Luigi Attademo, Stefano Cardi, Arcady Ivannikov, Jan Depreter - Peaceful Guitar: The Bach Collection (2023)
BAND/ARTIST: Luigi Attademo, Stefano Cardi, Arcady Ivannikov, Jan Depreter
- Title: Peaceful Guitar: The Bach Collection
- Year Of Release: 2023
- Label: Brilliant Classics
- Genre: Classical Guitar
- Quality: flac lossless (tracks)
- Total Time: 02:55:45
- Total Size: 1.23 gb
- WebSite: Album Preview
Tracklist
01. Aria from Suite No. 3 in D Major, BWV 1068
02. Preludio from Cello Suite No. 1 in G Major, BWV 1007
03. Aria from Goldberg Variations, BWV 988
04. Largo from Concerto for Harpsichord & Strings in F Minor, BWV 1056
05. Gavotte from Cello Suite No. 6 in D Major, BWV 1012
06. Gavotte en rondeau from Partita No. 3 in E Major, BWV 1006
07. Siciliano from Violin Sonata No. 1 in G Minor, BWV 1001
08. Siciliano from Flute Sonata, BWV 1031
09. Chorale-Prelude "Jesu bleibet meine Freude", BWV 147
10. Präludium, BWV 936 from Johann Peter Kellner's Collection
11. Präludium, BWV 934 from Johann Peter Kellner's Collection
12. Präludium, BWV 937 from Johann Peter Kellner's Collection
13. Präludium, BWV 938 from Johann Peter Kellner's Collection
14. French Suite No. 3, BWV 814: I. Präludium, BWV 940
15. French Suite No. 3, BWV 814: II. Präludium, BWV 939
16. French Suite No. 3, BWV 814: III. Präludium, BWV 942
17. French Suite No. 3, BWV 814: IV. Präludium, BWV 999
18. Anglaise in D Major
19. Menuet & Trio
20. French Suite No. 4 in E-Flat Major, BWV 815: I. Allemande
21. Fughetta in C Minor, BWV 961
22. Partita No. 1 in B-Flat Major, BWV 825: I. Menuet I & II
23. Praeludium, BWV 926 from Clavier-Büchlein vor Wilhelm Friedemann Bach
24. Menuet, BWV 841 from Clavier-Büchlein vor Wilhelm Friedemann Bach
25. Menuet, BWV 842 from Clavier-Büchlein vor Wilhelm Friedemann Bach
26. Praeambulum, BWV 924 from Clavier-Büchlein vor Wilhelm Friedemann Bach
27. Fantasia No. 12, BWV 792 from Clavier-Büchlein vor Wilhelm Friedemann Bach
28. Praeambulum, BWV 930 from Clavier-Büchlein vor Wilhelm Friedemann Bach
29. Fantasia No. 13, BWV 791 from Clavier-Büchlein vor Wilhelm Friedemann Bach
30. Prelude, Fugue & Allegro in E-Flat Major, BWV 998: I. Prelude
31. Suite in E Minor, BWV 996: II. Allemande
32. Suite in E Minor, BWV 996: IV. Sarabande
33. Suite in E Minor, BWV 996: V. Bourree
34. Sonata in A Minor, BWV 1003: I. Grave
35. Sonata in A Minor, BWV 1003: III. Andante
36. Suite No. 2 in A Minor, BWV 997: I. Prelude
37. Suite No. 2 in A Minor, BWV 997: III. Sarabande
38. Partita No. 2 in D Minor, BWV 1004: I. Allemande
39. Partita No. 2 in D Minor, BWV 1004: III. Sarabande
40. Suite in E Major, BWV 1006: I. Präludium
41. Suite in E Major, BWV 1006: II. Loure
42. Suite in E Major, BWV 1006: III. Gavotte en Rondeaux
43. Suite in E Major, BWV 1006: IV. Menuett I
44. Suite in E Major, BWV 1006: V. Menuett II
45. Suite in E Major, BWV 1006: VI. Bourée
46. Suite in E Major, BWV 1006: VII. Gigue
47. Suite in A Minor, BWV 995: I. Prelude
48. Suite in A Minor, BWV 995: II. Allemande
49. Suite in A Minor, BWV 995: III. Courante
50. Suite in A Minor, BWV 995: IV. Sarabande
51. Suite in A Minor, BWV 995: V. Gavotte I
