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Stephen Layton - Handel: Chandos Anthems Nos 5a, 6a & 8 (2023) [Hi-Res]

Stephen Layton - Handel: Chandos Anthems Nos 5a, 6a & 8 (2023) [Hi-Res]
  • Title: Handel: Chandos Anthems Nos 5a, 6a & 8
  • Year Of Release: 2013 / 2023
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [88.2kHz/24bit] / FLAC (image + .cue, log, artwork)
  • Total Time: 1:14:46
  • Total Size: 1.28 GB / 369 MB
  • WebSite:
Tracklist:

George Frideric Handel (1685-1759)

Chandos Anthem No 8 O come, let us sing unto the Lord HWV253
1. Sonata: Largo Allegro [4'05]
2. O come, let us sing unto the Lord [3'26]
3. O come, let us worship [3'46]
4. Glory and worship are before him [1'50]
5. Tell it out among the heathen that the Lord is King [5'47]
6. O magnify the Lord [3'46]
7. The Lord preserveth the souls of the saints [3'23]
8. For look as high as the heaven is [2'20]
9. There is sprung up a light for the righteous [2'30]

Chandos Anthem No 6a As pants the hart HWV251b
10. Sonata: Larghetto Allegro [3'32]
11. As pants the hart for cooling streams [3'09]
12. Tears are my daily food [3'13]
13. Now when I think thereupon [1'28]
14. In the voice of praise and thanksgiving [1'45]
15. Why so full of grief, O my soul? [4'04]
16. Put thy trust in God [2'49]

Chandos Anthem No 5a I will magnify thee, O God HWV250a
17. Sonata: Andante Allegro [3'38]
18. I will magnify thee, O God [1'49]
19. Evry day will I give thanks unto thee [3'52]
20. One generation shall praise thy works unto another [2'10]
21. The Lord preserveth all them that love him [2'33]
22. The Lord is righteous in all his ways [2'57]
23. Happy are the people that are in such a case [4'01]
24. My mouth shall speak the praise of the Lord [2'55]


George Frideric Handel's Chandos Anthems, Anglican service music written in the late 1710s for the Duke of Chandos, mark the first flowering of what became the instantly identifiable but impossible-to-copy Handelian style, with grand structures built up in almost imperceptible but inevitable steps from a harmonically restricted set of materials through sheer manipulations of the flow of time. The three pieces follow roughly the same pattern, with an instrumental introduction, a spacious opening chorus, a solo proceeding from the chorus's main pitch classes, intervening polyphonic choral movements, finally a more chromatic and deeper solo, and a final fugue. Plenty of conductors have deployed enormous Messiah-sized groups in this music, and it can work reasonably well. But they're of a smaller scale than Handel's great public choral masterpieces, and they're more amenable to the medium-sized, precise work accomplished here by conductor Stephen Layton, leading the Choir of Trinity College Cambridge and the veteran Orchestra of the Age of Enlightenment. Layton's specialty is text intelligibility, and for native English speakers and a good number of foreigners the biblical texts included with the CD release will be superfluous. Hyperion's engineers step up with admirable clarity achieved on the choir's home ground of Trinity College Chapel, and the result is a very satisfying Handel performance that contains nothing fancy but meshes beautifully with some of the more poetic passages in the Anglican liturgy. ~ James Manheim



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