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Pretty Yende - The Pretty Yende Coronation & Opera Classics Collection (2023)

Pretty Yende - The Pretty Yende Coronation & Opera Classics Collection (2023)

BAND/ARTIST: Pretty Yende

  • Title: The Pretty Yende Coronation & Opera Classics Collection
  • Year Of Release: 2023
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:21:30
  • Total Size: 605 MB
  • WebSite:
Tracklist:

01. Roméo et Juliette, Act I: Ah! Je veux vivre
02. Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa
03. Lucia di Lammermoor: Act III: Eccola! Oh, giusto cielo!... Il dolce suono
04. Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence
05. Lakmé, Act I, No. 2: Viens, Mallika... Sous le dôme épais ("Flower Duet")
06. Lucia di Lammermoor: Act III: Spargi d'amaro pianto
07. La Sonnambula: Act II: Scene 2: Oh, se una volta sola
08. Roméo et Juliette, Act IV, No. 17: Dieu, quel frisson court dans mes veines!... Amour, ranime mon courage
09. Beatrice di Tenda, Act I, Scene VI: Respiro io qui... Ma la sola, ohimè! son io... Ah, la pena in lor piombò
10. Lucia di Lammermoor, Act I, No. 3: Ancor non giunse!... Regnava nel silenzio... Quando rapito in estasi
11. Lucia di Lammermoor: Act III: Ohimè! Sorge il tremendo fantasma... Ardon gli incensi
12. Linda di Chamounix, Act I Scene 3: Ah! Tardai troppo
13. Lakmé, Act II, No. 10: Où va la jeune Indoue
14. I puritani, Act II: O rendetemi la speme... Qui la voce sua soave... Vien, diletto, è in ciel la luna!
15. Lucia di Lammermoor: Act III: S'avanza Enrico!
16. La Sonnambula: Act II: Scene 2: Ah! Non giunge uman pensiero
17. La Straniera: Act II: Scene 15 - Vaneggia... Il passo sgombrisi...
18. La Sonnambula: Act II: Scene 2: Ah! Non credea mirarti
19. La Straniera: Act II: Finale - Chi veggio? La regina!
20. Le pardon de Ploërmel (Dinorah), Act II Scene 3: Dieu, comme cette nuit est lente... Ombre légère
21. La Straniera: Act II: Scene 14 - Sono all'ara

A Journey, the 2016 debut of South African soprano Pretty Yende, was appropriately named, for it reflected the stages of an unusual artistic odyssey. Yende was born in 1985 in the small South African town of Piet Retief (eMkhondo), in the northeastern part of the country. She is a member of the Zulu ethnic group. Yende's initial training as a singer came in a church choir. She was first attracted to opera specifically by a British Airways television commercial that featured the Flower Duet from Delibes' Lakmé. She didn't know what she was hearing, asked her teacher, and was told that it was called opera. The duet's effect was tumultuous: Yende abandoned her accounting studies and began vocal training instead. She earned a scholarship to the South African College of Music, studying with Virginia Davids, apartheid South Africa's first black woman to appear on an operatic stage. After several mid-level prize competition victories, Yende won a spot in the young artists' program at La Scala in Italy and made her formal debut at that legendary house in 2010. The following year she won another first prize, at the Operalia competition in Moscow.

Another big break followed in 2013, when Yende snagged a prime substitute spot at the Metropolitan Opera in New York, filling in for Nino Machaidze opposite Juan Diego Flórez in Rossini's Le comte Ory. Although she tripped and fell on her initial entrance, she nailed key high notes and was rewarded with strong applause. That led to a series of appearances at top houses in Berlin, New York, Los Angeles, Barcelona, Hamburg, Paris, and then London's Royal Opera House. She has also returned to South Africa for several operatic appearances. Yende signed to the Sony label in 2015 and released A Journey the following year. The album eschewed traditional recital gestures in favor of a unique program structure encompassing milestones in Yende's young career, including (with Kate Aldridge) the Flower Duet where it all began. The recipient of South Africa's Order of Ikhamanga at the Silver level, Yende lives in Milan, Italy. © James Manheim


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