The Greenwood Consort, Richard Lester, Mark Bennett - Frescobaldi: Fiori musicali, Op. 12 (Excerpts) (2023) [Hi-Res]
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BAND/ARTIST: The Greenwood Consort, Richard Lester, Mark Bennett
- Title: Frescobaldi: Fiori musicali, Op. 12 (Excerpts)
- Year Of Release: 2023
- Label: SOMM Recordings
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:19:37
- Total Size: 358 mb / 1.34 gb
- WebSite: Album Preview
Tracklist
01. Fiori musicali, Op. 12 (Excerpts): No. 18, Toccata avanti la messa delli apostoli, F 12.18
02. Fiori musicali, Op. 12 (Excerpts): No. 19, Kyrie delli apostoli, F 12.19 - No. 21, Kyrie, F 12.21
03. Fiori musicali, Op. 12 (Excerpts): No. 22, Christe, F 12.22 - No. 23, Christe, F 12.23
04. Fiori musicali, Op. 12 (Excerpts): No. 24, Kyrie, F 12.24 - No. 26, Kyrie, F 12.26
05. Fiori musicali, Op. 12 (Excerpts): No. 27, Canzon dopo l'epistola, F 12.27
06. Fiori musicali, Op. 12 (Excerpts): No. 28, Toccata avanti il recercar, F 12.28
07. Fiori musicali, Op. 12 (Excerpts): No. 30, Altro recercar, F 12.30
08. Fiori musicali, Op. 12 (Excerpts): No. 31, Toccata per l'elevatione, F 12.31
09. Fiori musicali, Op. 12 (Excerpts): No. 33, Canzon quarti toni dopo il post comune, F 12.33
10. Fiori musicali, Op. 12 (Excerpts): No. 1, Toccata avanti la messa della domenica, F 12.01
11. Fiori musicali, Op. 12 (Excerpts): No. 2, Kyrie della domenica, F 12.02 - No. 3, Kyrie, F 12.03
12. Fiori musicali, Op. 12 (Excerpts): No. 4, Christe, F 12.04 - No. 7, Christe alio modo, F 12.07
13. Fiori musicali, Op. 12 (Excerpts): No. 8, Kyrie, F 12.08 - No. 13, Kyrie alio modo, F 12.13
14. Fiori musicali, Op. 12 (Excerpts): No. 14, Canzon dopo l'epistola, F 12.14
15. Fiori musicali, Op. 12 (Excerpts): No. 15, Ricercar dopo il credo, F 12.15
16. Fiori musicali, Op. 12 (Excerpts): No. 16, Toccata cromaticha per l'elevatione, F 12.16
17. Fiori musicali, Op. 12 (Excerpts): No. 17, Canzon post il comune, F 12.17
18. Fiori musicali, Op. 12 (Excerpts): No. 34, Toccata avanti la messa della Madonna, F 12.34
19. Fiori musicali, Op. 12 (Excerpts): No. 35, Kyrie della Madonna, F 12.35 - No. 36, Kyrie, F 12.36
20. Fiori musicali, Op. 12 (Excerpts): No. 37, Christe, F 12.37 - No. 38, Christe, F 12.38
21. Fiori musicali, Op. 12 (Excerpts): No. 39, Kyrie, F 12.39 - No. 40, Kyrie, F 12.40
22. Fiori musicali, Op. 12 (Excerpts): No. 41, Canzon dopo l'epistola, F 12.41
23. Fiori musicali, Op. 12 (Excerpts): No. 43, Toccata avanti il recercar, F 12.43
24. Fiori musicali, Op. 12 (Excerpts): No. 44, Recercar con obligo di cantare la quinta parte senza toccarla, F 12.44
25. Fiori musicali, Op. 12 (Excerpts): No. 45, Toccata per l'elevatione, F 12.45
26. Fiori musicali, Op. 12 (Excerpts): No. 46, Bergamasca, F 12.46
27. Fiori musicali, Op. 12 (Excerpts): No. 47, Capriccio sopra la Girolmeta, F 12.47
Although the history of the Organ Mass dates to the early 15th century, Frescobaldi’s Fiori musicali of 1635, the feted composer’s last work comprising three Masses, represents a highwater-mark of the genre and “a final flowering and significant celebration of his musical genius and creativity”.
The first, In Dominicis infra annum (Orbis factor), composed for Sunday Mass, begins in declamatory style and transitions to a buoyant, playfully expressive conclusion. The Mass for the Apostles, Missa: In Festis Duplicibus I (Cunctipotens Genitor Deus), is marked by striking dynamic and textural contrasts. The third Mass, to mark Feasts of the Virgin Mary, In Festis Beata Mariae Virginis I (Cum jubilo), shows Frescobaldi daringly borrowing popular folk tunes to underline the connection between the secular and the sacred.
Richard Lester’s five-decades-spanning career began with harpsichord studies with George Malcom and saw him hailed by The Telegraph as “one of our leading players”. He has recorded more than 80 CDs of harpsichord and organ music and is the author of Girolamo Frescobaldi: A Variety of Inventions.
