Malcolm Bilson - Malcolm Bilson plays Dussek, Cramer & Haydn (2008)
BAND/ARTIST: Malcolm Bilson
- Title: Malcolm Bilson plays Dussek, Cramer & Haydn
- Year Of Release: 2008
- Label: Bridge Records
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 1:02:10
- Total Size: 222 MB
- WebSite: Album Preview
Tracklist:
1. Piano Sonata No. 18, Op. 44 "The Farewell": I. Introduzione. Grave - Allegro moderato (12:04)
2. Piano Sonata No. 18, Op. 44 "The Farewell": II. Molto adagio e sostenuto (10:39)
3. Piano Sonata No. 18, Op. 44 "The Farewell": III. Tempo di minuetto più tosto allegro (03:42)
4. Piano Sonata in E-Flat Major, Op. 44 "The Farewell": IV. Rondo. Allegro moderato ed espressivo (08:13)
5. 11 Variations on "Ein Mädchen oder Weibchen" (06:17)
6. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: I. Allegro (08:58)
7. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: II. Adagio (06:14)
8. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: III. Finale. Presto (06:00)
1. Piano Sonata No. 18, Op. 44 "The Farewell": I. Introduzione. Grave - Allegro moderato (12:04)
2. Piano Sonata No. 18, Op. 44 "The Farewell": II. Molto adagio e sostenuto (10:39)
3. Piano Sonata No. 18, Op. 44 "The Farewell": III. Tempo di minuetto più tosto allegro (03:42)
4. Piano Sonata in E-Flat Major, Op. 44 "The Farewell": IV. Rondo. Allegro moderato ed espressivo (08:13)
5. 11 Variations on "Ein Mädchen oder Weibchen" (06:17)
6. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: I. Allegro (08:58)
7. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: II. Adagio (06:14)
8. Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52: III. Finale. Presto (06:00)
Early keyboard virtuoso Malcolm Bilson's latest recording features Dussek's revolutionary “Farewell” Sonata, dedicated to Clementi, Haydn's great E-flat sonata, Hob. 52 21: 10, and Johann Baptist Cramer's delightful variations from The Magic Flute, all played on a replica of a 5 ½ octave English Pianoforte by Longman & Clementi, 1798, built by Chris Maene.
London in the 1790s was a bustling industrial, cultural and musical capital. Johann Baptist Cramer, Muzio Clementi, and Jan Ladislas Dussek, all foreigners, were magnetically drawn to this city with its variegated and sophisticated musical possibilities. These are the first genuine piano virtuosos, and their brilliant pianism and compositions would become known as the London Pianoforte School.
London in the 1790s was a bustling industrial, cultural and musical capital. Johann Baptist Cramer, Muzio Clementi, and Jan Ladislas Dussek, all foreigners, were magnetically drawn to this city with its variegated and sophisticated musical possibilities. These are the first genuine piano virtuosos, and their brilliant pianism and compositions would become known as the London Pianoforte School.
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