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Orchestra of the Swan, Kenneth Woods - Gál: Symphony No. 4 / Schumann: Symphony No. 2 (2012)

Orchestra of the Swan, Kenneth Woods - Gál: Symphony No. 4 / Schumann: Symphony No. 2 (2012)
  • Title: Gál: Symphony No. 4 / Schumann: Symphony No. 2
  • Year Of Release: 2012
  • Label: Avie
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:13:02
  • Total Size: 305 mb
  • WebSite:
Tracklist:

Symphony No. 4 (Sinfonia Concertante) (Hans Gal)
1 Symphony No. 4 (Sinfonia Concertante) Op. 105: I. Improvvisazione: Molto moderato - Allegro moderato 11:21
2 Symphony No. 4 (Sinfonia Concertante) Op. 105: II. Scherzo leggiero: Vivace ma non presto 08:11
3 Symphony No. 4 (Sinfonia Concertante) Op. 105: III. Duetto: Adagio 08:51
4 Symphony No. 4 (Sinfonia Concertante) Op. 105: IV. Buffoneria: Allegro molto vivace 08:27
Symphony No. 2 in C Major, Op. 61 (Robert Schumann)
5 Symphony No. 2 in C Major, Op. 61: I. Sosenuto assai - Allegro ma non troppo 11:49
6 Symphony No. 2 in C Major, Op. 61: II. Scherazo: Allegro vivace 06:46
7 Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo 09:52
8 Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace 07:45

Performers:
Orchestra of the Swan
Kenneth Woods

Kenneth Woods and Orchestra of the Swan continue their revelatory cycle pairing the symphonies of Hans Gál and Robert Schumann, with the world premiere recording of the Gál’s Fourth and Schumann's Second.

Kenneth Woods’ and Orchestra of the Swan’s world-premiere recording of Hans Gál’s Symphony No. 3, coupled with Schumann’s Third (AV 2230), was one of the most lauded classical releases of 2011. With features on National Public Radio’s All Things Considered and Performance Today, in Gramophone and BBC Music Magazine, and dozens of newspaper and online reviews, a new generation is discovering and seeking out Gál’s wide-ranging and extensive oeuvre. Ken, a prolific blogger, further stokes the interest with his extensive posts on A View from the Podium, one of the 25 most read classical blogs in the world.

Woods and OOTS continue their cycle which pairs these two composers, with the world premiere of Gál’s Fourth and Schumann’s Second. Written in his ninth decade and premiered in 1975, Gál’s Fourth and final Symphony is scored for chamber orchestra and akin to a concerto grosso. The music exhibits Gál’s trademark pastoral and lyrical style, yet inwardly this is music of intense rigor and deep concentration. While Gál’s compositional pedigree is strongly linked to the Austro-German tradition of the Viennese classical masters, Schumann’s Second looks to an earlier era, taking much inspiration from the spirit of J.S. Bach with its contrapuntal textures and chorale themes.




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