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Nigel Kennedy - Blue Note Sessions (2006)

Nigel Kennedy - Blue Note Sessions (2006)

BAND/ARTIST: Nigel Kennedy

  • Title: Blue Note Sessions
  • Year Of Release: 2006
  • Label: Blue Note
  • Genre: Jazz
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:19:01
  • Total Size: 449 / 203 Mb
  • WebSite:
Tracklist:

01. Midnight Blue – Asphyx
02. Sudel
03. Maybe In Your Dreams
04. Sunshine Alley
05. Nearly
06. Expansions
07. Stranger In A Strange Land
08. Song For My Father
09. After The Rain
10. I Almost Lost My Mind
11. Song For World Forgiveness
12. September Second

Personnel:
Nigel Kennedy: electric violin;
Joe Lovano: tenor saxophone (2,3,8,9);
JD Allen: tenor saxophone (6,7,10);
Lucky Peterson: Hammond B3 organ (1,4,6,10);
Kenny Werner: piano (2,3,5,7,8,,9,11);
Ron Carter: bass (1-11);
Jack DeJohnette: drums (1-11);
Daniel Sadownick: percussion (1,2,4,6,7,8,11);
Raul Midon: acoustic guitar and vocals (6).

Nigel Kennedy made quite a reputation for himself as a classical violin virtuoso, though he long expressed an interest in jazz prior to the making of this CD. A number of jazz veterans, including bassist Ron Carter, drummer Jack DeJohnette, pianist Kenny Werner, and tenor saxophonist Joe Lovano (along with several others) are present and provide a stimulating group for Kennedy, who early on in the disc is comparable to Jean-Luc Ponty during the early stages of his career as a leader. But Kennedy seems a bit too conservative throughout much of the date, not taking the kind of chances one would expect of a jazz violinist during his improvisations. Another part of the problem is due to the presence of some rather pedestrian material like Butch Cornell's bland funk vehicle "Sunshine Alley" (which adds organist Lucky Peterson) and the forgettable treatment of "Expansions," featuring Raul Midón's vocal and Kennedy's bizarre use of digital delay on his instrument. Even Horace Silver's hard bop masterpiece "Song for My Father" doesn't reach his potential. Nigel Kennedy demonstrates clearly how hard it is to play jazz convincingly when it is not a major part of his regular playing schedule.




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