Eric Ferring, Madeline Slettedahl, Quatuor Agate - We have tomorrow (2023) [Hi-Res]
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BAND/ARTIST: Eric Ferring, Madeline Slettedahl, Quatuor Agate
- Title: We have tomorrow
- Year Of Release: 2023
- Label: Delos
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:16:58
- Total Size: 329 mb / 1.29 gb
- WebSite: Album Preview
Tracklist
01. Mélodies passagères, Op. 27: No. 1, Puisque tout passe
02. Mélodies passagères, Op. 27: No. 2, Un cygne
03. Mélodies passagères, Op. 27: No. 3, Tombeau dans un parc
04. Mélodies passagères, Op. 27: No. 4, Le clocher chante
05. Mélodies passagères, Op. 27: No. 5, Départ
06. Hold Fast to Dreams
07. We Have Tomorrow
08. 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht
09. 2 Gesänge, Op. 91: No. 2, Geistliches Wiegenlied
10. 3 Songs, Op. 19: No. 2, Ecstasy
11. 3 Songs, Op. 21: No. 1, Chanson d'amour
12. 2 Songs, Op. 100: No. 1, A Mirage
13. 2 Songs, Op. 100: No. 2, Stella viatoris
14. Triptych: No. 1, He It Is
15. Triptych: No. 2, The Day Is No More
16. Triptych: No. 3, Light, My Light
17. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 1, Une sainte en son aureole
18. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 2, Puisque l'aube grandit
19. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 3, La lune blanche luit dans les bois
20. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 4, J'allais par des chemins perfides
21. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 5, J'ai presque peur, en verite
22. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 6, Avant que tu ne t'en ailles
23. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 7, Donc, ce sera par un clair jour d'ete
24. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 8, N'est-ce pas ?
25. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 9, L'hiver a cesse
The emotive young American tenor Eric Ferring delivers a moving and ambitious collection of art songs with a chamber music emphasis. In this follow-up release to his acclaimed debut album No Choice but Love (Lexicon Classics), Ferring is joined to great effect by pianist Madeline Slettedahl and the French ensemble Quatuor Agate.
Still in the early phases of his singing career, the Iowa-born Ferring has already performed numerous times with the Metropolitan Opera, and appeared at Santa Fe Opera, the Spoleto Festival and Lyric Opera of Chicago, where he garnered an Emmy Award for his performance in Pagliacci. Ferring has also sung widely in Europe, in such houses as Opéra de Rouen, Opéra de Paris and the Opéra national du Rhin. He also participated in a world tour of Rodelinda with The English Concert.
We have tomorrow is an impressive survey featuring important cycles by Samuel Barber, Gabriel Fauré and Arthur Shepherd, and songs by Florence Price, Johannes Brahms and Amy Beach. Ferring’s sometimes unusual choice of materials shows him to be a musician of wide-ranging taste and interests.
Ferring and Slettedahl, his close collaborator for the past several years, have given the album an original cast by including six works that require string players. The Paris-based Quatuor Agate—Adrien Jurkovic and Thomas Descamps, violins; Raphaël Pagnon, viola; Simon Iachemet, cello—eloquently demonstrates art song’s affinity with small instrumental ensembles.
01. Mélodies passagères, Op. 27: No. 1, Puisque tout passe
02. Mélodies passagères, Op. 27: No. 2, Un cygne
03. Mélodies passagères, Op. 27: No. 3, Tombeau dans un parc
04. Mélodies passagères, Op. 27: No. 4, Le clocher chante
05. Mélodies passagères, Op. 27: No. 5, Départ
06. Hold Fast to Dreams
07. We Have Tomorrow
08. 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht
09. 2 Gesänge, Op. 91: No. 2, Geistliches Wiegenlied
10. 3 Songs, Op. 19: No. 2, Ecstasy
11. 3 Songs, Op. 21: No. 1, Chanson d'amour
12. 2 Songs, Op. 100: No. 1, A Mirage
13. 2 Songs, Op. 100: No. 2, Stella viatoris
14. Triptych: No. 1, He It Is
15. Triptych: No. 2, The Day Is No More
16. Triptych: No. 3, Light, My Light
17. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 1, Une sainte en son aureole
18. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 2, Puisque l'aube grandit
19. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 3, La lune blanche luit dans les bois
20. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 4, J'allais par des chemins perfides
21. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 5, J'ai presque peur, en verite
22. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 6, Avant que tu ne t'en ailles
23. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 7, Donc, ce sera par un clair jour d'ete
24. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 8, N'est-ce pas ?
25. La bonne chanson, Op. 61 (Version for Voice, Piano & String Quartet): No. 9, L'hiver a cesse
The emotive young American tenor Eric Ferring delivers a moving and ambitious collection of art songs with a chamber music emphasis. In this follow-up release to his acclaimed debut album No Choice but Love (Lexicon Classics), Ferring is joined to great effect by pianist Madeline Slettedahl and the French ensemble Quatuor Agate.
Still in the early phases of his singing career, the Iowa-born Ferring has already performed numerous times with the Metropolitan Opera, and appeared at Santa Fe Opera, the Spoleto Festival and Lyric Opera of Chicago, where he garnered an Emmy Award for his performance in Pagliacci. Ferring has also sung widely in Europe, in such houses as Opéra de Rouen, Opéra de Paris and the Opéra national du Rhin. He also participated in a world tour of Rodelinda with The English Concert.
We have tomorrow is an impressive survey featuring important cycles by Samuel Barber, Gabriel Fauré and Arthur Shepherd, and songs by Florence Price, Johannes Brahms and Amy Beach. Ferring’s sometimes unusual choice of materials shows him to be a musician of wide-ranging taste and interests.
Ferring and Slettedahl, his close collaborator for the past several years, have given the album an original cast by including six works that require string players. The Paris-based Quatuor Agate—Adrien Jurkovic and Thomas Descamps, violins; Raphaël Pagnon, viola; Simon Iachemet, cello—eloquently demonstrates art song’s affinity with small instrumental ensembles.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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