VA - Arvo Pärt Collection (2021)
BAND/ARTIST: Various Artists, Benjamin Hudson, Sebastian Klinger, Le Nuove Musiche, Thomas Leech, Daniel Justin, Jeroen van Veen, Jürgen Kruse, Benjamin Saunders
- Title: Arvo Pärt Collection
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 9:08:09
- Total Size: 2.45 GB
- WebSite: Album Preview
Tracklist:
1. Benjamin Hudson – Spiegel im Spiegel, for Violin & Piano (10:22)
2. Jürgen Kruse – Variationen zur Gesundung von Arinuschka, for Piano Solo (05:36)
3. Jürgen Kruse – Für Alina, for Piano Solo (03:31)
4. Benjamin Hudson – Spiegel im Spiegel, for Viola & Piano (10:04)
5. Benjamin Hudson – Mozart-Adagio, for Violin, Cello & Piano (07:45)
6. Sebastian Klinger – Spiegel im Spiegel, for Cello & Piano (09:33)
7. Hatfield Leslie – Tabula Rasa: I. Ludus (09:50)
8. Hatfield Leslie – Tabula Rasa: II. Silentium (14:41)
9. Hatfield Leslie – Collage über Bach: I. Toccata (02:47)
10. Hatfield Leslie – Collage über Bach: II. Sarabande (03:07)
11. Hatfield Leslie – Collage über Bach: III. Ricercare (01:44)
12. Hatfield Leslie – Symphony No. 3: I. First Movement (06:29)
13. Hatfield Leslie – Symphony No. 3: II. Second Movement (06:09)
14. Hatfield Leslie – Symphony No. 3: III. Third Movement (07:43)
15. Hungarian State Opera Orchestra – Fratres for Strings and Percussion (08:54)
16. Hungarian State Opera Orchestra – Fratres for Violin, Strings and Percussion (10:44)
17. Hungarian State Opera Orchestra – Festina lente for Strings and Harp ad Libitum (07:50)
18. Hungarian State Opera Orchestra – Fratres for String Quartet (08:41)
19. Hungarian State Opera Orchestra – Fratres for Cello and Piano (11:52)
20. Hungarian State Opera Orchestra – Summa for Strings (03:45)
21. Hungarian State Opera Orchestra – Fratres for 8 Cellos (11:50)
22. Hungarian State Opera Orchestra – Fratres for Wind Octet and Percussion (07:45)
23. Hungarian State Opera Orchestra – Cantus in Memory of Benjamin Britten (07:39)
24. Le Nuove Musiche – Magnificat (06:17)
25. Le Nuove Musiche – Nunc dimittis (07:15)
26. Le Nuove Musiche – Maria Antifonen: I. O Weisheit (01:04)
27. Le Nuove Musiche – Maria Antifonen: II. O Adonai (02:03)
28. Le Nuove Musiche – Maria Antifonen: III. O Spross aus Isias Wurzel (00:56)
29. Le Nuove Musiche – Maria Antifonen: IV. O Schlüssel Davids (01:41)
30. Le Nuove Musiche – Maria Antifonen: V. O Morgenstern (01:40)
31. Le Nuove Musiche – Maria Antifonen: VI. O König aller Völker (01:29)
32. Le Nuove Musiche – Maria Antifonen: VII. O Immanuel (02:24)
33. Le Nuove Musiche – Stabat mater (25:11)
34. Tonus Peregrinus – Jesus is Betrayed and Arrested in Gethsemane (Exordium; John 18-12) (09:37)
35. Tonus Peregrinus – Jesus is Interrogated by the High Priest and Denied by Peter (John 183-27) (11:27)
36. Tonus Peregrinus – Jesus is Judged by Pilate and Reviled by the People (John 188-19:15) (26:17)
37. Tonus Peregrinus – Jesus is Crucified at Golgotha (John 196-30. Conclusio) (14:27)
38. Benjamin Saunders – The Beatitudes (07:49)
39. Benjamin Saunders – Berliner Messe: I. Kyrie (03:09)
40. Benjamin Saunders – Berliner Messe: II. Gloria (04:01)
41. Benjamin Saunders – Berliner Messe: III. Erster Alleluiavers (01:12)
42. Benjamin Saunders – Berliner Messe: IV. Zweiter Alleluiavers (01:26)
43. Benjamin Saunders – Berliner Messe: V. Veni sancte spiritus (06:50)
