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Rainer Held, Deutsche Staatsphilharmonie Rheinland-Pfalz, Benjamin Bruns, Juliane Banse - Sutermeister: Orchestral Works, Vol. 2 (2023) [Hi-Res]

Rainer Held, Deutsche Staatsphilharmonie Rheinland-Pfalz, Benjamin Bruns, Juliane Banse - Sutermeister: Orchestral Works, Vol. 2 (2023) [Hi-Res]
  • Title: Sutermeister: Orchestral Works, Vol. 2
  • Year Of Release: 2023
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 01:12:11
  • Total Size: 288 / 644 mb
  • WebSite:
Tracklist

01. Consolatio philosophiae "Scène dramatique": I. La chemin de la vérité
02. Consolatio philosophiae "Scène dramatique": II. Les tentations
03. Consolatio philosophiae "Scène dramatique": III. La violence
04. Consolatio philosophiae "Scène dramatique": IV. L'amour
05. Consolatio philosophiae "Scène dramatique": V. La gloire
06. Consolatio philosophiae "Scène dramatique": VI. La folie du temps
07. Consolatio philosophiae "Scène dramatique": VII. La consolation de la philosophie
08. Consolatio philosophiae "Scène dramatique": VIII. La prière
09. Romeo und Julia: Ich reise weit
10. 7 Liebesbriefe: No. 1, Der Leidenschaftliche
11. 7 Liebesbriefe: No. 2, Der Naturphilosoph
12. 7 Liebesbriefe: No. 3, Der Liebeswahnsinnige
13. 7 Liebesbriefe: No. 4, Der Bürger als Brautigam
14. 7 Liebesbriefe: No. 5, Der Bürger als Ehemann
15. 7 Liebesbriefe: No. 6, Liebe und Tod
16. 7 Liebesbriefe: No. 7, Der Kavalier
17. 6 Liebesbriefe: No. 1, Die Verlobung
18. 6 Liebesbriefe: No. 2, Die Hochzeit
19. 6 Liebesbriefe: No. 3, Der Tod
20. 6 Liebesbriefe: No. 4, Die Trennung
21. 6 Liebesbriefe: No. 5, Capriccio
22. 6 Liebesbriefe: No. 6, Cherubino a cavallo

Heinrich Sutermeister (1910–95) belongs to the generation of Swiss composers after Bloch, Honegger, Martin and Schoeck. His operatic version of Romeo and Juliet soon spread his reputation far afield, and conductors as prominent as Böhm, Karajan and Sawallisch championed his works, although since his death his music has not had the attention it deserves. These four big-boned works – a powerful setting of Boethius, an extract from Romeo und Julia and two sets of moving love-letters from genuine historical figures in Renaissance, Baroque and Enlightenment Germany and Switzerland – attest to the acuity of his ear in balancing voice and large orchestra and confirm his instinct for drama.




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