52. Suite in A Minor, BWV 995: VI. Gavotte II en Rondeaux
53. Suite in A Minor, BWV 995: VII. Gigue
54. Wachet auf, ruft uns die Stimme, BWV 140, 645
55. Choral No. 42, BWV 513: I. O Ewigkeit, du Donnerwort
56. Aria No. 41, BWV 509: I. Gedenke doch, dein Geist zurücke
57. Musette No. 22, BWV Anhang 126
58. Gib dich zufrieden und sei stille, BWV 510
59. BWV512 Gib dich zufrieden und sei stille, BWV 512
60. Choral No. 39, Dir, dir, Jehova, will ich singen, BWV 299
61. Aria No. 34/38, BWV 82/3, Schlummert ein, ihr matten Augen
Written with his trademark blazing speed and within an astonishingly short time frame, the Mozart violin concertos have become a staple of the violin repertoire. Though written quickly, they were not hastily composed. The concertos are a model of elegance and refinement and already began breaking new ground on what was thought to be standard concerto writing. This set of the first three concertos, performed by violinist Emmy Verhey and the Concertgebouw Chamber Orchestra, has been released on the Brilliant Classics label several times since its original recording in 1989. The overriding question is: why? While Verhey's playing in these three concertos is sufficient, nothing remarkable exists to warrant repeated reissuing. Her interpretation is neither staunchly period practice nor is it a highly romanticized take; it's very middle-of-the-road, not distinguishing itself one way or the other. The orchestra, conducted by Eduardo Marturet, is even less remarkable. Articulation is nowhere clear enough, and the orchestra often sounds more like it's playing Brahms than Mozart. With so many magnificent recordings of these timeless works available, listeners have very few reasons to select this rather mediocre offering.
01. Aria from Suite No. 3 in D Major, BWV 1068
02. Preludio from Cello Suite No. 1 in G Major, BWV 1007
03. Aria from Goldberg Variations, BWV 988
04. Largo from Concerto for Harpsichord & Strings in F Minor, BWV 1056
05. Gavotte from Cello Suite No. 6 in D Major, BWV 1012
06. Gavotte en rondeau from Partita No. 3 in E Major, BWV 1006
07. Siciliano from Violin Sonata No. 1 in G Minor, BWV 1001
08. Siciliano from Flute Sonata, BWV 1031
09. Chorale-Prelude "Jesu bleibet meine Freude", BWV 147
10. Präludium, BWV 936 from Johann Peter Kellner's Collection
11. Präludium, BWV 934 from Johann Peter Kellner's Collection
12. Präludium, BWV 937 from Johann Peter Kellner's Collection
13. Präludium, BWV 938 from Johann Peter Kellner's Collection
14. French Suite No. 3, BWV 814: I. Präludium, BWV 940
15. French Suite No. 3, BWV 814: II. Präludium, BWV 939
16. French Suite No. 3, BWV 814: III. Präludium, BWV 942
17. French Suite No. 3, BWV 814: IV. Präludium, BWV 999
18. Anglaise in D Major
19. Menuet & Trio
20. French Suite No. 4 in E-Flat Major, BWV 815: I. Allemande
21. Fughetta in C Minor, BWV 961
22. Partita No. 1 in B-Flat Major, BWV 825: I. Menuet I & II
23. Praeludium, BWV 926 from Clavier-Büchlein vor Wilhelm Friedemann Bach
24. Menuet, BWV 841 from Clavier-Büchlein vor Wilhelm Friedemann Bach
25. Menuet, BWV 842 from Clavier-Büchlein vor Wilhelm Friedemann Bach
