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James Ehnes, Bergen Philharmonic Orchestra, Edward Gardner - Nielsen Violin: Concerto, Symphony No. 4 (20230 [Hi-Res]

James Ehnes, Bergen Philharmonic Orchestra, Edward Gardner - Nielsen Violin: Concerto, Symphony No. 4 (20230 [Hi-Res]
  • Title: Nielsen Violin: Concerto, Symphony No. 4
  • Year Of Release: 2023
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:07:48
  • Total Size: 269 MB / 1.11 GB
  • WebSite:
Tracklist:

1. Nielsen: Concerto, Op. 33, FS 61: Ia. Praeludium (6:16)
2. Nielsen: Concerto, Op. 33, FS 61: Ib. Allegro cavalleresco (12:03)
3. Nielsen: Concerto, Op. 33, FS 61: IIa. Poco Adagio (5:37)
4. Nielsen: Concerto, Op. 33, FS 61: IIb. Rondo (9:30)
5. Nielsen: Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": I. Allegro (12:21)
6. Nielsen: Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": II. A tempo (Poco allegretto) (4:24)
7. Nielsen: Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": III. Poco Adagio (9:05)
8. Nielsen: Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": IV. Allegro (8:35)

Nielsen’s epic Violin Concerto was premiered in Copenhagen in February 1912, by violinist Peder Moller. Nominally the work is set in two movements; both open with a slow section and move to a faster one. Whilst unusual, this could be seen as a more usual fast – slow – fast three movement form, but with an extensive slow introduction to the first movement. The music moves quickly from one idea to the next, and overall has a bold, playful and optimistic feel. In stark contrast, although written only a few years later, the fourth symphony is more cohesive and unified as a work. Written against the background of the first world war, the work is a celebration of life itself. Just before the premier in 1916, Nielsen described it as: ‘Music is Life, and, like it, inextinguishable.’ Composed in the usual four movement form, each movement continues from the last without a break. The final movement features two sets of timpani battling each other across the orchestra.



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