44. Benjamin Saunders – Berliner Messe: VI. Credo (04:28)
45. Benjamin Saunders – Berliner Messe: VII. Sanctus (03:17)
46. Benjamin Saunders – Berliner Messe: VIII. Agnus dei (01:58)
47. Benjamin Saunders – Cantate domino (03:59)
48. Benjamin Saunders – Annum per annum Einleitung: - K - G - C - S - A - Coda (11:55)
49. Benjamin Saunders – Mein Weg hat Gipfel und Wellentäler (08:27)
50. Benjamin Saunders – Pari intervallo (05:27)
51. Benjamin Saunders – Trivium (07:37)
52. Benjamin Saunders – Spiegel im Spiegel (08:11)
53. Elora Festival Singers – Triodion: I. Introduction. Ad libitum - Ode I. O Jesus the Son of God, Have Mercy upon Us (04:20)
54. Elora Festival Singers – Triodion: II. Ode II. O Most Holy Birth-Giver of God, Save Us (04:10)
55. Elora Festival Singers – Triodion: III. Ode III. O Holy Saint Nicholas, Pray to God for Us Coda. Ad Libitum (05:10)
56. Elora Festival Singers – Tribute to Caesar, St Matthew 22, 15-22 (05:34)
57. Elora Festival Singers – Nunc dimittis, St Luke 2, 29-32 (06:12)
58. Elora Festival Singers – Ode VII from Kanon Pokajanen (07:37)
59. Elora Festival Singers – I Am the True Vine (06:50)
60. Elora Festival Singers – The Woman with the Alabaster Box, St Matthew 26, 6-13 (05:28)
61. Elora Festival Singers – Dopo la Vittoria (10:34)
62. Elora Festival Singers – Bogoróditse Djévo (01:23)
63. Jeroen van Veen – Für Alina (1976) (20:18)
64. Jeroen van Veen – Variationen zur Gesundung von Arinuschka (1977) (05:56)
65. Jeroen van Veen – Ukuaru valss (1973, rev. 2010) (02:54)
66. Jeroen van Veen – Für Anna Maria No. 1 (2006) (01:21)
67. Jeroen van Veen – Für Alina No. 1 (1976) (02:41)
68. Jeroen van Veen – Pari intervallo (1976, rev. 2008) (05:27)
69. Jeroen van Veen – Hymn to a Great City (1984, rev. 2004) (05:08)
70. Jeroen van Veen – Für Anna Maria No. 2 (2006) (01:07)
71. Jeroen van Veen – Für Alina No. 2 (1976) (03:15)
72. Jeroen van Veen – Fratres (1977, rev. 1980) (11:54)
73. Jeroen van Veen – Spiegel im Spiegel (1978) (09:08)
74. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": I. Der gestiefelte Kater (00:43)
75. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": II. Rotkäppchen und der Wolf (02:15)
76. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": III. Schmetterlinge (02:06)
77. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": IV. Tanz der Entenküken (02:35)
78. Jeroen van Veen – Sonatina No. 1: I. Allegro (02:33)
79. Jeroen van Veen – Sonatina No. 1: II. Larghetto (04:18)
80. Jeroen van Veen – Sonatina No. 1: III. Allegro (00:25)
81. Jeroen van Veen – Sonatine No. 2: I. Allegro energico (01:52)
82. Jeroen van Veen – Sonatine No. 2: II. Largo (02:03)
83. Jeroen van Veen – Sonatine No. 2: III. Allegro (01:47)
84. Jeroen van Veen – Partita, Op. 2: I. Toccatina (00:50)
85. Jeroen van Veen – Partita, Op. 2: II. Fughetta (01:04)
86. Jeroen van Veen – Partita, Op. 2: III. Larghetto (03:16)
87. Jeroen van Veen – Partita, Op. 2: IV. Ostinato (02:08)
88. Jeroen van Veen – Für Alina No. 3 (1976) (23:07)
1. Benjamin Hudson – Spiegel im Spiegel, for Violin & Piano (10:22)
2. Jürgen Kruse – Variationen zur Gesundung von Arinuschka, for Piano Solo (05:36)
3. Jürgen Kruse – Für Alina, for Piano Solo (03:31)
4. Benjamin Hudson – Spiegel im Spiegel, for Viola & Piano (10:04)
