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Marbert Rocel - Compost Black Label #103 (2013) FLAC

Marbert Rocel - Compost Black Label #103 (2013) FLAC

BAND/ARTIST: Marbert Rocel

  • Title: Compost Black Label #103
  • Year Of Release: 2013
  • Label: Compost Records
  • Genre: Alternative, Electro, Indie Pop
  • Quality: 320 kbps / FLAC (tracks)
  • Total Time: 00:38:00
  • Total Size: 89.0 MB / 230.4 MB
  • WebSite:
Marbert Rocel – Compost Black Label #103

Year: 2013
Format: WEB release

Tracklist
1. Cause Of Loving (Marek Hemmann Remix) (06:19)
2. Lax Sax (Philipp Stoya Remix) (07:11)
3. The Temple (Panthera Krause Remix) (06:46)
4. Cause Of Loving (Talski Remix) (05:23)
5. Digital Bonus: I Wanna (Heitzberg Theorem Club Edit) (05:36)
6. Digital Bonus: The Temple (Pete Bandit & Jason Shae Remix) (06:45)

_______________________________
Total length: 00:38:00




Exciting blend of organic and electrifiying house, ethereal melodies, encapsulates a lot of variety (as we like) remixes for the purist house heads as well as for fans of deep leftfield house or twisted groove addicts.

Marbert Rocel, the East German indie pop’n’jazz sensation and live band just brought their third album “Small Hours” to life, capturing a deep sense for beats, smoking, songs, indie pop trips including leftfield house- and jazzy affairs. As Groove magazine wrote “...an album finally progressed their own stunning charm into a higher sphere of danceable indie pop”. Well, it’s true, Marbert Rocel music is light and sunny, but they working hard with patience, belief, a lot of cigarettes, and dozens of live gigs around Europe, to spread their charm with passion and a wicked glints in their eyes. There is this lack of pretention in their music which everybody loves, actually people from the techno, soul, jazz or pop worlds even all seems to be convinced. Together with Mathias Kaden, they formed the project Karocel and released the highly acclaimed album “Plaited” on Freude Am Tanzen.

Marek Hemmann has grown into the electronic music as a hunter, collector and true connaisseur of tones and sonics. It all began in the beginning of the 90’s with a guitar whose sonic spectrum was far too limited for him. The discovery of the samplers and the synthesizers suddenly opened new possibilities where the acoustic world could be conserved; it was now possible with sound and noise on synthesizers to create what the human ear has never before experienced. The reason for the sonic passion was delivered to him via the techno parties late 90’s in his home area of Gera which was soon a weekly anchor for electronic experimentation.




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