Antonia Elisabeth Brown, Adriano Sebastiani - Spohr: Songs for Voice and Guitar (2011)
BAND/ARTIST: Antonia Elisabeth Brown, Adriano Sebastiani
- Title: Spohr: Songs for Voice and Guitar
- Year Of Release: 2011
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 00:59:33
- Total Size: 223 mb
- WebSite: Album Preview
Tracklist
01. Six German Songs, Op. 37: Mignon's Lied
02. Six German Songs, Op. 37: Lebenslied
03. Six German Songs, Op. 37: Die Stimme der Nacht
04. Six German Songs, Op. 37: Liebesschwärmerei
05. Six German Songs, Op. 37: Getrennte Liebe
06. Six German Songs, Op. 37: Lied beim Rundetanz
07. Six German Songs, Op. 41: Des Mädchens Sehnsucht
08. Six German Songs, Op. 41: An Mignon
09. Six German Songs, Op. 41: Klagelied von den drei Rosen
10. Six German Songs, Op. 41: Lied aus Aslauga's Ritter
11. Six German Songs, Op. 41: Der erste Kuss
12. Six German Songs, Op. 41: Vanitas! Vanitatum Vanitas
13. Six German Songs, Op. 72: Frühlingsglaube
14. Six German Songs, Op. 72: Schifferlied der Wasserfee
15. Six German Songs, Op. 72: Ghasel
16. Six German Songs, Op. 72: Beruhigung
17. Six German Songs, Op. 72: An Rosa Maria
18. Six German Songs, Op. 72: Schlaflied
19. Das Veilchen, K. 476
20. Komm, liebe Zither, K. 351
21. Vergiss mein nicht, K. 1 Anh 246
22. Die Zufriedenheit, K. 349
23. Ridente La Calma, K. 152
24. Abendempfindung, K. 523
Despite the substantial number of Lieder written for voice and piano in the 19th century, the guitar was also used occasionally as an accompaniment – it was Berlioz’s first instrument, and Schubert composed a number of Lieder for guitar and voice, considering himself a guitarist first and a pianist second. Therefore, while the three sets of German Songs by Louis Spohr on this recording were composed originally for piano and voice in 1816–1826, with editions for guitar appearing shortly after the original publications, we can be sure that Spohr would have approved of these arrangements.
The Mozart songs included on this disc were also originally composed for piano, with the exception of K351 and K349, which were written for mandolin accompaniment. Three of the songs were transcribed for guitar by Wenzeslaus Matiega (1773–1830) a Bohemian who was based in Vienna.
Mozart was Spohr’s idol, so it is fitting that these two composers’ songs have been programmed together to create a unique and complementary programme.
01. Six German Songs, Op. 37: Mignon's Lied
02. Six German Songs, Op. 37: Lebenslied
03. Six German Songs, Op. 37: Die Stimme der Nacht
04. Six German Songs, Op. 37: Liebesschwärmerei
05. Six German Songs, Op. 37: Getrennte Liebe
06. Six German Songs, Op. 37: Lied beim Rundetanz
07. Six German Songs, Op. 41: Des Mädchens Sehnsucht
08. Six German Songs, Op. 41: An Mignon
09. Six German Songs, Op. 41: Klagelied von den drei Rosen
10. Six German Songs, Op. 41: Lied aus Aslauga's Ritter
11. Six German Songs, Op. 41: Der erste Kuss
12. Six German Songs, Op. 41: Vanitas! Vanitatum Vanitas
13. Six German Songs, Op. 72: Frühlingsglaube
14. Six German Songs, Op. 72: Schifferlied der Wasserfee
15. Six German Songs, Op. 72: Ghasel
16. Six German Songs, Op. 72: Beruhigung
17. Six German Songs, Op. 72: An Rosa Maria
18. Six German Songs, Op. 72: Schlaflied
19. Das Veilchen, K. 476
20. Komm, liebe Zither, K. 351
21. Vergiss mein nicht, K. 1 Anh 246
22. Die Zufriedenheit, K. 349
23. Ridente La Calma, K. 152
24. Abendempfindung, K. 523
Despite the substantial number of Lieder written for voice and piano in the 19th century, the guitar was also used occasionally as an accompaniment – it was Berlioz’s first instrument, and Schubert composed a number of Lieder for guitar and voice, considering himself a guitarist first and a pianist second. Therefore, while the three sets of German Songs by Louis Spohr on this recording were composed originally for piano and voice in 1816–1826, with editions for guitar appearing shortly after the original publications, we can be sure that Spohr would have approved of these arrangements.
The Mozart songs included on this disc were also originally composed for piano, with the exception of K351 and K349, which were written for mandolin accompaniment. Three of the songs were transcribed for guitar by Wenzeslaus Matiega (1773–1830) a Bohemian who was based in Vienna.
Mozart was Spohr’s idol, so it is fitting that these two composers’ songs have been programmed together to create a unique and complementary programme.
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