Led by baritone Mark Bennett, Devon-based The Greenwood Consort is a flexible ensemble of singers and instrumentalists committed to performing to communities with limited access to live music, who focus on historically informed performance of Baroque and pre-Baroque music.
01. Fiori musicali, Op. 12 (Excerpts): No. 18, Toccata avanti la messa delli apostoli, F 12.18
02. Fiori musicali, Op. 12 (Excerpts): No. 19, Kyrie delli apostoli, F 12.19 - No. 21, Kyrie, F 12.21
03. Fiori musicali, Op. 12 (Excerpts): No. 22, Christe, F 12.22 - No. 23, Christe, F 12.23
04. Fiori musicali, Op. 12 (Excerpts): No. 24, Kyrie, F 12.24 - No. 26, Kyrie, F 12.26
05. Fiori musicali, Op. 12 (Excerpts): No. 27, Canzon dopo l'epistola, F 12.27
06. Fiori musicali, Op. 12 (Excerpts): No. 28, Toccata avanti il recercar, F 12.28
07. Fiori musicali, Op. 12 (Excerpts): No. 30, Altro recercar, F 12.30
08. Fiori musicali, Op. 12 (Excerpts): No. 31, Toccata per l'elevatione, F 12.31
09. Fiori musicali, Op. 12 (Excerpts): No. 33, Canzon quarti toni dopo il post comune, F 12.33
10. Fiori musicali, Op. 12 (Excerpts): No. 1, Toccata avanti la messa della domenica, F 12.01
11. Fiori musicali, Op. 12 (Excerpts): No. 2, Kyrie della domenica, F 12.02 - No. 3, Kyrie, F 12.03
12. Fiori musicali, Op. 12 (Excerpts): No. 4, Christe, F 12.04 - No. 7, Christe alio modo, F 12.07
13. Fiori musicali, Op. 12 (Excerpts): No. 8, Kyrie, F 12.08 - No. 13, Kyrie alio modo, F 12.13
14. Fiori musicali, Op. 12 (Excerpts): No. 14, Canzon dopo l'epistola, F 12.14
15. Fiori musicali, Op. 12 (Excerpts): No. 15, Ricercar dopo il credo, F 12.15
16. Fiori musicali, Op. 12 (Excerpts): No. 16, Toccata cromaticha per l'elevatione, F 12.16
17. Fiori musicali, Op. 12 (Excerpts): No. 17, Canzon post il comune, F 12.17
18. Fiori musicali, Op. 12 (Excerpts): No. 34, Toccata avanti la messa della Madonna, F 12.34
19. Fiori musicali, Op. 12 (Excerpts): No. 35, Kyrie della Madonna, F 12.35 - No. 36, Kyrie, F 12.36
20. Fiori musicali, Op. 12 (Excerpts): No. 37, Christe, F 12.37 - No. 38, Christe, F 12.38
21. Fiori musicali, Op. 12 (Excerpts): No. 39, Kyrie, F 12.39 - No. 40, Kyrie, F 12.40
22. Fiori musicali, Op. 12 (Excerpts): No. 41, Canzon dopo l'epistola, F 12.41
23. Fiori musicali, Op. 12 (Excerpts): No. 43, Toccata avanti il recercar, F 12.43
24. Fiori musicali, Op. 12 (Excerpts): No. 44, Recercar con obligo di cantare la quinta parte senza toccarla, F 12.44
25. Fiori musicali, Op. 12 (Excerpts): No. 45, Toccata per l'elevatione, F 12.45
26. Fiori musicali, Op. 12 (Excerpts): No. 46, Bergamasca, F 12.46
27. Fiori musicali, Op. 12 (Excerpts): No. 47, Capriccio sopra la Girolmeta, F 12.47
Although the history of the Organ Mass dates to the early 15th century, Frescobaldi’s Fiori musicali of 1635, the feted composer’s last work comprising three Masses, represents a highwater-mark of the genre and “a final flowering and significant celebration of his musical genius and creativity”.
The first, In Dominicis infra annum (Orbis factor), composed for Sunday Mass, begins in declamatory style and transitions to a buoyant, playfully expressive conclusion. The Mass for the Apostles, Missa: In Festis Duplicibus I (Cunctipotens Genitor Deus), is marked by striking dynamic and textural contrasts. The third Mass, to mark Feasts of the Virgin Mary, In Festis Beata Mariae Virginis I (Cum jubilo), shows Frescobaldi daringly borrowing popular folk tunes to underline the connection between the secular and the sacred.
Richard Lester’s five-decades-spanning career began with harpsichord studies with George Malcom and saw him hailed by The Telegraph as “one of our leading players”. He has recorded more than 80 CDs of harpsichord and organ music and is the author of Girolamo Frescobaldi: A Variety of Inventions.
Led by baritone Mark Bennett, Devon-based The Greenwood Consort is a flexible ensemble of singers and instrumentalists committed to performing to communities with limited access to live music, who focus on historically informed performance of Baroque and pre-Baroque music.
Year 2023 | Classical | FLAC / APE | HD & Vinyl
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