26. Praeambulum, BWV 924 from Clavier-Büchlein vor Wilhelm Friedemann Bach
27. Fantasia No. 12, BWV 792 from Clavier-Büchlein vor Wilhelm Friedemann Bach
28. Praeambulum, BWV 930 from Clavier-Büchlein vor Wilhelm Friedemann Bach
29. Fantasia No. 13, BWV 791 from Clavier-Büchlein vor Wilhelm Friedemann Bach
30. Prelude, Fugue & Allegro in E-Flat Major, BWV 998: I. Prelude
31. Suite in E Minor, BWV 996: II. Allemande
32. Suite in E Minor, BWV 996: IV. Sarabande
33. Suite in E Minor, BWV 996: V. Bourree
34. Sonata in A Minor, BWV 1003: I. Grave
35. Sonata in A Minor, BWV 1003: III. Andante
36. Suite No. 2 in A Minor, BWV 997: I. Prelude
37. Suite No. 2 in A Minor, BWV 997: III. Sarabande
38. Partita No. 2 in D Minor, BWV 1004: I. Allemande
39. Partita No. 2 in D Minor, BWV 1004: III. Sarabande
40. Suite in E Major, BWV 1006: I. Präludium
41. Suite in E Major, BWV 1006: II. Loure
42. Suite in E Major, BWV 1006: III. Gavotte en Rondeaux
43. Suite in E Major, BWV 1006: IV. Menuett I
44. Suite in E Major, BWV 1006: V. Menuett II
45. Suite in E Major, BWV 1006: VI. Bourée
46. Suite in E Major, BWV 1006: VII. Gigue
47. Suite in A Minor, BWV 995: I. Prelude
48. Suite in A Minor, BWV 995: II. Allemande
49. Suite in A Minor, BWV 995: III. Courante
50. Suite in A Minor, BWV 995: IV. Sarabande
51. Suite in A Minor, BWV 995: V. Gavotte I
52. Suite in A Minor, BWV 995: VI. Gavotte II en Rondeaux
53. Suite in A Minor, BWV 995: VII. Gigue
54. Wachet auf, ruft uns die Stimme, BWV 140, 645
55. Choral No. 42, BWV 513: I. O Ewigkeit, du Donnerwort
56. Aria No. 41, BWV 509: I. Gedenke doch, dein Geist zurücke
57. Musette No. 22, BWV Anhang 126
58. Gib dich zufrieden und sei stille, BWV 510
59. BWV512 Gib dich zufrieden und sei stille, BWV 512
60. Choral No. 39, Dir, dir, Jehova, will ich singen, BWV 299
61. Aria No. 34/38, BWV 82/3, Schlummert ein, ihr matten Augen
Written with his trademark blazing speed and within an astonishingly short time frame, the Mozart violin concertos have become a staple of the violin repertoire. Though written quickly, they were not hastily composed. The concertos are a model of elegance and refinement and already began breaking new ground on what was thought to be standard concerto writing. This set of the first three concertos, performed by violinist Emmy Verhey and the Concertgebouw Chamber Orchestra, has been released on the Brilliant Classics label several times since its original recording in 1989. The overriding question is: why? While Verhey's playing in these three concertos is sufficient, nothing remarkable exists to warrant repeated reissuing. Her interpretation is neither staunchly period practice nor is it a highly romanticized take; it's very middle-of-the-road, not distinguishing itself one way or the other. The orchestra, conducted by Eduardo Marturet, is even less remarkable. Articulation is nowhere clear enough, and the orchestra often sounds more like it's playing Brahms than Mozart. With so many magnificent recordings of these timeless works available, listeners have very few reasons to select this rather mediocre offering.
Year 2023 | Classical | FLAC / APE
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