Steven Isserlis, Stephen Hough - Franck & Rachmaninoff: Cello Sonatas etc. (2003)
BAND/ARTIST: Steven Isserlis, Stephen Hough
- Title: Franck & Rachmaninoff: Cello Sonatas etc.
- Year Of Release: 2003
- Label: Hyperion
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:17:51
- Total Size: 242 mb
- WebSite: Album Preview
Tracklist
01. Rachmaninoff: Prelude in F Major, Op. 2 No. 1
02. Rachmaninoff: Oriental Dance, Op. 2 No. 2
03. Rachmaninoff: Cello Sonata in G Minor, Op. 19: I. Lento – Allegro moderato
04. Rachmaninoff: Cello Sonata in G Minor, Op. 19: II. Allegro scherzando
05. Rachmaninoff: Cello Sonata in G Minor, Op. 19: III. Andante
06. Rachmaninoff: Cello Sonata in G Minor, Op. 19: IV. Allegro mosso
07. Franck: Le Sylphe, CFF 140
08. Franck: Cello Sonata in A Major, CFF 123: I. Allegretto ben moderato
09. Franck: Cello Sonata in A Major, CFF 123: II. Allegro
10. Franck: Cello Sonata in A Major, CFF 123: III. Recitativo – Fantasia. Ben moderato – Molto lento
11. Franck: Cello Sonata in A Major, CFF 123: IV. Allegretto poco mosso
12. Franck: Panis angelicus (Arr. Hough)
Playing together for the first time for Hyperion, Hough and Isserlis are stunningly matched in this large-scale passionate romantic programme. The sonatas stand at the centre of the meaty repertoire established by Brahms—whose two cello sonatas Steven Isserlis has recorded for us in an award-winning disc accompanied by Peter Evans (CDA66159)—and characterised by grand sweeping gestures, lush melody, and heartfelt emotions that sear from pathos to frenzy. The Franck is, of course, an alternative version the composer wished for his violin sonata, a transition that many feel to be the work's happiest incarnation. These performances are distinguished by the inspired combination of the renowned energy and panache of Isserlis with the fastidious translucency of Hough's playing, in music often despatched with more gush than gusto. Isserlis also provides a programme note very much in his own style; he examines the inspiration behind both works, coming as they do from deeply religious composers who were also the voices of greatly sensual radiance, while including reminiscences of his grandfather playing the piano part for the dedicatee of the Rachmaninov and of his grandmother learning the piano part in her 80s, to accompany her grandson! The disc is completed by what in the context may seem miniatures but which amply show how these great composers had a language of intimacy as much as expansiveness.
01. Rachmaninoff: Prelude in F Major, Op. 2 No. 1
02. Rachmaninoff: Oriental Dance, Op. 2 No. 2
03. Rachmaninoff: Cello Sonata in G Minor, Op. 19: I. Lento – Allegro moderato
04. Rachmaninoff: Cello Sonata in G Minor, Op. 19: II. Allegro scherzando
05. Rachmaninoff: Cello Sonata in G Minor, Op. 19: III. Andante
06. Rachmaninoff: Cello Sonata in G Minor, Op. 19: IV. Allegro mosso
07. Franck: Le Sylphe, CFF 140
08. Franck: Cello Sonata in A Major, CFF 123: I. Allegretto ben moderato
09. Franck: Cello Sonata in A Major, CFF 123: II. Allegro
10. Franck: Cello Sonata in A Major, CFF 123: III. Recitativo – Fantasia. Ben moderato – Molto lento
11. Franck: Cello Sonata in A Major, CFF 123: IV. Allegretto poco mosso
12. Franck: Panis angelicus (Arr. Hough)
Playing together for the first time for Hyperion, Hough and Isserlis are stunningly matched in this large-scale passionate romantic programme. The sonatas stand at the centre of the meaty repertoire established by Brahms—whose two cello sonatas Steven Isserlis has recorded for us in an award-winning disc accompanied by Peter Evans (CDA66159)—and characterised by grand sweeping gestures, lush melody, and heartfelt emotions that sear from pathos to frenzy. The Franck is, of course, an alternative version the composer wished for his violin sonata, a transition that many feel to be the work's happiest incarnation. These performances are distinguished by the inspired combination of the renowned energy and panache of Isserlis with the fastidious translucency of Hough's playing, in music often despatched with more gush than gusto. Isserlis also provides a programme note very much in his own style; he examines the inspiration behind both works, coming as they do from deeply religious composers who were also the voices of greatly sensual radiance, while including reminiscences of his grandfather playing the piano part for the dedicatee of the Rachmaninov and of his grandmother learning the piano part in her 80s, to accompany her grandson! The disc is completed by what in the context may seem miniatures but which amply show how these great composers had a language of intimacy as much as expansiveness.
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