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I Madrigalisti Ambrosiani & Gianluca Capuano - Carissimi: Jonas, Lauda Sion & Missa "Ut queant laxis" (2013)

I Madrigalisti Ambrosiani & Gianluca Capuano - Carissimi: Jonas, Lauda Sion & Missa "Ut queant laxis" (2013)
  • Title: Carissimi: Jonas, Lauda Sion, Missa ut queant laxis
  • Year Of Release: 2013
  • Label: Stradivarius
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 1:01:39
  • Total Size: 316 MB
  • WebSite:
Tracklist:

1. Edoardo Bellotti – Missa "Ut queant laxis": Introito (04:12)
2. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Kyrie I (01:58)
3. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Christe (00:58)
4. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Kyrie II (01:34)
5. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Gloria (05:07)
6. Edoardo Bellotti – Missa "Ut queant laxis": Canzon dopo l'epistola (01:52)
7. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Credo (06:57)
8. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Sanctus (00:50)
9. Edoardo Bellotti – Missa "Ut queant laxis": Toccata per l'elevazione (05:21)
10. I Madrigalisti Ambrosiani & Gianluca Capuano – Missa "Ut queant laxis": Agnus (01:00)
11. Elisa Franzetti, Emanuele Bianchi, Salvo Vitale & Edoardo Bellotti – Lauda Sion (09:26)
12. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Symphonia (01:10)
13. Annamaria Calciolari, Gabriele Palomba & Gianluca Capuano – Jonas: Cum repleta esset Ninive iniquitate (00:36)
14. Salvo Vitale, Jorge Alberto Guerrero, Davide Pozzi & Gianluca Capuano – Jonas: Surge, surge, Jona (00:44)
15. Annamaria Calciolari, Gabriele Palomba & Gianluca Capuano – Jonas: Audivit Jonas vocem Domini (00:40)
16. Emanuele Bianchi, Edoardo Bellotti & Gianluca Capuano – Jonas: Et cum processisset in mare (00:19)
17. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Et proeliabantur venti (02:24)
18. Emanuele Bianchi, Maurizio Sciuto, Salvo Vitale, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Dii magni! Dii fortes! (02:06)
19. Annamaria Calciolari, Gabriele Palomba & Gianluca Capuano – Jonas autem in interioribus navis (00:40)
20. Massimiliano Broglia, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Quid tu sopore deprimeris? (00:24)
21. Alessandro J. Cortese, Salvo Vitale, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Venite, venite (00:27)
22. Giovanni Caccamo, Gabriele Palomba & Gianluca Capuano – Jonas: Miserunt ergo sortem (00:19)
23. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Indica nobis (00:23)
24. Maurizio Sciuto, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Hebraeus ego sum (00:23)
25. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Quid faciemus tibi (00:19)
26. Maurizio Sciuto, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Tollite me et mittite in mare! (00:46)
27. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Tulerunt nautae Jonam (00:30)
28. Salvo Vitale, Davide Pozzi & Gianluca Capuano – Jonas: Et praeparavit Dominus cetum grandem (00:30)
29. Maurizio Sciuto, I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Justus es, Domine (06:08)
30. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Et imperavit Dominus pisci (00:21)
31. Elisa Franzetti, Edoardo Bellotti & Gianluca Capuano – Jonas: Et crediderunt Ninivitae (00:29)
32. I Madrigalisti Ambrosiani & Gianluca Capuano – Jonas: Peccavimus, Domine (02:30)

In many ways, Giacomo Carissimi - was quite literally - singularly unusual among the composers of the Italian baroque. Despite his enormous artistic stature, he was a humble man who didi not seek the limelight and who lived for his art alone. This lack of ego was as rare in his day as it is in aurs but fate was to play a cruel joke on him nonetheless. A papal decree stated that his manuscripts were to be preserved in the archive of the Collegium Germanicum so that they would be handed down to his successors intact. However, the opposite happened and they were completely lost. Thus it is that Carissimi enjoys a great reputation, yet there is a glaring lack of first-hand sources of his work.


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