Ginevra Petrucci, Giovanni Auletta - Beethoven: Complete Chamber Music with Flute (2023) [Hi-Res]
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BAND/ARTIST: Ginevra Petrucci, Giovanni Auletta
- Title: Beethoven: Complete Chamber Music with Flute
- Year Of Release: 2023
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 02:36:34
- Total Size: 709 mb / 1.41 gb
- WebSite: Album Preview
Tracklist
01. Flute Sonata in B-Flat Major, Anh.4: I. Allegro
02. Flute Sonata in B-Flat Major, Anh.4: II. Polonaise
03. Flute Sonata in B-Flat Major, Anh.4: III. Largo
04. Flute Sonata in B-Flat Major, Anh.4: IV. Thema mit Variationen. Allegretto
05. 6 National Folksongs with Variations, Op. 105: I. Air ecossais in G Major. The Cottage Maid. Andantino quasi Allegretto
06. 6 National Folksongs with Variations, Op. 105: II. Air ecossais in C Minor. Of Noble Stock Was Shinkin. Allegretto Scherzoso
07. 6 National Folksongs with Variations, Op. 105: III. Air autrichien in C Major. A Schusserl und a Reindl. Andantino
08. 6 National Folksongs with Variations, Op. 105: IV. Air ecossais in E-Flat Major. The Last Rose of Summer. Andante espressivo Assai
09. 6 National Folksongs with Variations, Op. 105: V. Air ecossais in E-Flat Major. Chiling o'Guiry. Allegretto Spiritoso
10. 6 National Folksongs with Variations, Op. 105: VI. Air ecossais in D Major. Paddy Whack. Allegretto più tosto Vivace
11. 10 National Folksongs with Variations, Op. 107: I. Tyrolian Air in E-Flat Major. I bin a Tiroler Bua. Moderato
12. 10 National Folksongs with Variations, Op. 107: II. Scottish Air in F Major. Bonny Laddie, Highland Laddie. Allegretto, quasi Vivace
13. 10 National Folksongs with Variations, Op. 107: III. Russian Air in G Major. Volkslied aus Klein Russland. Vivace
14. 10 National Folksongs with Variations, Op. 107: IV. Irish Air in F Major. St. Patrick's Day. Allegretto Scherzoso
15. 10 National Folksongs with Variations, Op. 107: V. Tyrolian Air in F Major. A Madel, ja a Madel. Moderato
16. 10 National Folksongs with Variations, Op. 107: VI. Welsh Air in E-Flat Major. Peggy's Daughter. Andante Comodo
17. 10 National Folksongs with Variations, Op. 107: VII. Russian Air in A Minor. Schöne Minka. Andante
18. 10 National Folksongs with Variations, Op. 107: VIII. Scottish Air in D Major. O Mary, at the Window Be. Andantino quasi Allegretto
19. 10 National Folksongs with Variations, Op. 107: IX. Scottish Air in E-Flat Major. Oh, Thou Art the Lad of my Heart. Allegretto più tosto Vivace
20. 10 National Folksongs with Variations, Op. 107: X. Scottish Air in G Minor. The Highland Watch. Spiritoso e Marciale
21. Duo for 2 Flutes in G Major, WoO26: I. Allegro
22. Duo for 2 Flutes in G Major, WoO26: II. Minuetto quasi Allegretto
23. Trio for Piano, Flute and Bassoon in G Major, WoO37: I. Allegro
24. Trio for Piano, Flute and Bassoon in G Major, WoO37: II. Adagio
25. Trio for Piano, Flute and Bassoon in G Major, WoO37: III. Thema andante con Variazioni
26. Serenade for Flute, Violin and Viola in D Major, Op. 25: I. Entrata. Allegro
27. Serenade for Flute, Violin and Viola in D Major, Op. 25: II. Tempo ordinario d'un Menuetto
28. Serenade for Flute, Violin and Viola in D Major, Op. 25: III. Allegro Molto
29. Serenade for Flute, Violin and Viola in D Major, Op. 25: IV. Andante con Variazioni
30. Serenade for Flute, Violin and Viola in D Major, Op. 25: V. Allegro scherzando e Vivace
31. Serenade for Flute, Violin and Viola in D Major, Op. 25: VI. Adagio
32. Serenade for Flute, Violin and Viola in D Major, Op. 25: VII. Allegro vivace e Disinvolto
Showpiece variations, folksongs, little-known trios and an early masterpiece: an unrivalled survey of Beethoven’s flute writing in new recordings by experienced Italian chamber musicians.
