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Guildhall Strings - Armstrong Gibbs: 'Dale and Fell' & Other Music for Strings (1999)

Guildhall Strings - Armstrong Gibbs: 'Dale and Fell' & Other Music for Strings (1999)

BAND/ARTIST: Guildhall Strings

  • Title: Armstrong Gibbs: 'Dale and Fell' & Other Music for Strings
  • Year Of Release: 1999
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (cue+log+artwork)
  • Total Time: 65:04
  • Total Size: 259 MB
  • WebSite:
Tracklist:

01. Prelude, Andante and Finale Op.112 - I. Prelude. Alla marcia (05:07)
02. Prelude, Andante and Finale Op.112 - II. Andante. Andante rubato (07:32)
03. Prelude, Andante and Finale Op.112 - III. Finale. Allegro marcato (05:12)

04. Dale and Fell - I. Prelude: The Beck Climb (02:54)
05. Dale and Fell - II. Rest at Noon (03:24)
06. Dale and Fell - III. Over the High Fells (03:07)

07. Threnody for Walter de la Mare (07:48)

08. A Spring Garland, Op.84 - I. Kingcup (Ben ritmico) (02:02)
09. A Spring Garland, Op.84 - II. Dog Violet (Con grazia) (02:17)
10. A Spring Garland, Op.84 - III. Daffodil (Tempo di Menuetto) (02:20)
11. A Spring Garland, Op.84 - IV. Windflower (Alla Gavotta) (02:31)
12. A Spring Garland, Op.84 - V. Tulip (Con anima) (02:07)

13. Almayne (English 17th-Century Air), Op.71 (04:20)

14. Suite for Strings - I. Prelude (Con moto moderato) (04:16)
15. Suite for Strings - II. A Song of Sleep (Molto lento) (05:45)
16. Suite for Strings - III. Promise of Spring (Con brio) (04:13)

Everything on this CD is receiving its first commercial recording. Armstrong Gibbs's most famous piece is the once very popular little orchestral movement called 'Dusk', which was recorded on our first 'British Light Music Classics' CD. Looking for suitable repertoire to introduce Guildhall Strings into the Hyperion catalogue we asked their programmer, Ben Buckton, to investigate Gibbs's other music. The composer's granddaughter, Anne Rust, told Ben that, for safekeeping, she had sent some scores many years ago to the Britten-Pears Music Library in Aldeburgh where they have remained untouched ever since. Ben's request for 'anything for strings' by Gibbs resulted in the production of a stack of dusty folders containing the handwritten manuscripts. The work on the top of the pile was the Threnody for Walter de la Mare, and it immediately became clear that the journey to Suffolk was going to lead to more than anyone had expected. This is attractive, well-written music in a lighter vein, dating from the first half of the century.


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