Czech Chamber Philharmonic Orchestra Pardubice, Filip Dvořák, Patrick Gallois - Michael Haydn: Symphonies, Vol. 1 (2016)
- Title: Michael Haydn: Symphonies, Vol. 1
- Year Of Release: 2016
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:10:42
- Total Size: 366 mb
- WebSite: Album Preview
Tracklist
01. Symphony in G major, P. 16: I. Allegro con spirito
02. Symphony in G major, P. 16: II. Andante sostenuto
03. Symphony in G major, P. 16: III. Allegro molto
04. Symphony No. 30 in D major, P. 21: I. Adagio - Allegro spiritoso
05. Symphony No. 30 in D major, P. 21: II. Andante sostenuto
06. Symphony No. 30 in D major, P. 21: III. Vivace molto
07. Symphony in C major, P. 19: I. Allegro spiritoso
08. Symphony in C major, P. 19: II. Un poco adagio
09. Symphony in C major, P. 19: III. Fugato. Vivace assai
10. Symphony No. 24 in A major, P. 15: I. Allegro con brio
11. Symphony No. 24 in A major, P. 15: II. Andante cantabile
12. Symphony No. 24 in A major, P. 15: III. Menuetto
13. Symphony No. 24 in A major, P. 15: IV. Presto
This album, the first in a series devoted to the 41 symphonies of Michael Haydn, leads off with perhaps the most historically famous one of all: the Sinfonia in G major, Perger 16, is none other than the missing Symphony No. 37 of Mozart, which was not removed from the Mozart canon until 1907. The reason for the error was that a copy of the work exists in Mozart's handwriting; he wrote a slow introduction to the first movement (not performed here), and apparently copied out the piece in preparation. It remains difficult to believe that listeners' suspicions weren't raised before that; the work's simple, squarish movements resemble those of the symphonies Mozart wrote in his mid-teens. The Sinfonia in D major (Perger 21), with its larger dimensions, comes a good deal closer to Mozart. The four symphonies are all tuneful, well constructed, and they benefit from the relaxed, slightly jocular performances by the Czech Chamber Philharmonic Orchestra Pardubice (in whose hall the music was nicely recorded) under Patrick Gallois. An interesting feature of the music is the retention of the harpsichord parts, which seems justified in view of the cadenza-like passages in which they emerge from the background. Not Mozart by any stretch, but recommended for Classical period buffs.
01. Symphony in G major, P. 16: I. Allegro con spirito
02. Symphony in G major, P. 16: II. Andante sostenuto
03. Symphony in G major, P. 16: III. Allegro molto
04. Symphony No. 30 in D major, P. 21: I. Adagio - Allegro spiritoso
05. Symphony No. 30 in D major, P. 21: II. Andante sostenuto
06. Symphony No. 30 in D major, P. 21: III. Vivace molto
07. Symphony in C major, P. 19: I. Allegro spiritoso
08. Symphony in C major, P. 19: II. Un poco adagio
09. Symphony in C major, P. 19: III. Fugato. Vivace assai
10. Symphony No. 24 in A major, P. 15: I. Allegro con brio
11. Symphony No. 24 in A major, P. 15: II. Andante cantabile
12. Symphony No. 24 in A major, P. 15: III. Menuetto
13. Symphony No. 24 in A major, P. 15: IV. Presto
This album, the first in a series devoted to the 41 symphonies of Michael Haydn, leads off with perhaps the most historically famous one of all: the Sinfonia in G major, Perger 16, is none other than the missing Symphony No. 37 of Mozart, which was not removed from the Mozart canon until 1907. The reason for the error was that a copy of the work exists in Mozart's handwriting; he wrote a slow introduction to the first movement (not performed here), and apparently copied out the piece in preparation. It remains difficult to believe that listeners' suspicions weren't raised before that; the work's simple, squarish movements resemble those of the symphonies Mozart wrote in his mid-teens. The Sinfonia in D major (Perger 21), with its larger dimensions, comes a good deal closer to Mozart. The four symphonies are all tuneful, well constructed, and they benefit from the relaxed, slightly jocular performances by the Czech Chamber Philharmonic Orchestra Pardubice (in whose hall the music was nicely recorded) under Patrick Gallois. An interesting feature of the music is the retention of the harpsichord parts, which seems justified in view of the cadenza-like passages in which they emerge from the background. Not Mozart by any stretch, but recommended for Classical period buffs.
Year 2016 | Classical | FLAC / APE
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