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Michel Corboz, Ensemble Vocal et Instrumental de Lausanne - Monteverdi: Messa a 4 voci - Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie (2023) [Hi-Res]

Michel Corboz, Ensemble Vocal et Instrumental de Lausanne - Monteverdi: Messa a 4 voci - Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie (2023) [Hi-Res]
  • Title: Monteverdi: Messa a 4 voci - Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
  • Year Of Release: 2023
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
  • Total Time: 46:03
  • Total Size: 203 MB / 1.73 GB
  • WebSite:
Tracklist:

1. Mass for 4 Voices, SV 190: I. Kyrie (4:17)
2. Mass for 4 Voices, SV 190: II. Gloria (4:25)
3. Mass for 4 Voices, SV 190: III. Credo (5:53)
4. Mass for 4 Voices, SV 190: IV. Sanctus (2:39)
5. Mass for 4 Voices, SV 190: V. Benedictus (1:35)
6. Mass for 4 Voices, SV 190: VI. Agnus Dei (3:04)
7. Responsoria hebdomadae sanctae: Feria VI in Parasceve, In secundo nocturno: Tenebrae factae sunt (4:34)
8. Lamentationes Hieremiae I: Incipit. "De Lamentatione" (3:08)
9. Responsoria hebdomadae sanctae: Sabbato sancto, In primo nocturno: Sicut ovis (2:43)
10. Lamentationes Hieremiae IV: Aleph. "Quomodo obscuratum est aurum" (3:03)
11. Responsoria hebdomadae sanctae: Sabbato sancto, In primo nocturno: Jerusalem surge (2:55)
12. Lamentationes Hieremiae V: Oratio. "Recordare Domine" (5:08)
13. Responsoria hebdomadae sanctae: Sabbato sancto, In primo nocturno: Plange quasi virgo (2:43)

Here is the very first album ever recorded by Michel Corboz for Erato, just a few months after he got to know the legendary producer Michel Garcin in a choral competition – a decisive encounter that would become one of the most fruitful collaborations in the history of early music. Michel Corboz devoted his debut album to a repertoire dear to his heart: the late Italian Renaissance. This album includes sacred a cappella works by cremonese composers Marc’Antonio Ingegneri (with a selection of his ethereal responsories intertwined with Gregorian pieces) and his most famous student Claudio Monteverdi, whose posthumous mass for four voices is a hidden gem and a testimony to his prima prattica, legacy of Palestrina and the Franco-Flemish school.


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