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Jacques Loussier Trio, Güher & Süher Pekinel - Take Bach (2000) CD-Rip
BAND/ARTIST: Jacques Loussier Trio, Güher & Süher Pekinel
- Title: Take Bach
- Year Of Release: 2000
- Label: TELDEC
- Genre: Classical, Jazz
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 54:41
- Total Size: 285 Mb
- WebSite: Album Preview
Tracklist:
01. Konzert fuer drei Pianos d-moll (BWV 1063) - 1. Allegro (6:06)
02. Konzert fuer drei Pianos d-moll (BWV 1063) - 2. Alla Siciliana (6:20)
03. Konzert fuer drei Pianos d-moll (BWV 1063) - 3. Allegro (6:07)
04. Konzert fuer zwei Pianos c-moll (BWV 1060) - 1. Allegro (5:00)
05. Konzert fuer zwei Pianos c-moll (BWV 1060) - 2. Adagio (5:09)
06. Konzert fuer zwei Pianos c-moll (BWV 1060) - 3. Allegro (3:55)
07. Konzert fuer zwei Pianos d-dur (BWV 1061) - 1. Allegro (7:40)
08. Konzert fuer zwei Pianos d-dur (BWV 1061) - 2. Adagio (5:08)
09. Konzert fuer zwei Pianos d-dur (BWV 1061) - 3. Fuga (5:57)
10. Jesus bleibet meine Freude (BWV 147) (3:20)
Performers:
Güher & Süher Pekinel, piano
Jacques Loussier Trio
01. Konzert fuer drei Pianos d-moll (BWV 1063) - 1. Allegro (6:06)
02. Konzert fuer drei Pianos d-moll (BWV 1063) - 2. Alla Siciliana (6:20)
03. Konzert fuer drei Pianos d-moll (BWV 1063) - 3. Allegro (6:07)
04. Konzert fuer zwei Pianos c-moll (BWV 1060) - 1. Allegro (5:00)
05. Konzert fuer zwei Pianos c-moll (BWV 1060) - 2. Adagio (5:09)
06. Konzert fuer zwei Pianos c-moll (BWV 1060) - 3. Allegro (3:55)
07. Konzert fuer zwei Pianos d-dur (BWV 1061) - 1. Allegro (7:40)
08. Konzert fuer zwei Pianos d-dur (BWV 1061) - 2. Adagio (5:08)
09. Konzert fuer zwei Pianos d-dur (BWV 1061) - 3. Fuga (5:57)
10. Jesus bleibet meine Freude (BWV 147) (3:20)
Performers:
Güher & Süher Pekinel, piano
Jacques Loussier Trio
TAKE BACH is another in the history of recordings which treat the music of Bach in an experimental way. The approach of the Jacques Loussier Trio with pianists Güher and Süher Pekinel is one of melding Bach's concerti into jazz pieces through arrangement and improvisation. The idea is logical, as Baroque music is based often on a "figured bass," or set of symbols which the instrumentalist of the time (usually a keyboard player) would know how to interpret and build chords based upon the performance aspects of the time. This method is most directly represented today by jazz music, and the transition is fairly natural. Also, the contrapuntal nature of a jazz combo, with the bass as a melodic instrument, lends itself to the contrapuntal music of Bach.
Certain moments are more successful than others are. However, the performances and the originality and creativity of the arrangements, as well as the extremely high level of musicianship by all involved, makes for an extremely engaging disc. The listener often forgets the distinction between the centuries of musical styles, and hears the essence of the chord structures of Bach that are timeless and adaptable.
Certain moments are more successful than others are. However, the performances and the originality and creativity of the arrangements, as well as the extremely high level of musicianship by all involved, makes for an extremely engaging disc. The listener often forgets the distinction between the centuries of musical styles, and hears the essence of the chord structures of Bach that are timeless and adaptable.
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Jazz | Classical | FLAC / APE | CD-Rip
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