa "Sunt bona mixta malis" III/19 - Gloria: IV. Gratias agimus tibi
05. Missa "Sunt bona mixta malis" III/19 - Gloria: V. Domine Deus
06. Missa "Sunt bona mixta malis" III/19 - Gloria: VI. Qui tollis peccata mundi
07. Missa "Sunt bona mixta malis" III/19 - Gloria: VII. Quoniam tu solus
08. Missa "Sunt bona mixta malis" III/19 - Gloria: VIII. Cum Sancto Spiritu
09. Missa "Sunt bona mixta malis" III/19 - Credo: IX. Credo in unum Deum
10. Missa "Sunt bona mixta malis" III/19 - Credo: X. Et incarnatus est
11. Missa "Sunt bona mixta malis" III/19 - Credo: XI. Et resurrexit
12. Missa "Sunt bona mixta malis" III/19 - Credo: XII. Et in Spiritum Sanctum
13. Missa "Sunt bona mixta malis" III/19 - Credo: XIII. Et vitam
14. Missa "Sunt bona mixta malis" III/19 - Sanctus: XIV. Sanctus
15. Missa "Sunt bona mixta malis" III/19 - Sanctus: XV. Pleni sunt coeli
16. Missa "Sunt bona mixta malis" III/19 - Sanctus: XVI. Osanna in excelsis
17. Missa "Sunt bona mixta malis" III/19 - Benedictus: XVII. Benedictus
18. Missa "Sunt bona mixta malis" III/19: XVIII. Osanna in excelsis (ut sopra)
19. Missa "Sunt bona mixta malis" III/19 - Agnus Dei: XIX. Agnus Dei
20. Missa "Sunt bona mixta malis" III/19 - Agnus Dei: XX. Dona nobis pacem
21. Motetto "Alma redemptoris mater" III/160
22. Motetto "Ave Regina coelorum"
23. Sonata prima: I. Largo
24. Sonata prima: II. Allegro
25. Sonata prima: III. Largo
26. Sonata prima: IV. Allegro
27. Motetto "Sub tuum praesidium" III/249
28. Motetto "Regina coeli" III/189
29. Missa solemnis "Post nubila Phoebus" - Kyrie: I. Kyrie eleison
30. Missa solemnis "Post nubila Phoebus" - Kyrie: II. Christe eleison
31. Missa solemnis "Post nubila Phoebus" - Kyrie: III. Kyrie eleison
32. Missa solemnis "Post nubila Phoebus" - Gloria: IV. Gloria in excelsis
33. Missa solemnis "Post nubila Phoebus" - Gloria: V. Laudamus te
34. Missa solemnis "Post nubila Phoebus" - Gloria: VI. Domine Deus
35. Missa solemnis "Post nubila Phoebus" - Gloria: VII. Qui tollis peccata mundi
36. Missa solemnis "Post nubila Phoebus" - Gloria: VIII. Quoniam tu solus
37. Missa solemnis "Post nubila Phoebus" - Gloria: IX. Cum Sancto Spiritu
38. Missa solemnis "Post nubila Phoebus" - Credo: X. Credo in unum Deum
39. Missa solemnis "Post nubila Phoebus" - Credo: XI. Et incarnatus est
40. Missa solemnis "Post nubila Phoebus" - Credo: XII. Crucifixus
41. Missa solemnis "Post nubila Phoebus" - Credo: XIII. Et resurrexit
42. Missa solemnis "Post nubila Phoebus" - Credo: XIV. Et in Spiritum Sanctum
43. Missa solemnis "Post nubila Phoebus" - Credo: XV. Et vitam
44. Missa solemnis "Post nubila Phoebus" - Sanctus: XVI. Sanctus
45. Missa solemnis "Post nubila Phoebus" - Sanctus: XVII. Pleni sunt coeli
46. Missa solemnis "Post nubila Phoebus" - Sanctus: XVIII. Osanna in excelsis
47. Missa solemnis "Post nubila Phoebus" - Benedictus: XIX. Benedictus
48. Missa solemnis "Post nubila Phoebus": XX. Osanna in excelsis (ut sopra)
49. Missa solemnis "Post nubila Phoebus" - Agnus Dei: XXI. Agnus Dei
50. Missa solemnis "Post nubila Phoebus" - Agnus Dei: XXII. Dona nobis pacem
51. Motteto de Confessore "Ecce homo": Alleluja
An impressive continuation of the documentation of Gregor Joseph Werner's oeuvre, showing Haydn's predecessor at the Esterhazy court as a pioneer in musical development.
Gregor Joseph Werner was by no means a mere minor master preceding Haydn - this was already impressively shown by the previous recordings in this series. Now the newly acquired picture of him is put into even sharper focus: Werner's symphonies and instrumental concertos composed for the princely table have been lost, but the composer comes to the fore as a grand master of Latin sacred music. With his strength of character and contrapuntal perfection, he proves to be not only a prerequisite and teacher for Joseph Haydn, th efather of Viennese classicism, but himself a gateway to this stylistic epoch. Werner appears to us today as the spiritual support of the rather mundane Viennese classicism.
The mass settings recorded here need not fear any comparison with Haydn's, Mozart's and Schubert's smaller and mid-scale masses. They consolidate the greatest contrasts imaginable between instrumental brilliance and vocal polyphonic richness. The composer was also the last great master of Palestrina's stile antico. The way he updated the imitation technique in the motet, which was already two hundred years old at the time, by increasing dissonance reveals a hidden power in the development of Western composition.
