Alessandro Simonetto - Bustijn: Suittes pour le Clavessin (2011)
BAND/ARTIST: Alessandro Simonetto
- Title: Bustijn: Suittes pour le Clavessin
- Year Of Release: 2011
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:18:51
- Total Size: 493 mb
- WebSite: Album Preview
Tracklist
01. Suitte I in D Minor: I. Preludio
02. Suitte I in D Minor: II. Allemanda
03. Suitte I in D Minor: III. Corrente
04. Suitte I in D Minor: IV. Sarabanda
05. Suitte I in D Minor: V. Giga
06. Suitte II in D Major: I. Preludio
07. Suitte II in D Major: II. Allemanda
08. Suitte II in D Major: III. Corrente
09. Suitte II in D Major: IV. Sarabanda
10. Suitte II in D Major: V. Giga
11. Suitte III in G Major: I. Preludio
12. Suitte III in G Major: II. Allemanda
13. Suitte III in G Major: III. Corrente
14. Suitte III in G Major: IV. Sarabanda
15. Suitte III in G Major: V. Giga
16. Suitte IV in C Major: I. Preludio
17. Suitte IV in C Major: II. Allemanda
18. Suitte IV in C Major: III. Corrente
19. Suitte IV in C Major: IV. Sarabanda
20. Suitte IV in C Major: V. Giga
21. Suitte IV in C Major: VI. Variatio
22. Suitte V in G Minor: I. Preludio
23. Suitte V in G Minor: II. Allemanda
24. Suitte V in G Minor: III. Corrente
25. Suitte V in G Minor: IV. Sarabanda
26. Suitte V in G Minor: V. Tempo di gavotta
27. Suitte VI in A Minor: I. Preludio
28. Suitte VI in A Minor: II. Allemanda
29. Suitte VI in A Minor: III. Corrente
30. Suitte VI in A Minor: IV. Sarabanda
31. Suitte VI in A Minor: V. Aria
32. Suitte VI in A Minor: VI. Giga
33. Suitte VI in A Minor: VII. Variatio
34. Suitte VII in E Major: I. Preludio
35. Suitte VII in E Major: II. Allemanda
36. Suitte VII in E Major: III. Corrente
37. Suitte VII in E Major: IV. Sarabanda
38. Suitte VII in E Major: V. Giga
39. Suitte VIII in A Major: I. Preludio
40. Suitte VIII in A Major: II. Allemanda
41. Suitte VIII in A Major: III. Corrente
42. Suitte VIII in A Major: IV. Sarabanda
43. Suitte VIII in A Major: V. Giga
44. Suitte VIII in A Major: VI. Aria
45. Suitte VIII in A Major: VII. Variatio prima
46. Suitte VIII in A Major: VIII. Variatio seconda
47. Suitte IX in D Major: I. Intrada
48. Suitte IX in D Major: II. Corrente
49. Suitte IX in D Major: III. Sarabanda
50. Suitte IX in D Major: IV. Aria
51. Suitte IX in D Major: V. Tempo di borée
52. Suitte IX in D Major: VI. Gavotta
53. Suitte IX in D Major: VII. Menuet
Pierre or Pieter Bustijn (1649-1729) was from the Low Countries: his family are reputed to have variously French, Belgian and Dutch origins (in the sense that we now understand those borders).We know next to nothing of the man himself, but his nine Suites for harpsichord evidently were held in high esteem in their day, being worthy of publication and wide dissemination.We can hear why: according to the eminent scholar Albert Clement, ‘The Suites offer us a surprising glimpse into Dutch musical life during the Baroque period and they are of great importance as far as the history of keyboard music in the Netherlands is concerned.’ They betray a certain Bachian influence (and why not?) in both their melodies and form, and indeed the influence is most positively appreciated in their rhythmic verve and stylish construction.
Alessandro Simonetto (B.1974) is a fine young Italian harpsichordist, as well as an enterprising digital music-publisher: the founder of both OnClassical.com and kunstderfuge.com, both vast online resources of music.
01. Suitte I in D Minor: I. Preludio
02. Suitte I in D Minor: II. Allemanda
03. Suitte I in D Minor: III. Corrente
04. Suitte I in D Minor: IV. Sarabanda
05. Suitte I in D Minor: V. Giga
06. Suitte II in D Major: I. Preludio
07. Suitte II in D Major: II. Allemanda
08. Suitte II in D Major: III. Corrente
09. Suitte II in D Major: IV. Sarabanda
10. Suitte II in D Major: V. Giga
11. Suitte III in G Major: I. Preludio
12. Suitte III in G Major: II. Allemanda
13. Suitte III in G Major: III. Corrente
14. Suitte III in G Major: IV. Sarabanda
15. Suitte III in G Major: V. Giga
16. Suitte IV in C Major: I. Preludio
17. Suitte IV in C Major: II. Allemanda
18. Suitte IV in C Major: III. Corrente
19. Suitte IV in C Major: IV. Sarabanda
20. Suitte IV in C Major: V. Giga
21. Suitte IV in C Major: VI. Variatio
22. Suitte V in G Minor: I. Preludio
23. Suitte V in G Minor: II. Allemanda
24. Suitte V in G Minor: III. Corrente
25. Suitte V in G Minor: IV. Sarabanda
26. Suitte V in G Minor: V. Tempo di gavotta
27. Suitte VI in A Minor: I. Preludio
28. Suitte VI in A Minor: II. Allemanda
29. Suitte VI in A Minor: III. Corrente
30. Suitte VI in A Minor: IV. Sarabanda
31. Suitte VI in A Minor: V. Aria
32. Suitte VI in A Minor: VI. Giga
33. Suitte VI in A Minor: VII. Variatio
34. Suitte VII in E Major: I. Preludio
35. Suitte VII in E Major: II. Allemanda
36. Suitte VII in E Major: III. Corrente
37. Suitte VII in E Major: IV. Sarabanda
38. Suitte VII in E Major: V. Giga
39. Suitte VIII in A Major: I. Preludio
40. Suitte VIII in A Major: II. Allemanda
41. Suitte VIII in A Major: III. Corrente
42. Suitte VIII in A Major: IV. Sarabanda
43. Suitte VIII in A Major: V. Giga
44. Suitte VIII in A Major: VI. Aria
45. Suitte VIII in A Major: VII. Variatio prima
46. Suitte VIII in A Major: VIII. Variatio seconda
47. Suitte IX in D Major: I. Intrada
48. Suitte IX in D Major: II. Corrente
49. Suitte IX in D Major: III. Sarabanda
50. Suitte IX in D Major: IV. Aria
51. Suitte IX in D Major: V. Tempo di borée
52. Suitte IX in D Major: VI. Gavotta
53. Suitte IX in D Major: VII. Menuet
Pierre or Pieter Bustijn (1649-1729) was from the Low Countries: his family are reputed to have variously French, Belgian and Dutch origins (in the sense that we now understand those borders).We know next to nothing of the man himself, but his nine Suites for harpsichord evidently were held in high esteem in their day, being worthy of publication and wide dissemination.We can hear why: according to the eminent scholar Albert Clement, ‘The Suites offer us a surprising glimpse into Dutch musical life during the Baroque period and they are of great importance as far as the history of keyboard music in the Netherlands is concerned.’ They betray a certain Bachian influence (and why not?) in both their melodies and form, and indeed the influence is most positively appreciated in their rhythmic verve and stylish construction.
Alessandro Simonetto (B.1974) is a fine young Italian harpsichordist, as well as an enterprising digital music-publisher: the founder of both OnClassical.com and kunstderfuge.com, both vast online resources of music.
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