Beethoven’s attitude to composition is exemplified by an 1806 letter to the Scottish publisher George Thomson: ‘I will endeavour to make these compositions as pleasant as possible, but to the extent that this can remain compatible with the perfection and originality of style which you yourself have judged to be favourable characteristics of my work and which I will never give up.’
Thomson wanted undemanding and commercially attractive folksong settings from a composer already across Europe. Beethoven wanted and needed the money, but he also knew his worth, and in any case compromise was a word only ever grudgingly admitted to his vocabulary. In writing his sets of folksong variations, the result always falls easily upon the ear while putting amateur musicians through their paces, technically speaking, and demanding far more of their expressive imagination than Thomson’s usual fare.
The other pieces here date from Beethoven’s earliest years as a composer in Bonn. The Trio for flute, bassoon and piano shows a strong Mozartian influence; the B flat Sonata for flute and piano is a striking example of the apprentice musician learning his craft and refining his voice, which emerges in the unexpected context of a modest Duo for two flutes. However, it is the seven-movement Serenade Op.25, scored for flute, violin and viola, where we find Beethoven most elegantly adapted to the role of ‘occasional’ composer. The idiom might be carefree and elegant, but the instruments cross swords, argue and find common ground with a nobility that is all Beethoven’s own.
These new recordings are led by the flautist Ginevra Petrucci, who is now based in New York as a performer, editor and author of several volumes on the flute, and a specialist in new music. ‘A a very talented and well-educated musician,’ according to the Fanfare magazine review of her Brilliant Classics album of flute concertos by Briccialdi (95767).
01. Flute Sonata in B-Flat Major, Anh.4: I. Allegro
02. Flute Sonata in B-Flat Major, Anh.4: II. Polonaise
03. Flute Sonata in B-Flat Major, Anh.4: III. Largo
04. Flute Sonata in B-Flat Major, Anh.4: IV. Thema mit Variationen. Allegretto
05. 6 National Folksongs with Variations, Op. 105: I. Air ecossais in G Major. The Cottage Maid. Andantino quasi Allegretto
06. 6 National Folksongs with Variations, Op. 105: II. Air ecossais in C Minor. Of Noble Stock Was Shinkin. Allegretto Scherzoso
07. 6 National Folksongs with Variations, Op. 105: III. Air autrichien in C Major. A Schusserl und a Reindl. Andantino
08. 6 National Folksongs with Variations, Op. 105: IV. Air ecossais in E-Flat Major. The Last Rose of Summer. Andante espressivo Assai
09. 6 National Folksongs with Variations, Op. 105: V. Air ecossais in E-Flat Major. Chiling o'Guiry. Allegretto Spiritoso
10. 6 National Folksongs with Variations, Op. 105: VI. Air ecossais in D Major. Paddy Whack. Allegretto più tosto Vivace
11. 10 National Folksongs with Variations, Op. 107: I. Tyrolian Air in E-Flat Major. I bin a Tiroler Bua. Moderato
12. 10 National Folksongs with Variations, Op. 107: II. Scottish Air in F Major. Bonny Laddie, Highland Laddie. Allegretto, quasi Vivace
13. 10 National Folksongs with Variations, Op. 107: III. Russian Air in G Major. Volkslied aus Klein Russland. Vivace
14. 10 National Folksongs with Variations, Op. 107: IV. Irish Air in F Major. St. Patrick's Day. Allegretto Scherzoso
15. 10 National Folksongs with Variations, Op. 107: V. Tyrolian Air in F Major. A Madel, ja a Madel. Moderato
16. 10 National Folksongs with Variations, Op. 107: VI. Welsh Air in E-Flat Major. Peggy's Daughter. Andante Comodo
