Mei Yi Foo, Yoori Choi, Jin Hyung Lim, Toca Loca Ensemble, McGill Percussion Ensemble, Aiyun Huang - Harman: Works for Keyboards & Percussion (2014)
BAND/ARTIST: Mei Yi Foo, Yoori Choi, Jin Hyung Lim, Toca Loca Ensemble, McGill Percussion Ensemble, Aiyun Huang
- Title: Harman: Works for Keyboards & Percussion
- Year Of Release: 2014
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 00:55:42
- Total Size: 188 mb
- WebSite: Album Preview
Tracklist
01. After Schumann I
02. 371
03. Concertino: I. —
04. Concertino: II. —
05. Concertino: III. —
06. Concertino: IV. —
07. Der Tag mit seinem Licht
08. After Schumann II
Drawing inspiration from Bach’s Chorales and Two Part Inventions and two of Schumann’s piano cycles, the works on this recording create fresh and unique sound worlds from a variety of percussion and keyboard instruments such as tubular bells, crotales, prepared piano, celesta and toy piano. “The five solo and chamber works collected here span a period of seven years, from 2006 to 2013, and illustrate the significance of keyboard and percussion instruments in my music throughout this period. The enigmatic reference to ‘JSB’ (Johann Sebastian Bach) and ‘RS’ (Robert Schumann) underlines the importance of pre-existent music or ‘source material’ in most of my works since the mid-1990s.”
01. After Schumann I
02. 371
03. Concertino: I. —
04. Concertino: II. —
05. Concertino: III. —
06. Concertino: IV. —
07. Der Tag mit seinem Licht
08. After Schumann II
Drawing inspiration from Bach’s Chorales and Two Part Inventions and two of Schumann’s piano cycles, the works on this recording create fresh and unique sound worlds from a variety of percussion and keyboard instruments such as tubular bells, crotales, prepared piano, celesta and toy piano. “The five solo and chamber works collected here span a period of seven years, from 2006 to 2013, and illustrate the significance of keyboard and percussion instruments in my music throughout this period. The enigmatic reference to ‘JSB’ (Johann Sebastian Bach) and ‘RS’ (Robert Schumann) underlines the importance of pre-existent music or ‘source material’ in most of my works since the mid-1990s.”
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