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Klaus Tennstedt - Beethoven: Symphony Nos. 3, 6 & 8 (2006)

Klaus Tennstedt - Beethoven: Symphony Nos. 3, 6 & 8 (2006)

BAND/ARTIST: Klaus Tennstedt

  • Title: Beethoven: Symphony Nos. 3, 6 & 8
  • Year Of Release: 2006
  • Label: Warner Classics
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 02:29:49
  • Total Size: 599 mb
  • WebSite:
Tracklist

CD1
01. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
02. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
03. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
04. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
05. The Creatures of Prometheus, Op. 43: Overture
06. Coriolan Overture, Op. 62
07. Egmont, Op. 84: Overture

CD2
01. Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
02. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
03. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
04. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -
05. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
06. Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
07. Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
08. Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
09. Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
10. Fidelio, Op. 72: Overture

Listeners who come to Klaus Tennstedt's three canonical EMI recordings of Beethoven's Third, Sixth, and Eighth symphonies hoping to hear echoes of his justly celebrated Mahler interpretations will be disappointed. But listeners who come to his Beethoven hoping to hear musical greatness will by no means be disappointed. Unlike his Mahler, Tennstedt's Beethoven is heroic but not ironic, exalted but not exquisite, huge but not gargantuan. Tennstedt's Third is big and brave with plenty of pathos but no bathos. His Sixth is lovingly lyrical and deeply pantheistic, but with no trace of nervous anxiety. His Eighth is exuberantly energetic and hilariously funny, but with none of the sense of strain that sometime afflicts Mahler. And whatever one may think of Tennstedt's approach to Beethoven, surely the London Philharmonic never played better for any conductor since the departure of Thomas Beecham, its founder and first conductor. The brazen power of the brass, the searing strength of the strings, the radiant colors of the winds, the effortless elegance of the ensemble, and best of all the obvious awe and affection for Tennstedt make the playing here immensely effective and totally convincing. Try just the Egmont Overture: Tennstedt drives the LPO remorselessly forward, keeping the drama moving until the enormous explosion of the coda when liberty rings out over the orchestra. If this performance doesn't convince you, skip listening to the rest. If it does convince you, nothing will stop you from listening to the rest. EMI's early digital sound is vivid and immediate, but oddly empty, even in the live Third.

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