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Peggy March - Sings Her German Hits (Expanded Edition) (2023)

Peggy March - Sings Her German Hits (Expanded Edition) (2023)
  • Title: Sings Her German Hits (Expanded Edition)
  • Year Of Release: 2023
  • Label: RCA - Legacy
  • Genre: Pop
  • Quality: FLAC (tracks) / MP3
  • Total Time: 2:33:04
  • Total Size: 959 / 360 MB
  • WebSite:
Tracklist:

01. Mit 17 hat man noch Träume
02. Ein Boy Wie Du
03. Es Fällt Ein Stern
04. Wer die junge Liebe kennt
05. Spiel nicht mit meiner Liebe
06. Lady Music
07. Good Bye, Good Bye, Good Bye
08. Die schönen Stunden geh'n schnell vorbei
09. Er schoß mir eine Rose
10. Little John
11. Der Schuster macht schöne Schuhe
12. Ich hab' ein Herz zu verschenken
13. Memories of Heidelberg
14. Liebesbriefe
15. Wenn der Silbermond
16. Hee, Hee -Hey, Hey (Mein Herz Das Ist Noch Frei)
17. Sweetheart, schenk mir einen Ring
18. Du Bist Der Mann Nach Meinem Herzen
19. Ja, oh ja
20. Der Sommerwind
21. Immer Wieder Kommst Du
22. Ich bin ein Cowgirl
23. Hundert Jahre und noch mehr
24. Lass Mir Meine Träume
25. Das Glück Lässt Sich Zeit
26. Sechs Tage Lang
27. Deine Welt Ist Meine Welt
28. Hallo Boy
29. Bei dem Dudel Di Dei Dei
30. Das Glück vergeht
31. Bobby küsst wunerbar (Oh-Oh, I'm Falling In Love Again)
32. Tino (Dream World)
33. More (Das kann der Anfang unserer Liebe sin)
34. Boom Bang-A-Bang
35. Die Antwort weiss ganz allein der Wind
36. Tausend Steine
37. Lass mich nie allein
38. Romeo & Julia
39. Fällt Der Regen in Das Meer
40. Spar Dir Deine Dollar
41. Mississippi Shuffle Boat
42. Ende Der Zwanziger Jahre
43. Es War Hochste Eisenbahn
44. Bahama Lullabye
45. Telegramm aus Tennessee
46. Das ist Musik für mich
47. Ein Zigeuner ohne Geige
48. Wedding in My Dreams
49. Du Du Du Gehst Mir Im Kopf Herum
50. Die Sonne Kommt Ja Wieder
51. Hey (Das ist Musik für mich)
52. Ich frage die Zigeunerin
53. Weil die Liebe zaubern kann
54. Der Mond Scheint Schön
55. Mister Giacomo Puccini
56. 1969 (Weil es so schön war)
57. Male nicht den Teufel an die Wand
58. Yesterday Waltz
59. Canale Grande Number One
60. Wiedersehn

Little Peggy March, age 15 years old, only ever had one big hit during her decade with RCA Records, but that song, "I Will Follow Him," spent three weeks at the number one spot on the charts and even topped the R&B charts for a week as well. It pretty well helped define the early girl group sound, as much as the Shangri-Las' "Leader of the Pack" or "Great Big Kiss" did at the later end of the musical genre. Her subsequent hits, "I Wish I Were a Princess" (which was featured prominently in John Waters' period romp Hairspray) and "Hello Heartache, Goodbye Love," scored much lower in the Top 40. RCA continued to record March for ten years, right into the early '70s, but she never scored an American hit of any consequence after early 1964. By contrast, in Europe, she was a popular recording artist for many years and scored several major hits, especially in Germany, where she moved in 1969.

Margaret Battavio, aka Little Peggy March, had dreamt of a singing career for most of her young life, and had been winning talent contests as a young girl. She was signed to RCA in 1962 at age 14, and made her debut that year with a cover of the song "Little Me," taken from a Sid Caesar Broadway hit, which vanished without a trace. Her second single was to ensure her place in the pop music reference books, however.

English-born girl singer Petula Clark, who'd been recording since the mid-'50s, had recently scored a hit in France with a song called "Chariot" on the Vogue label. RCA producers Hugo Peretti and Luigi Creatore ("Hugo and Luigi"), best known today for their work with Sam Cooke, found the song and got March to record the number in a new version with simpler lyrics, now known as "I Will Follow Him." Clark's recording was a slow, moody, soulful piece, with the singer seeking the depths of the song's meaning, all without the doo wop-style "did-ip, da did-ip, da did-ip" chorus. It sounded like the work of a woman. March's recording, by contrast, picked up the tempo, added a doo wop-style male chorus and a pulsing arrangement, prominent drums and chorus, and her breathy, breathless reading of the lyrics. It sounded like the work of a passionate girl, and it defined the girl group sound as much as numbers like "Johnny Angel."

March eventually released an entire album built around her sudden number one hit, including "I Wish I Were a Princess," which reached the Top 40 in 1963. The rest of the album was a pretty collection of tuneful teen pop, the world of romance as seen through the persona of a 15-year-old, including such numbers as "My Teenage Castle (Is Tumbling Down)" and "Johnny Cool." She subsequently saw modest chart success in America with the magnificent "Hello Heartache, Goodbye Love," a near-cousin of "I Will Follow Him" in beat and arrangement, which reached the Top 30 and also became a hit in England; and also with "The Impossible Happened," a funny, silly little teenage girl's romantic lament, which made the American Top 50. In early 1964, March was still reaching the lower ends of the charts with Paul Anka's "(I'm Watching) Every Move You Make," but after that, music began changing very rapidly with the advent of the British Invasion sound. She recorded 18 singles for RCA between 1964 and 1971 and several albums as well, none of which charted in any serious way in America.

As it turned out, the United States comprised only one part of the audience she was trying to reach, and listeners in Europe were far more interested in March as an American pop star than Americans were. She moved to Germany with her husband/manager, Arnie Harris, and enjoyed a career in recording, variety show performances, and television appearances. In the '80s, March returned to America, where she continues to be best known for "I Will Follow Him" and the naive early girl group sound that it represents, some 35 years after it was first released. © Bruce Eder


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  • mufty77
  •  wrote in 23:09
    • Like
    • 2
Fantastic upload!! Many thanks for Flac.