01. Missa "Sunt bona mixta malis" III/19 - Kyrie: I. Kyrie
02. Missa "Sunt bona mixta malis" III/19 - Gloria: II. Gloria in excelsis
03. Missa "Sunt bona mixta malis" III/19 - Gloria: III. Laudamus te
04. Missa "Sunt bona mixta malis" III/19 - Gloria: IV. Gratias agimus tibi
05. Missa "Sunt bona mixta malis" III/19 - Gloria: V. Domine Deus
06. Missa "Sunt bona mixta malis" III/19 - Gloria: VI. Qui tollis peccata mundi
07. Missa "Sunt bona mixta malis" III/19 - Gloria: VII. Quoniam tu solus
08. Missa "Sunt bona mixta malis" III/19 - Gloria: VIII. Cum Sancto Spiritu
09. Missa "Sunt bona mixta malis" III/19 - Credo: IX. Credo in unum Deum
10. Missa "Sunt bona mixta malis" III/19 - Credo: X. Et incarnatus est
11. Missa "Sunt bona mixta malis" III/19 - Credo: XI. Et resurrexit
12. Missa "Sunt bona mixta malis" III/19 - Credo: XII. Et in Spiritum Sanctum
13. Missa "Sunt bona mixta malis" III/19 - Credo: XIII. Et vitam
14. Missa "Sunt bona mixta malis" III/19 - Sanctus: XIV. Sanctus
15. Missa "Sunt bona mixta malis" III/19 - Sanctus: XV. Pleni sunt coeli
16. Missa "Sunt bona mixta malis" III/19 - Sanctus: XVI. Osanna in excelsis
17. Missa "Sunt bona mixta malis" III/19 - Benedictus: XVII. Benedictus
18. Missa "Sunt bona mixta malis" III/19: XVIII. Osanna in excelsis (ut sopra)
19. Missa "Sunt bona mixta malis" III/19 - Agnus Dei: XIX. Agnus Dei
20. Missa "Sunt bona mixta malis" III/19 - Agnus Dei: XX. Dona nobis pacem
21. Motetto "Alma redemptoris mater" III/160
22. Motetto "Ave Regina coelorum"
23. Sonata prima: I. Largo
24. Sonata prima: II. Allegro
25. Sonata prima: III. Largo
26. Sonata prima: IV. Allegro
27. Motetto "Sub tuum praesidium" III/249
28. Motetto "Regina coeli" III/189
29. Missa solemnis "Post nubila Phoebus" - Kyrie: I. Kyrie eleison
30. Missa solemnis "Post nubila Phoebus" - Kyrie: II. Christe eleison
31. Missa solemnis "Post nubila Phoebus" - Kyrie: III. Kyrie eleison
32. Missa solemnis "Post nubila Phoebus" - Gloria: IV. Gloria in excelsis
33. Missa solemnis "Post nubila Phoebus" - Gloria: V. Laudamus te
34. Missa solemnis "Post nubila Phoebus" - Gloria: VI. Domine Deus
35. Missa solemnis "Post nubila Phoebus" - Gloria: VII. Qui tollis peccata mundi
36. Missa solemnis "Post nubila Phoebus" - Gloria: VIII. Quoniam tu solus
37. Missa solemnis "Post nubila Phoebus" - Gloria: IX. Cum Sancto Spiritu
38. Missa solemnis "Post nubila Phoebus" - Credo: X. Credo in unum Deum
39. Missa solemnis "Post nubila Phoebus" - Credo: XI. Et incarnatus est
40. Missa solemnis "Post nubila Phoebus" - Credo: XII. Crucifixus
41. Missa solemnis "Post nubila Phoebus" - Credo: XIII. Et resurrexit
42. Missa solemnis "Post nubila Phoebus" - Credo: XIV. Et in Spiritum Sanctum
43. Missa solemnis "Post nubila Phoebus" - Credo: XV. Et vitam
44. Missa solemnis "Post nubila Phoebus" - Sanctus: XVI. Sanctus
45. Missa solemnis "Post nubila Phoebus" - Sanctus: XVII. Pleni sunt coeli
46. Missa solemnis "Post nubila Phoebus" - Sanctus: XVIII. Osanna in excelsis
47. Missa solemnis "Post nubila Phoebus" - Benedictus: XIX. Benedictus
48. Missa solemnis "Post nubila Phoebus": XX. Osanna in excelsis (ut sopra)
49. Missa solemnis "Post nubila Phoebus" - Agnus Dei: XXI. Agnus Dei
50. Missa solemnis "Post nubila Phoebus" - Agnus Dei: XXII. Dona nobis pacem
51. Motteto de Confessore "Ecce homo": Alleluja
An impressive continuation of the documentation of Gregor Joseph Werner's oeuvre, showing Haydn's predecessor at the Esterhazy court as a pioneer in musical development.
Gregor Joseph Werner was by no means a mere minor master preceding Haydn - this was already impressively shown by the previous recordings in this series. Now the newly acquired picture of him is put into even sharper focus: Werner's symphonies and instrumental concertos composed for the princely table have been lost, but the composer comes to the fore as a grand master of Latin sacred music. With his strength of character and contrapuntal perfection, he proves to be not only a prerequisite and teacher for Joseph Haydn, th efather of Viennese classicism, but himself a gateway to this stylistic epoch. Werner appears to us today as the spiritual support of the rather mundane Viennese classicism.
The mass settings recorded here need not fear any comparison with Haydn's, Mozart's and Schubert's smaller and mid-scale masses. They consolidate the greatest contrasts imaginable between instrumental brilliance and vocal polyphonic richness. The composer was also the last great master of Palestrina's stile antico. The way he updated the imitation technique in the motet, which was already two hundred years old at the time, by increasing dissonance reveals a hidden power in the development of Western composition.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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