Ensemble Cordia, Stefano Veggetti - Telemann: Early Concertos & Sonatas (2011)
BAND/ARTIST: Ensemble Cordia, Stefano Veggetti
- Title: Telemann: Early Concertos & Sonatas
- Year Of Release: 2011
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:01:16
- Total Size: 309 mb
- WebSite: Album Preview
Tracklist
01. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: I. Vivace
02. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: II. Adagio
03. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: III. Allegro
04. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: I. Largo
05. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: II. Allegro
06. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: III. Andante
07. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: IV. Presto
08. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: I. Largo
09. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: II. Allegro
10. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: III. Andante
11. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: IV. Presto
12. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: I. Adagio
13. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: II. Allegro
14. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: III. Grave
15. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: IV. Allegro
16. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: I. Vivace
17. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: II. Largo
18. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: III. Allegro
19. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: I. Largo
20. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: II. Allegro
21. Concerto in D Major, TWV 43: 4, à 4, per 2 Violini, Viola e Cembalo: III. Adagio
22. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: IV. Presto
The works on this release represent an unfamiliar aspect of Telemann’s work. They date from early in his career when his was experimenting with the different musical and stylistic influences he was exposed to. It was during his time as Kapellmeister at Eisenach that he commenced his incredible output of sonatas and concertos for diverse groups of instruments.
He found initially the modern Italian style too superficial (although Corelli was an early influence), and it was the French style that appealed, so much so that he said his concertos ended up ‘smelling of France’. Eventually his view of Italian music softened, probably as his friend the violinist and composer J.G Pisendel had travelled to Venice and become a friend of Vivaldi, and it is not hard to imagine Telemann writing a brilliantly scored concerto for his friend’s return.
01. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: I. Vivace
02. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: II. Adagio
03. Concerto in D Major, TWV 53:3, à Tromba, Violino Concertato, 3 Violini, 2 Viole, Violoncello Obbligato e Basso: III. Allegro
04. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: I. Largo
05. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: II. Allegro
06. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: III. Andante
07. Concerto in D Minor, TWV 43:2, à 4, per 2 Violini, Viola e Cembalo: IV. Presto
08. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: I. Largo
09. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: II. Allegro
10. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: III. Andante
11. Concerto in D Major, TWV 43:4, a Viola da Braccio Concertata, 2 Violini, Viole e Cembalo: IV. Presto
12. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: I. Adagio
13. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: II. Allegro
14. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: III. Grave
15. Sonata in E Minor, TWV 44:5, a 2 Violini, 2 Viole e Continuo: IV. Allegro
16. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: I. Vivace
17. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: II. Largo
18. Concerto in D Major, TWV 51:8, a Corno da Caccia, Violini, 2 Viole e Cembalo: III. Allegro
19. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: I. Largo
20. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: II. Allegro
21. Concerto in D Major, TWV 43: 4, à 4, per 2 Violini, Viola e Cembalo: III. Adagio
22. Concerto in D Major, TWV 43:4, à 4, per 2 Violini, Viola e Cembalo: IV. Presto
The works on this release represent an unfamiliar aspect of Telemann’s work. They date from early in his career when his was experimenting with the different musical and stylistic influences he was exposed to. It was during his time as Kapellmeister at Eisenach that he commenced his incredible output of sonatas and concertos for diverse groups of instruments.
He found initially the modern Italian style too superficial (although Corelli was an early influence), and it was the French style that appealed, so much so that he said his concertos ended up ‘smelling of France’. Eventually his view of Italian music softened, probably as his friend the violinist and composer J.G Pisendel had travelled to Venice and become a friend of Vivaldi, and it is not hard to imagine Telemann writing a brilliantly scored concerto for his friend’s return.
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