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Naomi Oliphant & Daniel Weeks - Women of Firsts (2008)

Naomi Oliphant & Daniel Weeks - Women of Firsts (2008)
  • Title: Women of Firsts: Art Songs By the First Important Twentieth Century Women Composers from the Czech Republic, Poland, United States, and France
  • Year Of Release: 2008
  • Label: Centaur Records, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 49:59
  • Total Size: 198 MB
  • WebSite:
Tracklist:

1. Navzdy (Forever), Op. 12: I. Navzdy (02:20)
2. Navzdy (Forever), Op. 12: II. Cim je muj zal (02:30)
3. Navzdy (Forever), Op. 12: III. Ruce (01:23)
4. Daniel Weeks & Naomi Oliphant – Trzy piesni do slow arabskich z x wieku: I. Mamidlo (Version for Tenor and Piano) (02:11)
5. Daniel Weeks & Naomi Oliphant – Trzy piesni do slow arabskich z x wieku: II. Inna (Version for Tenor and Piano) (00:43)
6. Daniel Weeks & Naomi Oliphant – Trzy piesni do slow arabskich z x wieku: III. Samotnosc (Version for Tenor and Piano) (02:15)
7. 3 Browning Songs, Op. 44: I. The Year's At the Spring (01:10)
8. 3 Browning Songs, Op. 44: II. Ah, Love, But a Day! (03:00)
9. 3 Browning Songs, Op. 44: III. I Send My Heart Up to Thee! (02:28)
10. Clairieres dans le ciel: I. Elle etait descendue au bas de la prairie (She has gone down to the bottom of the meadow) (01:49)
11. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: II. Elle est gravement gaie (She Is Solemnly Gay) (01:53)
12. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: III. Parfois, je suis triste (Sometimes I Am Sad) (02:57)
13. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: IV. Un poete disait (A Poet Said) (01:44)
14. Clairieres dans le ciel: V. Au pied de mon lit (At the Foot of My Bed) (02:01)
15. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: VI. Si tout ceci n'est qu'un pauvre reve (If All This Is But a Poor Dream) (02:16)
16. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: VII. Nous nous aimerons tant (We Will Love Each Other So Much) (02:50)
17. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: VIII. Vous m'avez regarde avec toute votre ame (You Looked At Me With All Your Soul) (01:29)
18. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: IX. Les lilas qui avaient fleuri (The Lilacs That Had Flowered) (02:09)
19. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: X. Deux ancolies (Two Columbines) (01:21)
20. Clairieres dans le ciel: XI. Par ce que j'ai souffert (Because of What I Have Suffered) (02:36)
21. Clairieres dans le ciel: XII. Je garde une medaille d'elle (I Keep a Medallion of Hers) (01:47)
22. Daniel Weeks & Naomi Oliphant – Clairieres dans le ciel: XIII. Demain fera un an (Tomorrow It Will Be a Year) (06:58)

This little disc by American tenor-and-piano duo of Daniel Weeks and Naomi Oliphant claims to include "art songs by the first important Twentieth Century women composers from the Czech Republic, Poland, [the] United States, and France." There are several problems with this conceptually -- there was no Czech Republic in the time of Vitezslava Kaprálová, Cécile Chaminade arguably preceded Lili Boulanger as an important female composer from France and was active well into the 20th century, and the Three Browning Songs, Op. 44, by Amy Beach are an odd fit stylistically with the rest of the program. This said, the quality of both the music and the performances here is high, and this release will find a place in good collections of music by women. The 13-song cycle Clairières dans le ciel by Lili Boulanger, younger sister to the famed teacher Nadia Boulanger, to a set of hazily evocative prose poems by the French Symbolist writer Francis Jammes, may be the highlight. As Oliphant points out in her notes (given in English only), the set is usually sung by women but was probably composed for a male singer who may have been Boulanger's lover; it is a chronicle of a love affair, sometimes pretty passionate, from the male point of view. The romantic intensity of all the songs is noteworthy; all these composers avoided the conventional, and the whole group carries an intriguing interior mood, often expressed in one kind of symbolic language or another (it is here that the Beach songs break the mood). The most experimental songs are those by Kaprálová, who died at age 25 and whose works are yielding unsuspected riches; she expanded an Impressionist language into a slightly polytonal realm. Weeks and Oliphant are not powerhouse performers, but they have the fluidly cooperative quality that makes for a satisfying art song performance, and the sound, recorded at a University of Louisville concert hall in Kentucky, is unusually good among the releases in the catalog of the small American label Centaur.


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