Christophe Rousset - Froberger: Keyboard Suites (2010)
BAND/ARTIST: Christophe Rousset
- Title: Froberger: Keyboard Suites
- Year Of Release: 2010
- Label: Ambroisie - naïve
- Genre: Classical Harpsichord
- Quality: flac lossless (tracks)
- Total Time: 01:05:23
- Total Size: 395 mb
- WebSite: Album Preview
Tracklist
01. Suite No. 2 en Ré Mineur: Allemande
02. Suite No. 2 en Ré Mineur: Courante
03. Suite No. 2 en Ré Mineur: Sarabande
04. Suite No. 2 en Ré Mineur: Gigue
05. Suite No. 7 en Mi Mineur: Allemande
06. Suite No. 7 en Mi Mineur: Gigue
07. Suite No. 7 en Mi Mineur: Courante
08. Suite No. 7 en Mi Mineur: Sarabande
09. Suite No. 8 en la Majeur: Allemande
10. Suite No. 8 en la Majeur: Gigue
11. Suite No. 8 en la Majeur: Courante
12. Suite No. 8 en la Majeur: Sarabande
13. Suite No. 9 en Sol Mineur: Allemande
14. Suite No. 9 en Sol Mineur: Gigue
15. Suite No. 9 en Sol Mineur: Courante
16. Suite No. 9 en Sol Mineur: Sarabande
17. Suite No. 10 en la Mineur: Allemande
18. Suite No. 10 en la Mineur: Gigue
19. Suite No. 10 en la Mineur: Courante
20. Suite No. 12 en Do Majeur: Lamento
21. Suite No. 12 en Do Majeur: Gigue
22. Suite No. 12 en Do Majeur: Courante
23. Suite No. 12 en Do Majeur: Courante
24. Suite No. 12 en Do Majeur: Sarabande
For his third harpsichord recital in the ‘Cité de la Musique’ series, the remarkable French harpsichordist Christophe Rousset plays six of Froberger’s most authoritative suites on a legendary instrument considered a ‘national treasure’ by the French state.
Christopher Rousset’s interpretation of Froberger’s suites is all the more impressive and praiseworthy given Froberger’s insistence to have all his manuscripts destroyed after his death, claiming that no one else would be capable of playing his compositions. Froberger was highly sought-after, admired, and regarded as a model to be followed by his European contemporaries.
Christophe Rousset is one of the finest harpsichordists of his generation and a leader in the late 20th century revival of French Baroque music, acclaimed both in France and internationally. He has won critical accolades for his extraordinary command of the harpsichord repertory. Christophe Rousset’s recordings of the complete harpsichord works of François Couperin, Rameau, D’Anglebert and Forqueray and his regular incursions into the music of J.S Bach, are regarded as benchmarks.
01. Suite No. 2 en Ré Mineur: Allemande
02. Suite No. 2 en Ré Mineur: Courante
03. Suite No. 2 en Ré Mineur: Sarabande
04. Suite No. 2 en Ré Mineur: Gigue
05. Suite No. 7 en Mi Mineur: Allemande
06. Suite No. 7 en Mi Mineur: Gigue
07. Suite No. 7 en Mi Mineur: Courante
08. Suite No. 7 en Mi Mineur: Sarabande
09. Suite No. 8 en la Majeur: Allemande
10. Suite No. 8 en la Majeur: Gigue
11. Suite No. 8 en la Majeur: Courante
12. Suite No. 8 en la Majeur: Sarabande
13. Suite No. 9 en Sol Mineur: Allemande
14. Suite No. 9 en Sol Mineur: Gigue
15. Suite No. 9 en Sol Mineur: Courante
16. Suite No. 9 en Sol Mineur: Sarabande
17. Suite No. 10 en la Mineur: Allemande
18. Suite No. 10 en la Mineur: Gigue
19. Suite No. 10 en la Mineur: Courante
20. Suite No. 12 en Do Majeur: Lamento
21. Suite No. 12 en Do Majeur: Gigue
22. Suite No. 12 en Do Majeur: Courante
23. Suite No. 12 en Do Majeur: Courante
24. Suite No. 12 en Do Majeur: Sarabande
For his third harpsichord recital in the ‘Cité de la Musique’ series, the remarkable French harpsichordist Christophe Rousset plays six of Froberger’s most authoritative suites on a legendary instrument considered a ‘national treasure’ by the French state.
Christopher Rousset’s interpretation of Froberger’s suites is all the more impressive and praiseworthy given Froberger’s insistence to have all his manuscripts destroyed after his death, claiming that no one else would be capable of playing his compositions. Froberger was highly sought-after, admired, and regarded as a model to be followed by his European contemporaries.
Christophe Rousset is one of the finest harpsichordists of his generation and a leader in the late 20th century revival of French Baroque music, acclaimed both in France and internationally. He has won critical accolades for his extraordinary command of the harpsichord repertory. Christophe Rousset’s recordings of the complete harpsichord works of François Couperin, Rameau, D’Anglebert and Forqueray and his regular incursions into the music of J.S Bach, are regarded as benchmarks.
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