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Pascal Rogé - Debussy / Satie: Pascal Rogé (2023)

Pascal Rogé - Debussy / Satie: Pascal Rogé (2023)

BAND/ARTIST: Pascal Rogé

  • Title: Debussy / Satie: Pascal Rogé
  • Year Of Release: 2023
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 3:52:52
  • Total Size: 687 MB
  • WebSite:
Tracklist:

01. 3. Clair de lune
02. No. 1, Lent et douloureux
03. No. 1 Andante con moto
04. No. 2, Lent et triste
05. 8. La fille aux cheveux de lin
06. No. 3, Lent et grave
07. No. 1, Lent
08. 1. Prélude
09. Satie: Je te veux
10. 2. Menuet
11. 1. Danseuses de Delphes
12. 2. Voiles
13. 3. Le vent dans la plaine
14. 4. Les sons et les parfums tournent dans l'air du soir
15. 5. Les collines d'Anacapri
16. 6. Des pas sur la neige
17. 7. Ce qu'a vu le vent d'ouest
18. 9. La sérénade interrompue
19. 10. La cathédrale engloutie
20. 11. La danse de Puck
21. 12. Minstrels
22. 4. Passepied
23. Debussy: L'Isle Joyeuse, L. 106
24. 1. Doctor Gradus ad Parnassum
25. 2. Jimbo's Lullaby
26. 3. Serenade For the Doll
27. 4. The Snow Is Dancing
28. 5. The Little Shepherd
29. 6. Golliwogg's Cakewalk
30. 1. Reflets dans l'eau
31. 2. Hommage à Rameau
32. 3. Mouvement
33. 1. Cloches à travers les feuilles
34. 2. Et la lune descend sur le temple qui fût
35. 3. Poissons d'or
36. No. 5, Modéré
37. No. 3, Lent
38. Nocturne No. 4
39. No. 2, Avec étonnement
40. No. 4, Lent
41. Satie: Prélude de la porte héroïque du ciel
42. Choral inappétissant
43. La Balançoire
44. Le Comédie italienne
45. Colin-Maillard
46. La Pêche
47. Le Yachting
48. Le Bain de mer
49. Le Carnaval
50. Le Golf
51. La Pieuvre
52. Les Quatre-Coins
53. Le Water-Chute
54. Le Tango
55. Le Flirt
56. Le Tennis
57. 1. Petit prélude à la journée
58. 2. Berceuse
59. 3. Marche du grand escalier
60. Valse-Ballet, Op.62
61. Fantasie-Valse
62. Satie: Descriptions automatiques
63. Satie: Croquis et agaceries d'un gros bonhomme en bois
64. 1. Doux et calme
65. 2. Simplement
66. 1. Prologue. Lent, sostenuto e molto risoluto (Excerpt)
67. 2. Sérénade: Modérément animé (Excerpt)
68. 3. Final: Animé, léger et nerveux (Excerpt)
69. Allegro vivo
70. Intermède
71. No. 2 Allegretto scherzande
72. 1. Prélude
73. 2. Sarabande
74. 3. Toccata
75. 1. Pagodes
76. 2. Soirée dans Grenade
77. 3. Jardins sous la pluie
78. Debussy: Rêverie, L.68

It is perhaps not surprising that pianist Pascal Rogé -- a third-generation French musician -- has mastered the modern French piano repertoire. What is surprising is the actual breadth of his repertoire and the young age at which he excelled.

In 1962, at the age of 11, he was admitted to the Paris Conservatoire, having previously studied with his mother. By the age of 15, he had won first prize for both piano and chamber music. At 18, he performed solo recitals in both Paris and London. But his major breakthrough was the first prize in the Jacques Thibaud International Competition in 1971. Several European engagements followed, and in 1974 he made his first tour to the United States, returning nearly every season. He has also become a favorite in Australia and Japan, where he has made over 20 tours.

Rogé's particular strengths lie in his sensitive and personal interpretations of 20th century French composers; he has made recordings of complete cycles of Ravel, Poulenc, and Satie, among others. His repertoire also includes d'Indy, Saint-Saëns, as well as the great German masters -- Haydn, Mozart, Brahms, and Beethoven. His recordings have received numerous awards, including the Grand Prix du Disque and an Edison award for the Ravel concertos. His first volume of Poulenc won the 1988 Gramophone award for Best Instrumental Recording, and his collaboration with Chantal Juillet and Truls Mørk won the 1997 Gramophone award for Best Chamber Music recording. In the new century, he began a new recording project for Onyx that included a complete Debussy cycle. He also began performing and touring with his wife, Ami Rogé. The pair commissioned a two piano concerto from Matthew Hindson, which they premiered in 2011.

He has taught at the Académie in Nice, but a busy international schedule has kept him from consistent teaching. More stylist than virtuosic, his solo pianism has been recognized for its decidedly French elegance, while his collaboration with orchestras has been noted for its faultless musicianship, and made him a favorite of conductors ranging from Charles Dutoit to Lorin Maazel to Kurt Masur. © Thomas Oram


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