5. Benjamin Hudson – Mozart-Adagio, for Violin, Cello & Piano (07:45)
6. Sebastian Klinger – Spiegel im Spiegel, for Cello & Piano (09:33)
7. Hatfield Leslie – Tabula Rasa: I. Ludus (09:50)
8. Hatfield Leslie – Tabula Rasa: II. Silentium (14:41)
9. Hatfield Leslie – Collage über Bach: I. Toccata (02:47)
10. Hatfield Leslie – Collage über Bach: II. Sarabande (03:07)
11. Hatfield Leslie – Collage über Bach: III. Ricercare (01:44)
12. Hatfield Leslie – Symphony No. 3: I. First Movement (06:29)
13. Hatfield Leslie – Symphony No. 3: II. Second Movement (06:09)
14. Hatfield Leslie – Symphony No. 3: III. Third Movement (07:43)
15. Hungarian State Opera Orchestra – Fratres for Strings and Percussion (08:54)
16. Hungarian State Opera Orchestra – Fratres for Violin, Strings and Percussion (10:44)
17. Hungarian State Opera Orchestra – Festina lente for Strings and Harp ad Libitum (07:50)
18. Hungarian State Opera Orchestra – Fratres for String Quartet (08:41)
19. Hungarian State Opera Orchestra – Fratres for Cello and Piano (11:52)
20. Hungarian State Opera Orchestra – Summa for Strings (03:45)
21. Hungarian State Opera Orchestra – Fratres for 8 Cellos (11:50)
22. Hungarian State Opera Orchestra – Fratres for Wind Octet and Percussion (07:45)
23. Hungarian State Opera Orchestra – Cantus in Memory of Benjamin Britten (07:39)
24. Le Nuove Musiche – Magnificat (06:17)
25. Le Nuove Musiche – Nunc dimittis (07:15)
26. Le Nuove Musiche – Maria Antifonen: I. O Weisheit (01:04)
27. Le Nuove Musiche – Maria Antifonen: II. O Adonai (02:03)
28. Le Nuove Musiche – Maria Antifonen: III. O Spross aus Isias Wurzel (00:56)
29. Le Nuove Musiche – Maria Antifonen: IV. O Schlüssel Davids (01:41)
30. Le Nuove Musiche – Maria Antifonen: V. O Morgenstern (01:40)
31. Le Nuove Musiche – Maria Antifonen: VI. O König aller Völker (01:29)
32. Le Nuove Musiche – Maria Antifonen: VII. O Immanuel (02:24)
33. Le Nuove Musiche – Stabat mater (25:11)
34. Tonus Peregrinus – Jesus is Betrayed and Arrested in Gethsemane (Exordium; John 18-12) (09:37)
35. Tonus Peregrinus – Jesus is Interrogated by the High Priest and Denied by Peter (John 183-27) (11:27)
36. Tonus Peregrinus – Jesus is Judged by Pilate and Reviled by the People (John 188-19:15) (26:17)
37. Tonus Peregrinus – Jesus is Crucified at Golgotha (John 196-30. Conclusio) (14:27)
38. Benjamin Saunders – The Beatitudes (07:49)
39. Benjamin Saunders – Berliner Messe: I. Kyrie (03:09)
40. Benjamin Saunders – Berliner Messe: II. Gloria (04:01)
41. Benjamin Saunders – Berliner Messe: III. Erster Alleluiavers (01:12)
42. Benjamin Saunders – Berliner Messe: IV. Zweiter Alleluiavers (01:26)
43. Benjamin Saunders – Berliner Messe: V. Veni sancte spiritus (06:50)
44. Benjamin Saunders – Berliner Messe: VI. Credo (04:28)
45. Benjamin Saunders – Berliner Messe: VII. Sanctus (03:17)
46. Benjamin Saunders – Berliner Messe: VIII. Agnus dei (01:58)
47. Benjamin Saunders – Cantate domino (03:59)
48. Benjamin Saunders – Annum per annum Einleitung: - K - G - C - S - A - Coda (11:55)
49. Benjamin Saunders – Mein Weg hat Gipfel und Wellentäler (08:27)
50. Benjamin Saunders – Pari intervallo (05:27)
51. Benjamin Saunders – Trivium (07:37)
52. Benjamin Saunders – Spiegel im Spiegel (08:11)
53. Elora Festival Singers – Triodion: I. Introduction. Ad libitum - Ode I. O Jesus the Son of God, Have Mercy upon Us (04:20)
