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Andrea Kauten, Württembergische Philharmonie Reutlingen, Timo Handschuh - Brahms: The Piano Concertos (2023) [Hi-Res]

Andrea Kauten, Württembergische Philharmonie Reutlingen, Timo Handschuh - Brahms: The Piano Concertos (2023) [Hi-Res]
  • Title: Brahms: The Piano Concertos
  • Year Of Release: 2023
  • Label: Solo Musica
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 02:11:44
  • Total Size: 520 mb / 2.1 gb
  • WebSite:
Tracklist

01. Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso
02. Piano Concerto No. 1 in D Minor, Op. 15: II. Adagio
03. Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo. Allegro non troppo
04. Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo
05. Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato
06. Piano Concerto No. 2 in B-Flat Major, Op. 83: III. Andante
07. Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso
08. 6 Klavierstücke, Op. 118: No. 1 in A Minor, Intermezzo
09. 6 Klavierstücke, Op. 118: No. 2 in A Major, Intermezzo
10. 6 Klavierstücke, Op. 118: No. 3 in G Minor, Ballade
11. 6 Klavierstücke, Op. 118: No. 4 in F Minor, Intermezzo
12. 6 Klavierstücke, Op. 118: No. 5 in F Major, Romance
13. 6 Klavierstücke, Op. 118: No. 6 in E-Flat Minor, Intermezzo

It has long been my wish to record both of Johannes Brahms’s piano concertos for CD. In doing so, I have been able to build upon many experiences that allow me at this point in time to open myself up even more to the essence of these works, which move me to the depths of my being. Both works offer me something incredibly great, something that in my conception of things can hardly be further enlarged. Each of the two concertos fascinates me with its vast wealth of sound, its intensity, above all with its simply infinite emotional range. Highly dramatic developments open out into playful lightness of being. Time and again there are sincerely thoughtful moments, marked by deep serenity. The slow movements of these two concertos particularly fascinate me on account of those passages, which give us a glimpse into what is above and beyond the world we know. The Magyar in me senses many Hungarian influences. My engagement with the two concertos in the course of making the present recordings together with the Württembergische Philharmonie Reutlingen has enabled me to look at the above aspects with new eyes. These are insights that go ever deeper throughout one’s whole life. The process is never complete. The cathedral is too big for that.



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  •  wrote in 01:10
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