17. 10 National Folksongs with Variations, Op. 107: VII. Russian Air in A Minor. Schöne Minka. Andante
18. 10 National Folksongs with Variations, Op. 107: VIII. Scottish Air in D Major. O Mary, at the Window Be. Andantino quasi Allegretto
19. 10 National Folksongs with Variations, Op. 107: IX. Scottish Air in E-Flat Major. Oh, Thou Art the Lad of my Heart. Allegretto più tosto Vivace
20. 10 National Folksongs with Variations, Op. 107: X. Scottish Air in G Minor. The Highland Watch. Spiritoso e Marciale
21. Duo for 2 Flutes in G Major, WoO26: I. Allegro
22. Duo for 2 Flutes in G Major, WoO26: II. Minuetto quasi Allegretto
23. Trio for Piano, Flute and Bassoon in G Major, WoO37: I. Allegro
24. Trio for Piano, Flute and Bassoon in G Major, WoO37: II. Adagio
25. Trio for Piano, Flute and Bassoon in G Major, WoO37: III. Thema andante con Variazioni
26. Serenade for Flute, Violin and Viola in D Major, Op. 25: I. Entrata. Allegro
27. Serenade for Flute, Violin and Viola in D Major, Op. 25: II. Tempo ordinario d'un Menuetto
28. Serenade for Flute, Violin and Viola in D Major, Op. 25: III. Allegro Molto
29. Serenade for Flute, Violin and Viola in D Major, Op. 25: IV. Andante con Variazioni
30. Serenade for Flute, Violin and Viola in D Major, Op. 25: V. Allegro scherzando e Vivace
31. Serenade for Flute, Violin and Viola in D Major, Op. 25: VI. Adagio
32. Serenade for Flute, Violin and Viola in D Major, Op. 25: VII. Allegro vivace e Disinvolto
Showpiece variations, folksongs, little-known trios and an early masterpiece: an unrivalled survey of Beethoven’s flute writing in new recordings by experienced Italian chamber musicians.
Beethoven’s attitude to composition is exemplified by an 1806 letter to the Scottish publisher George Thomson: ‘I will endeavour to make these compositions as pleasant as possible, but to the extent that this can remain compatible with the perfection and originality of style which you yourself have judged to be favourable characteristics of my work and which I will never give up.’
Thomson wanted undemanding and commercially attractive folksong settings from a composer already across Europe. Beethoven wanted and needed the money, but he also knew his worth, and in any case compromise was a word only ever grudgingly admitted to his vocabulary. In writing his sets of folksong variations, the result always falls easily upon the ear while putting amateur musicians through their paces, technically speaking, and demanding far more of their expressive imagination than Thomson’s usual fare.
The other pieces here date from Beethoven’s earliest years as a composer in Bonn. The Trio for flute, bassoon and piano shows a strong Mozartian influence; the B flat Sonata for flute and piano is a striking example of the apprentice musician learning his craft and refining his voice, which emerges in the unexpected context of a modest Duo for two flutes. However, it is the seven-movement Serenade Op.25, scored for flute, violin and viola, where we find Beethoven most elegantly adapted to the role of ‘occasional’ composer. The idiom might be carefree and elegant, but the instruments cross swords, argue and find common ground with a nobility that is all Beethoven’s own.
These new recordings are led by the flautist Ginevra Petrucci, who is now based in New York as a performer, editor and author of several volumes on the flute, and a specialist in new music. ‘A a very talented and well-educated musician,’ according to the Fanfare magazine review of her Brilliant Classics album of flute concertos by Briccialdi (95767).
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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