54. Elora Festival Singers – Triodion: II. Ode II. O Most Holy Birth-Giver of God, Save Us (04:10)
55. Elora Festival Singers – Triodion: III. Ode III. O Holy Saint Nicholas, Pray to God for Us Coda. Ad Libitum (05:10)
56. Elora Festival Singers – Tribute to Caesar, St Matthew 22, 15-22 (05:34)
57. Elora Festival Singers – Nunc dimittis, St Luke 2, 29-32 (06:12)
58. Elora Festival Singers – Ode VII from Kanon Pokajanen (07:37)
59. Elora Festival Singers – I Am the True Vine (06:50)
60. Elora Festival Singers – The Woman with the Alabaster Box, St Matthew 26, 6-13 (05:28)
61. Elora Festival Singers – Dopo la Vittoria (10:34)
62. Elora Festival Singers – Bogoróditse Djévo (01:23)
63. Jeroen van Veen – Für Alina (1976) (20:18)
64. Jeroen van Veen – Variationen zur Gesundung von Arinuschka (1977) (05:56)
65. Jeroen van Veen – Ukuaru valss (1973, rev. 2010) (02:54)
66. Jeroen van Veen – Für Anna Maria No. 1 (2006) (01:21)
67. Jeroen van Veen – Für Alina No. 1 (1976) (02:41)
68. Jeroen van Veen – Pari intervallo (1976, rev. 2008) (05:27)
69. Jeroen van Veen – Hymn to a Great City (1984, rev. 2004) (05:08)
70. Jeroen van Veen – Für Anna Maria No. 2 (2006) (01:07)
71. Jeroen van Veen – Für Alina No. 2 (1976) (03:15)
72. Jeroen van Veen – Fratres (1977, rev. 1980) (11:54)
73. Jeroen van Veen – Spiegel im Spiegel (1978) (09:08)
74. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": I. Der gestiefelte Kater (00:43)
75. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": II. Rotkäppchen und der Wolf (02:15)
76. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": III. Schmetterlinge (02:06)
77. Jeroen van Veen – Vier leichte Tanzstücke "Musik für Kindertheater": IV. Tanz der Entenküken (02:35)
78. Jeroen van Veen – Sonatina No. 1: I. Allegro (02:33)
79. Jeroen van Veen – Sonatina No. 1: II. Larghetto (04:18)
80. Jeroen van Veen – Sonatina No. 1: III. Allegro (00:25)
81. Jeroen van Veen – Sonatine No. 2: I. Allegro energico (01:52)
82. Jeroen van Veen – Sonatine No. 2: II. Largo (02:03)
83. Jeroen van Veen – Sonatine No. 2: III. Allegro (01:47)
84. Jeroen van Veen – Partita, Op. 2: I. Toccatina (00:50)
85. Jeroen van Veen – Partita, Op. 2: II. Fughetta (01:04)
86. Jeroen van Veen – Partita, Op. 2: III. Larghetto (03:16)
87. Jeroen van Veen – Partita, Op. 2: IV. Ostinato (02:08)
88. Jeroen van Veen – Für Alina No. 3 (1976) (23:07)
The most comprehensive collection ever issued of Arvo Pärt’s music, surveying the full range of an output from one of the most distinctive voices in late 20th-century music.
Subsequently and exhaustively imitated, the language of the Estonian composer Arvo Pärt is immediately recognisable, speaking with the ‘still small voice of calm’ amid chaos and confusion. Born in 1935, Pärt reached compositional maturity in the late 60s with a series of works which painfully juxtaposed modernist dissonances with diatonic islands of peace, often Christian in message and raining down criticism from Soviet authorities.
At this point the evolution of his style produced an unassuming piano piece, Für Alina, which holds the key to the next 25 years of his music. For it he developed a ‘tintinnabuli’ technique where melodies move step by step around a central pitch, producing a soundworld timeless yet original and distinctively new.
