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Edgar Meyer - The Best of Edgar Meyer (2007)

Edgar Meyer - The Best of Edgar Meyer (2007)

BAND/ARTIST: Edgar Meyer

  • Title: The Best of Edgar Meyer
  • Year Of Release: 2007
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:13:03
  • Total Size: 356 / 184 Mb
  • WebSite:
Tracklist:

1. The Green Groves of Erin / The Flowers of Red Hill (Instrumental)
by Yo-Yo Ma;Mark O'Connor;Edgar Meyer
2. Sliding Down
by Edgar Meyer;Mike Marshall;Béla Fleck
3. Please Don't Feed the Bear
by Edgar Meyer
4. Concert Duo mvt. 1 (Instrumental)
by Joshua Bell;Edgar Meyer
5. Early Morning
by Edgar Meyer
6. Concert Duo, The Prequel (Instrumental)
by Joshua Bell;Edgar Meyer
7. Uncommon Ritual (Instrumental)
by Mike Marshall;Edgar Meyer;Béla Fleck
8. Pile-Up (Live)
by Edgar Meyer;Béla Fleck
9. Duet for Cello and Bass
by Yo-Yo Ma;Edgar Meyer
10. Zigeunerweisen (Instrumental)
by Mike Marshall;Edgar Meyer;Béla Fleck
11. By The River (Instrumental)
by Mike Marshall;Edgar Meyer;Béla Fleck
12. Movement III (quarter note = 190) from Concerto in D for Double Bass and Orchestra
by Edgar Meyer;The Saint Paul Chamber Orchestra;Hugh Wolff
13. Prélude from Suite for Solo Cello No. 5 in C minor, BWV 1011 (Instrumental)
by Edgar Meyer
14. VI. Gigue from Suite for Solo Cello No. 5 in C minor, BWV 1011 (Instrumental)
by Edgar Meyer

This collection features selections from eight of bass player Edgar Meyer's most popular albums made for Sony. It includes mostly Meyer's own compositions written for himself and friends, as well as his arrangements of folk pieces and transcriptions of classical works, and is an excellent introduction to the diversity of his interests and the range of his skills as a performer and composer. As a performer, Meyer is remarkable on a number of fronts, particularly in his fluency and versatility in moving between classical music and the worlds of folk, bluegrass, and roots music, and in the timbral range he coaxes out of one of the most unwieldy instruments. Meyer's own music blends folk traditions with some of the conventions of classical music. He sticks to a basically tonal/modal harmonic language, with enough rhythmic patterning to keep the listener oriented, but within those parameters he uses a variety of sophisticated compositional techniques that keep the music lively, surprising, and engaging without sounding modernist or complex. In his own compositions, he is joined by such diverse artists as violinists Joshua Bell and Mark O'Connor, cellist Yo-Yo Ma, mandolin player Mike Marshall, banjo player Béla Fleck, and the St. Paul Chamber Orchestra. His performances of the classical repertoire are models of full, pure tone quality and interpretive intensity. In his own works and in the folk pieces, he employs a much broader range of tonal colors, special effects, and expressive extremes, as is fitting for the material. The sound quality varies from track to track since the selections are taken from a number of albums, some studio and some live, but the sound is often excellent and never less than satisfactory.




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