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Silent Partners - Changing Times (2022)

Silent Partners - Changing Times (2022)

BAND/ARTIST: Silent Partners

  • Title: Changing Times
  • Year Of Release: 2022
  • Label: Little Village
  • Genre: Electric Blues, Blues Soul
  • Quality: FLAC (tracks) | MP3 320 kbps
  • Total Time: 45:50
  • Total Size: 285 MB | 109 MB
  • WebSite:
Tracklist:
1. Ain't No Right Way To Do Wrong (5:50)
2. Post Traumatic Blues Syndrome (3:59)
3. Road To Love (5:22)
4. Never Make Your Move Too Soon (5:35)
5. Dancin' Shoes (3:29)
6. Love Affair With The Blues (4:06)
7. Proving Ground (4:20)
8. Teasing Woman (4:24)
9. Good To Myself (3:53)
10. Beale Street Shuffle (4:47)

Personnel::
Tony Coleman – drums, vocals (1, 2, 4, 9)
Russell Jackson – bass, vocals (5, 6, 7)
Jonathan Ellison – guitar, vocals (3, 8, 10)

With special guests:
Kid Andersen – guitar
Jim Pugh – piano, organ
Vicki Randle – congas
Lisa Leuschner Andersen – vocals
Don Dally – violin

Members Tony Coleman (drums and vocals), Russell Jackson (bass) and Jonathan Ellison (guitar and vocals) bring all the knowledge and feel of five decades of experience to nine original blues and a cover (albeit with new original lyrics) of BB King & The Crusaders’ “Never Make Your Move Too Soon.”

Individually, the band members have resumes of band stints with B.B. King, Albert King, Bobby “Blue” Bland, Johnnie Taylor, Otis Clay, Denise LaSalle, Matt “Guitar” Murphy, and a host of other blues heavyweights.

The band’s secret ingredient is a keen feel for the rhythm of each song and the ability to play only the notes that need to be played. The opening track of the CD “Ain’t No Right Way To Do Wrong” is a slow blues that never gets ahead of itself and slowly builds tension without restoring to the exaggerated dramatics of so many of today’s “blues” artists.

“I can feel it,” Coleman says of each song’s rhythm. “I hear the patterns and play to it.”

It is a simple, straightforward musical attribute, yet also uncommon and unexpected. Coleman, Jackson, and Ellison share a camaraderie for the song, and celebrate each one by playing just what is called for.

For instance, on “Proving Ground,” Jackson lays down a plopping bass line over Coleman’s drumming and Ellison plays a solid rhythm guitar, adding impressive solo licks that make their statement and then disappear, leaving the rhythm to carry the song.

There also is punch from the Albert Collins-inspired stinging guitar licks on “Dancin’ Shoes” to Coleman’s pleading vocals on “Road To Love,” reminiscent of deep-soul singers James Carr and O.V. Wright taking you down a darkened hallway that only ends in heartbreak.

This CD shines on the soul of blues, a truly refreshing version of modern blues music.

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  • User offline
  • Kolomito
  •  wrote in 20:32
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Many thanks
  • User offline
  • whiskers
  •  wrote in 13:49
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Many thanks