From the technique grew instant classics of a genre at one remove from the slick certainties of US minimalism: Fratres and its many arrangements (eight of them represented here), the Cantus in memory of Britten, Tabula rasa for a Baroque sized concerto grosso ensemble and more. Then, having emigrated to Germany, Pärt applied the technique to the Christian texts which were always his rock and inspiration: first the St John Passion in 1982, followed by a sheaf of vocal works such as the Magnificat, Stabat Mater and Maria Antiphons which have become standard repertoire for choirs around the world.
In the last 20 years the harmonies in his music have filled out and become accommodated to a Romantic richness of expression even in sacred works such as I am the true vine and The Woman with the Alabaster Box, but there remains an individual simplicity to Pärt’s idiom that resists easy classification while continuing to affirm beauty and touch the souls of listeners.
All the works mentioned here are included in the box, in widely praised modern recordings made during the last 20 years, and the set is accompanied by full booklet notes.
Arvo Pärt (born 1935) is without doubt one of the best-known and -loved composers of today. His highly personal style, influenced by Gregorian Chant, is based on slowly shifting patterns, tintinnabuli (little bells), creating a meditative and hallucinatory effect, a visionary world of spiritual contemplation. Pärt’s sacred choral works enjoy a huge popularity with both the traditional classical audience as well as an open-minded new generation.
This substantial collection brings together Pärt’s best-known and loved works, both instrumental and vocal: Spiegel im Spiegel, Für Alina, Tabula Rasa, Fratres, Magnificat, Berliner Messe, St. John Passion, as well as organ works and the complete piano works.
Excellent performances by Le Nuove Musiche/Krijn Koetsveld, Leeds Cathedral Choir, Ulster Orchestra, Jeroen van Veen and many others.
Subsequently and exhaustively imitated, the language of the Estonian composer Arvo Pärt is immediately recognisable, speaking with the ‘still small voice of calm’ amid chaos and confusion. Born in 1935, Pärt reached compositional maturity in the late 60s with a series of works which painfully juxtaposed modernist dissonances with diatonic islands of peace, often Christian in message and raining down criticism from Soviet authorities.
At this point the evolution of his style produced an unassuming piano piece, Für Alina, which holds the key to the next 25 years of his music. For it he developed a ‘tintinnabuli’ technique where melodies move step by step around a central pitch, producing a soundworld timeless yet original and distinctively new.
From the technique grew instant classics of a genre at one remove from the slick certainties of US minimalism: Fratres and its many arrangements (eight of them represented here), the Cantus in memory of Britten, Tabula rasa for a Baroque sized concerto grosso ensemble and more. Then, having emigrated to Germany, Pärt applied the technique to the Christian texts which were always his rock and inspiration: first the St John Passion in 1982, followed by a sheaf of vocal works such as the Magnificat, Stabat Mater and Maria Antiphons which have become standard repertoire for choirs around the world.
In the last 20 years the harmonies in his music have filled out and become accommodated to a Romantic richness of expression even in sacred works such as I am the true vine and The Woman with the Alabaster Box, but there remains an individual simplicity to Pärt’s idiom that resists easy classification while continuing to affirm beauty and touch the souls of listeners.
All the works mentioned here are included in the box, in widely praised modern recordings made during the last 20 years, and the set is accompanied by full booklet notes.
Arvo Pärt (born 1935) is without doubt one of the best-known and -loved composers of today. His highly personal style, influenced by Gregorian Chant, is based on slowly shifting patterns, tintinnabuli (little bells), creating a meditative and hallucinatory effect, a visionary world of spiritual contemplation. Pärt’s sacred choral works enjoy a huge popularity with both the traditional classical audience as well as an open-minded new generation.
This substantial collection brings together Pärt’s best-known and loved works, both instrumental and vocal: Spiegel im Spiegel, Für Alina, Tabula Rasa, Fratres, Magnificat, Berliner Messe, St. John Passion, as well as organ works and the complete piano works.
Excellent performances by Le Nuove Musiche/Krijn Koetsveld, Leeds Cathedral Choir, Ulster Orchestra, Jeroen van Veen and many others.
Year 2021 | Classical | FLAC / APE
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